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Dressing in Steel: Part Two

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Portrait of Walter Devereux (1539–1576), Earl of Essex, in Armor

English Painter

Date:
1572
Culture:
British
Medium:
Oil on wood
Dimensions:
41 7/8 x 31 1/2 in. (106.3 x 30 cm)
Classification:
Miscellaneous-Paintings & Portraits
Credit Line:
Rogers Fund, 1920
Accession Number:
20.151.6
  • Description

    Walter Devereux succeeded his grandfather as Viscount Hereford and Lord Ferrers in 1558. He was joint custodian of Mary, Queen of Scots, in 1568. The following year, he helped put down the Northern Rising and was appointed marshal of the army at Leicester. He was lord lieutenant of County Stafford from 1569 until his death. Faithful to Queen Elizabeth I, Devereux was installed as a Knight of the Garter in 1572, and created Earl of Essex the same year. He sailed for Ireland in the summer of 1573 in an attempt to colonize Ulster, a costly venture that ended in failure in the summer of 1575. The earl died in Dublin in 1576 and was succeeded by his son Robert, a royal favorite who was executed in 1601 after attempting to raise a rebellion.

    This work is among numerous Elizabethan portraits formerly attributed to Federico Zuccaro, who was in London for only six months, from March to August 1575; no paintings from the Italian artist’s brief stay in England are known to survive. In 1962 David Piper suggested that the painting might be by George Gower (1540–1596), and in 1965 Roy Strong agreed, but the evidence is so limited that it is difficult to judge [verbal opinions recorded in department files].

    The present portrait is one of a number that commemorated the sitter’s rise to power in 1572. It was apparently modeled on a portrait of William Herbert, created Baron Herbert of Cardiff and Earl of Pembroke in 1551, who died in 1570 (Amgueddfa Cymru—National Museum Wales, Cardiff). A version of the MMA portrait is at the Mansion House, Ipswich; others were in the collections of Earl Amherst (sold, Sotheby's, London, January 29, 1964, no. 1) and Lord Bagot (sold, Sotheby's, London, July 26, 1967, no. 172). A variant of higher quality (National Portrait Gallery, London) differs in that the sitter’s hair is close-cropped, and he extends a baton. A coarser version of the London portrait belongs to the Ulster Museum in Belfast.

    While the face and hands are somewhat worn, the painting is in generally good state, with some losses where the three boards that make up the work are joined vertically.

    [2010; adapted from Ref. Baetjer 2009]

  • Signatures, Inscriptions, and Markings

    Inscription: Dated and inscribed: (upper left, on Garter) HONI·SOIT·QVI·MAL·Y·PENSE· (Shame on him who thinks evil); (upper right) Ao·DNI·1572· / ÆT·SVÆ·32· / VIRTVTIS, COMES, INVIDIA (Envy is the companion of virtue)

  • Provenance

    Ex coll.: LakingLord John Thynne 3rd Baron Carteret by descent to Lord John Thynne, 3rd Baron Carteret (until d. 1849); Rev. John Thynne his nephew, Rev. John Thynne, Haynes Park, Bedfordshire (1849–d. 1881); Francis John Thynne his son, Francis John Thynne, Haynes Park (1881–d. 1910); Bevil Granville Carteret Thynne his son, Bevil Granville Carteret Thynne (1910–11; Thynne Heirlooms sale, Christie's, London, May 1, 1911, no. 35, for £89.5.0 to Leggatt); Leggatt Brothers [Leggatt, London, from 1911]; Sir Guy Francis Laking Sir Guy Francis Laking, London and York Gate House, Broadstairs, Kent (until d. 1919; his estate sale, Christie's, London, April 23, 1920, no. 46, as by F. Zuccaro, to Dean for MMA)

  • See also
    Who
    What
    Where
    When
    In the Museum
    Heilbrunn Timeline of Art History
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