Alfred Robaut. L'Œuvre de Corot: Catalogue raisonné et illustré. [reprint 1965]. Paris, 1905, vol. 3, pp. 180–81, no. 1728, ill., calls it "Passeur atterrissant avec deux paysannes dans sa barque" and dates it about 1865; states that it sold in 1892 for Fr 49,000 [sic].
B[ryson]. B[urroughs]. "Modern Paintings in the Altman Bequest." Metropolitan Museum of Art Bulletin 9 (December 1914), p. 252, ill., notes its similarity to Corot's "River with a Distant Tower" (MMA 11.45.4).
François Monod. "La Galerie Altman au Metropolitan Museum de New-York (2e article)." Gazette des beaux-arts, 5th ser., 8 (November 1923), p. 312 n. 1, places it in Corot's last period.
Charles Sterling, and Margaretta M. Salinger. "XIX Century." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 2, New York, 1966, p. 58, ill., note that "Corot seems to have borrowed from Bonington the practice of animating a landscape with a note of brilliant color".