Subject Index: Figure, Biblical, New Testament, Virgin Mary

Indexes

Works of Art (59)

	Amulet, 6th century, Byzantine, from Egypt (?), Hematite amulet carved intaglio, with gilded silver mount (17.190.491)
	Christ Crucified between the Virgin and Saint John, 14th century, Probably French, Onyx; mounted, probably a pendant in gold with enamel and rock crystal (40.20.59)
	The Annunciation, ca. 1485, Botticelli (Alessandro di Mariano Filipepi) (Italian, Florentine), Tempera and gold on wood (1975.1.74)
	The Lamentation, ca. 1582, Ludovico Carracci (Italian, Bolognese), Oil on canvas (2000.68),
	The Virgin and Child with Saint John the Baptist, ca. 1520–30, Northern Italian, Sardonyx; mounted in gold as a ring (38.150.4)
	The Young Virgin, ca. 1632–33, Francisco de Zurbarán (Spanish), Oil on canvas (27.137)
	All Saints in an Initial E: Cutting from an Antiphonary, ca. 1430–40, Osservanza Master (Italian), Tempera and gold leaf on parchment (1975.1.2484)
	Annunciation Triptych, ca. 1425, Robert Campin and Assistant (South Netherlandish), South Netherlandish; Made in Tournai, Oil on wood (56.70)
	Annunciation, 1480–89, Hans Memling (Netherlandish), Oil on canvas, transferred from wood panel (1975.1.113)
	The Annunciation, 1672, Luca Giordano (Italian, Neapolitan), Oil on canvas (1973.311.2)
	Assumption of the Virgin in an Initial A: Cutting from an Antiphonary, ca. 1470–80, Cosimo Tura (Italian), Tempera and gold leaf on parchment (11.50.1)
	Assumption of the Virgin with Saints Michael and Benedict, altarpiece, late 1480s, Luca Signorelli and Workshop (Italian, Tuscan), Oil and gold on wood (29.164)
	Assumption of the Virgin, ca. 1340, Bernardo Daddi (Italian [Florence]), Tempera on panel (1975.1.58)
	Assumption of the Virgin, early 16th century, Bergognone (Ambrogio di Stefano da Fossano) (Italian, Milanese), Oil and gold on wood (27.39.1)
	The Assumption of the Virgin, Francesco de Mura (Italian, Neapolitan), Pen and black ink, gray wash, over black chalk (1971.243)
	Bust of the Virgin, ca. 1390–95, Bohemian, Terracotta with several layers of paint (2005.393)
	Chalice of Peter of Sassoferrato, ca. 1341–1342, Italian; Siena, from the Franciscan Church of Sassoferrato, Silver gilded and translucent enamel (1988.67)
	Chasuble, ca. 1330–1350, English, Silk and silver-gilt thread and colored silks in underside couching, split stitch, laid-and-couched work, and raised work, with pearls on velvet (27.162.1)
	Coronation of the Virgin, ca. 1455, Giovanni di Paolo (Italian, Sienese), Tempera on panel (1975.1.38)
	Dead Christ with the Virgin, Saint John, and Angels, ca. 1390–1405, French (Paris), Opaque and translucent enamel on gold (17.190.913)
	Diptych with Scenes of the Annunciation, Nativity, Crucifixion, and Resurrection, 1300–1325, German; Made in Cologne (possibly), Rhine valley, silver gilt with translucent and opaque enamels (1980.366)
	Diptych with the Last Judgment and Coronation of the Virgin, ca. 1250–1270, French; Paris, Elephant ivory (1970.324.7a–b)
	Doorway from Moutiers-Saint-Jean, ca. 1250, French, Limestone with traces of polychromy (32.147)
	Double-Sided Pendant Icon with the Virgin and Christ Pantokrator, ca. 1080–1120, Byzantine; Made in Constantinople, Cloisonné enamel, gold (1994.403)
	Embroidery with the Annunciation, mid-15th century, Netherlandish, Silk and metallic threads on linen (1990.350)
	Enthroned Virgin, late 12th century, Scandinavian, perhaps from Gotland, Poplar with remains of polychromy (17.190.716)
	Entombment of Christ, ca. 1390–1405, French (Paris), Opaque and translucent enamel on gold (1982.60.398)
	Figures of the Mourning Virgin and Saint John, ca. 1744–45, Italian; Capodimonte, Soft-paste porcelain (45.7 cm)
	Head of the Madonna, fragment, Andrea del Sarto (Andrea d'Agnolo) (Italian, Florentine), Oil on wood (32.100.89)
	Head of the Virgin in Three-Quarter View Facing Right, 1508–12, Leonardo da Vinci (Italian), Italian, Charcoal, black and red chalks; traces of framing line in pen and brown ink at upper right (51.90)
	Icon with the Deesis, mid-900s, Byzantine; Probably made in Constantinople, Ivory (17.190.133)
	Icon with the Koimesis ("Falling Asleep") of the Virgin Mary, late 10th century, Byzantine; Probably made in Constantinople, Ivory (17.190.132)
	Icon with the Presentation of Christ in the Temple, 1400–1500, Byzantine, Wood, painted, with gold ground (31.67.8)
	Initial R, with the Annunciation, from a Gradual, ca. 1300, German; Probably made at the convent of Sankt Katharinenthal, Lake Constance, Tempera and gold leaf on parchment (1982.175)
	Lamentation Group, dated 1487, Italian (Faenza), probably made for a Franciscan church or convent near Faenza, Tin-glazed earthenware (majolica) (04.26a-h)
	Lamentation, 1591, Scipione Pulzone (Il Gaetano) (Italian, Roman), Oil on canvas (1984.74)
	Lamentation, ca. 1450, Petrus Christus (Netherlandish) Oil on wood (91.26.12)
	Lamentation, ca. 1510–20, Attributed to Jan de Beer (Netherlandish), Pen and black ink, over traces of black chalk (2001.189)
	Lamentation, recto and verso, early 1470s, Simon Marmion (French), Oil and tempera(?) on oak panel (1975.1.128)
	Last Judgment, from a Book of Hours, ca. 1400, French; Paris, Tempera and gold on vellum (1998.179)
	Madonna and Child with Saints and Angels, ca. 1350, Lippo Memmi (Filippo di Memmo) (Italian, Sienese), Tempera on wood, gold ground (43.98.6)
	Madonna and Child, 1370s, Paolo di Giovanni Fei (Italian, Sienese), Tempera on wood, gold ground (41.190.13)
	Madonna in the Clouds, ca. 1581 (no later than 1582), Federico Barocci (Italian), Etching and engraving; sheet (17.50.18.147)
	Marriage of the Virgin, ca. 1430, Michelino da Besozzo (Michelino de Mulinari) (Italian, Lombard), Tempera and gold on wood (43.98.7)
	Mater Dolorosa (Mourning Virgin), 18th century, Sino-Spanish, Wood with pigments, gilding, ivory, and silver (2002.133a,b)
	Mourning Virgin, from a Crucifixion Group, ca. 1585–90, Manner of Germain Pilon (French), Gilt bronze (1998.437)
	*Pietà (Vesperbild)*, ca. 1400, Bohemian, Limestone (2001.78)
	Portal from the Church of San Leonardo al Frigido, ca. 1170–1180, Italian; Made in Tuscany, White Carrara marble, grayish marble (62.189)
	Processional Cross, ca. 1000–1050, Byzantine, Silver with gilding and gilded silver medallions (1993.163)
	The Virgin Adoring the Host, 1852, Jean-Auguste-Dominique Ingres (French), Oil on canvas (2005.186)
	Virgin and Child with Saint Anne, probably 1519, Albrecht Dürer (German), Oil on wood (14.40.633)
	Virgin and Child, ca. 1444–46, Pesellino (Francesco di Stefano) (Italian, Florentine), Tempera on panel (30.95.254)
	Virgin Mary and Five Standing Saints above Predella Panels, 1440–1446, German; From the Carmelite church at Boppard-am-Rhein, Pot-metal glass, white glass, vitreous glass, silver stain (37.52.1–6)
	Virgin of the Apocalypse, ca. 1480–1490, Circle of the Master of the Amsterdam Cabinet, German; Middle Rhineland, Colorless glass, silver stain, and vitreous paint (1982.47.1)
	Virgin of the Immaculate Conception, 18th century, Hispano-Philippine, Ivory, partly polychromed and gilded, with glass eyes and silver halo (64.164.243)
	Virgin, banco panel, Master of Riglos (Spanish, Aragonese), Tempera and oil on wood, gold ground (52.35)
	Visitation, 1444, Probably Strasbourg; From the Carmelite church at Boppard-am-Rhein, Pot-metal glass (13.64.3ab)
	Visitation, ca. 1310, Attributed to Master Heinrich of Constance, German; Made in Constance, Walnut, paint, gilding, rock-crystal cabochons (17.190.724)
	Writing Tablet: Booklet with Scenes of the Passion, ca. 1300–1320, French or German, Elephant ivory, polychromy, and gold (1982.60.399)