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The Garden of Venus, ca. 1631–37
Pietro Testa (Italian, Roman, 1612–1650)
Etching; second or later state, lower margin trimmed; sheet 13 3/4 x 16 11/16 in. (35 x 42.4 cm)
Harris Brisbane Dick Fund, 1926 (26.70.3[44])

Testa was one of a group of artists who were fascinated by the chubby infants who throng Titian's Worship of Venus, then in the Aldobrandini collection in Rome. Titian's canvas was based on a description of an ancient painting in the Imagines of the Greek poet Philostratus (ca. 190 A.D.). Testa did not attempt an exact re-creation of the Greek artwork but created a variant, in which the amorini (little loves) gather flowers rather than apples and Venus is present in the flesh rather than as a statue. Yet, as in both precedents, cupids fight, kiss, sleep, and, in the distant background, chase a hare to offer to Venus.


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    The Garden of Venus, ca. 1631–37
    Pietro Testa (Italian, Roman, 1612–1650)
    Etching; second or later state, lower margin trimmed; sheet 13 3/4 x 16 11/16 in. (35 x 42.4 cm)
    Harris Brisbane Dick Fund, 1926 (26.70.3[44])