The artist ventured here with spellbinding bravura into the bucolic world of satyrs and nymphs, attaining the effect of a deliberately unfinished easel painting. The satyr has finished playing his shepherd's pipe and sprawls out with hedonistic abandon as he listens to the beautiful youth take his turn on a pipe. The satyr may represent Pan or Marsyas, while the youth may be Apollo, Olympos, or Daphnis. None of the Classical myths provides an entirely consistent fit with the composition, but it evokes a gentle, idyllic contest. It may allude to the contrast between the passionate spirit of the Dionysian (as represented by the satyr) and the beauty and clarity of reason of the Apollonian (the youth), which, according to Renaissance and Baroque humanists, were the two opposing impulses of artistic creativity.

Sir William Richard Drake (1817–1890); Christie's, London, Drake sale, May 24-5, 1892 (part of no. 415); Dr. Francis Springell (Portinscale, Cumberland); Sotheby's, London, June 28, 1962, no. 39

James Byam Shaw Old Masters Drawings from the Collection of Dr. and Mrs. Francis Springell, October 15 - November 11, 1959. Ex. cat. P. & D. Colnaghi & Co., Ltd., London, 1959, fig. no. pl. XIV, no. 53, ill.

Jacob Bean "Form and Function in Italian Drawings: Observations on Several New Acquisitions." in The Metropolitan Museum of Art Bulletin. The Metropolitan Museum of Art, vol. 21, no. 7, New York, March 1963, fig. no. pl. 9, pp. 235-36, ill.

Jacob Bean, Lawrence Turcic 17th century Italian Drawings in The Metropolitan Museum of Art. The Metropolitan Museum of Art, New York, 1979, cat. no. 115, fig. no. 115, p. 86, ill.

Drawings by Old Masters Exhibition at The Royal Academy, Diploma Gallery. Royal Academy of Arts, London, London, 1953, no. 136.

" " in Die Weltkunst. Die Weltkunst, 32, 1962, fig. no. no. 12, p. 15, ill.

Jacob Bean 100 European Drawings in the Metropolitan Museum of Art. New York Graphic Society, New York, 1964, cat. no. 34, fig. no. 34, ill.

The Minneapolis Institute of Arts Fiftieth Anniversary Exhibition 1915-1966, 1965-1966. Minneapolis Institute of Arts, Minneapolis, 1965.

Jacob Bean, Felice Stampfle Drawings from New York Collections, Vol. II: The Seventeenth Century in Italy. Ex. cat. The Metropolitan Museum of Art, The Pierpont Morgan Library, New York, February 23-April 22, 1967, fig. no. pl. 77, no. 77, ill.

Ann Percy Giovanni Benedetto Castiglione. Philadelphia Museum of Art, 1971, fig. no. no. 64, pp. 96-97, no.64, ill.

Jacob Bean (but catalogue not signed), The Metropolitan Museum of Art Roman Artists of the 17th Century: Drawings and Prints. Exh. cat., November 2, 1976-January 16, 1977. New York, 1976.

Carmen C. Bambach, Nadine Orenstein, William M. Griswold, Allegra Pesenti Genoa: Drawings and Prints, 1530-1800 Exh. cat. The Metropolitan Museum of Art, New York, 1996, cat. no. 37, fig. no. no. 37, Cover and p. 40, ill.