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Marble seated harp player

Period:
Late Early Cycladic I–Early Cycladic II
Date:
2800–2700 B.C.
Culture:
Cycladic
Medium:
Marble
Dimensions:
H. with harp 11 1/2 in. (29.21 cm)
Classification:
Stone Sculpture
Credit Line:
Rogers Fund, 1947
Accession Number:
47.100.1
  • Description

    A male figure playing a stringed instrument sits on a high-backed chair. This work is one of the earliest of the small number of known representations of musicians. It is distinguished by the sensitive modeling of the arms and hands.

  • Provenance

    From the Cyclades (Wace 1949, p. 426).

    1945, lent to the Metropolitan Museum by Joseph Brummer; acquired July 11, 1947, purchased from the estate of Joseph Brummer.

  • References

    Wace, A. J. B. 1949. "Prehistoric Stone Figurines from the Mainland." In Commemorative Studies in Honor of Theodore Leslie Shear. Hesperia, suppl., 8. [Baltimore]: American School of Classical Studies, p. 426.

    Richter, Gisela M.A. 1953. Handbook of the Greek Collection. Cambridge, Mass.: Harvard University Press, pp. 14-15, 293, n. 25, pl. 6.

    von Bothmer, Dietrich. 1964. Guide to the Collections: Greek and Roman Art. New York: The Metropolitan Museum of Art, p. 2, fig. 2.

    Preziosi, P. G., and S. S. Weinberg. 1970. "Evidence for Painted Details in Early Cycladic Sculpture." Antike Kunst 13: 10-11, fig. 11, pls. 5, 6.

    Forsyth, W. H. 1974. "Acquisitions from the Brummer Gallery." In The Grand Gallery at The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, p. 4.

    Thimme, J. 1977. Art and Culture of the Cyclades in the Third Millennium B.C. Translated and edited by P. Getz-Preziosi. Chicago: University of Chicago Press, p. 495, no. 253.

    von Bothmer, Dietrich. 1978. Antichnoe iskusstvo iz muzeia Metropoliten, Soedinennye Shtaty Ameriki. Moscow: Sovetskii Khudozhnik, no. 1.

    The Metropolitan Museum of Art. 1979. Greek Art of the Aegean Islands. New York: The Metropolitan Museum of Art, p. 48, no. 4.

    Getz-Preziosi, Pat. 1980. "The Male Figure in Early Cycladic Sculpture." Metropolitan Museum Journal 15: no. 9, pp. 5, 7, 11-15, 25, 31, figs. 14, 16-19, 20a.

    The Metropolitan Museum of Art. 1987. Greece and Rome. New York: The Metropolitan Museum of Art, no. 1, p. 14.

    Mertens, Joan R. 1998. "Some Long Thoughts on Early Cycladic Sculpture." Metropolitan Museum Journal 33: pp. 10-11, fig. 6.

    Getz-Gentle, P. 2001. Personal Styles in Early Cycladic Sculpture. Madison: University of Wisconsin Press, p. 174, pl. 21.

    Mertens, J. R. 2002. "Cycladic Art in the Metropolitan Museum: Antecedants and Acquisitions." In Silent Witnesses: Early Cycladic Art of the Third Millennium BC, edited by Chr. G. Doumas. New York: Alexander S. Onassis Public Benefit Foundation, p. 18, fig. d.

    Craxton, J., and P. Warren. 2004. "A Neocycladic Harpist?" In Material Engagements: Studies in Honour of Colin Renfrew, edited by N. Brodie and C. Hills. Cambridge: McDonald Institute for Archaeological Research, pp. 109-13, pl. 8.1.

    Picón, C. A., et al. 2007. Art of the Classical World in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, p. 409, no. 4, ill. p. 31.

    Caubet, Annie et al. 2001. Zervis et l'art des Cyclades. Vézelay: Musé Zervos, p. 20, fig. 12.

  • See also
130015085

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