The Hungarian artist Ilonka Karasz was educated at the Royal School of Arts and Crafts in Budapest, emigrating to America at an early age. She worked as a designer and interior decorator, as well as a painter and illustrator, contributing dozens of New Yorker cover illustrations during her career. Karasz was highly successful and productive in a field almost entirely dominated by men. As a designer, she worked in a number of media, including metalwork, textiles, ceramics, and furniture. This teak chair is typical of her furniture designs of the 1920s-30s. In its angular, geometric form, it is clearly influenced by early twentieth-century European designs, notably those of the Viennese architect and designer Josef Hoffmann, whose son Wolfgang was a personal friend. Much of her furniture of this period, including this chair, is made of unpainted exotic woods, emphasizing their planar, geometric forms and lack of ornament.