Qian Xuan (Chinese, ca. 1235–before 1307)
Handscroll; ink, color, and gold on paper
9 1/8 x 36 1/2 in. (23.2 x 92.7 cm)
Inscribed by the artist (far left) and by the Qianlong emperor (r. 1736–95; upper left, dated 1746)
Ex coll.: C.C. Wang Family, Gift of The Dillon Fund, 1973 (1973.120.6)
After the fall of the Southern Song capital in 1276 (1279?), Qian Xuan chose to live as a yimin, a "leftover citizen" of the Song dynasty. Using his richly archaistic "blue-and-green" painting style, the artist deliberately employed a primitive manner to allude to a lost immortal's realm that could be achieved only through a regimen of "internal alchemy."
Watching Geese illustrates the story of Wang Xizhi (ca. 303–ca. 361), a calligraphy master of legendary fame and a practitioner of Daoist alchemy who was said to derive inspiration from natural forms, such as the graceful necks of geese. The artist's poem reads:
How pleasant are the elegant bamboo and trees!In a peaceful pavilion, relaxing with bare stomach,how wonderful it must feel!Writing the Daodejing [The Way and Its Power] for a Daoist friend,He leaves behind a romantic image–a man who loves geese.Related
Index Terms
Artist
Material and Technique
Subject Matter/Theme
- Animal, Bird
- Literature and Literary Connections
- Literature and Literary Connections, Chinese Poetry
