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Prestige Stool: Female Caryatid

Date:
19th century (?)
Geography:
Democratic Republic of the Congo, Lovoi River region
Culture:
Luba peoples
Medium:
Wood, glass beads
Dimensions:
H. 23 1/4 x W. 11 x D. 10 7/8 in. (59.1 x 27.9 x 27.6 cm)
Classification:
Wood-Furniture
Credit Line:
The Michael C. Rockefeller Memorial Collection, Gift of Nelson A. Rockefeller, 1969
Accession Number:
1978.412.317
  • Description

    The Luba peoples occupy a land of rivers and savanna in the southeast of what is today Democratic Republic of the Congo. As early as the seventeenth century, Luba society consisted of an extensive, centrally organized state structured on the principles of divine kingship and rule by council.

    This ornate and impressive seat of leadership belonged to a Luba chief. Luba leaders trace their ancestry to a dynasty of sacred kings, and Luba royal seats are intended to replicate an original seat of office owned by the progenitor of this divine lineage. Such works associate their owner with the source of his legitimacy.

    Despite their functional form, royal stools are never used for sitting but, rather, are sacred insignia preserved within a king's palace. They serve as metaphorical, not literal, seats of kingship. The design of Luba seats of leadership may either be abstract or figurative. Those incorporating female caryatids give expression to the Luba conception of the female body as a spiritual receptacle that supports divine kingship. The aesthetic refinement of the female body through elaborate skin ornamentation and coiffure serves as a metaphor for the civilization and refinement that Luba rulers disseminate within society. This particular caryatid displays filed teeth, a practice of beautification thought to render spoken language more "sweet" by weaving words and sentences into utterances of admirable clarity and beauty.

    Blue and white beads such as those that embellish this caryatid are worn by important members of the court and provide spiritual protection for their owners. Here, the beads emphasize the caryatid's high social status and shield both the king and the stool itself from supernatural harm.

  • Provenance

    Joseph Corneille (José) Van den Boogaerde, Brussels, until 1950; [Charles Ratton, Paris, 1950–1958];Nelson A. Rockefeller, New York, on loan to The Museum of Primitive Art, New York, 1958–1969; The Museum of Primitive Art, New York, 1969–1978

  • See also
    Who
    What
    Where
    In the Museum
    Heilbrunn Timeline of Art History
    MetPublications
310760

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