The portly profile of the king identifies this as a work from late in the reign of Amenhotep III. The back pillar is in the form of a djed-pillar, a hieroglyph symbolizing stability. The inscriptions associate the king with the Theban god Amun-Re and it has been suggested that this statuette was dedicated as part of Amenhotep's third Heb-Sed, a rejuvenation ceremony celebrated in year 37 of his reign.The king wears a shawl draped over his left arm and a fringed tunic beneath. Innovatively, the sleevelike piece of the tunic that hangs over the right arm has been pleated. This detail represents the beginning of a trend that would become universally accepted during the reign of Akhenaten (ca. 1349–1332 B.C.) and continue long after.