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Shunk
Dung Dkar
Karna
Da Tongjiao
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This artwork is currently on display in Gallery 681
In Hinduism the conch shell is usually associated with the god Vishnu, Lord of the Waters, but the brass fittings on this shell indicate a link with Shaivite ritual. The mouthpiece suggests a lotus, while the heavily decorated conical end depicts rows of nagas (serpent divinities) and wreath-bearing kirtimukhas ("Faces of Glory"). A yoni design (symbol of female energy) is interspersed between each naga and kirtimukha. The fitting terminates with the head of a makara (elephant/crocodile monster), atop which strides a yali (elephant/lion monster). Three figures rest at the upper edge of the shell's opening: the lingam/yoni, symbol of Shiva and representation of the unified male/female force; Ganesh, the elephant-headed son of Shiva; and Nandi, a milk-white bull who serves as Shiva's vehicle. The opening of the hoofed stand represents a yoni.
Written by Masselos Jim, Written by Ms. Jackie Menzies, Written by Pratapaditya Pal. Dancing To The Flute: Music and Dance in Indian Art. The Art Gallery of New South Wales, Sydney, Australia. Sydney, Australia, 1997, pg. 176-177, fig. 110, ill.Libin Laurence, J. Kenneth Moore. "Recent Acquisitions 1985-1986: A Selection: Musical Instruments." The Metropolitan Museum of Art Bulletin (1986), pg. 45, ill.
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