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The Bather (model for a fountain), 18th century (ca. 1780) or 19th–early 20th century,
By or after Jean-Antoine Houdon (French),
Probably French,
Terracotta (32.100.159) |
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Bather (statue from a fountain group), 18th century (1782),
Jean-Antoine Houdon (French),
French (Paris),
Marble (14.40.673) |
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Benjamin Franklin (1706–1790), 18th century (1778),
Jean-Antoine Houdon (French),
French (Paris),
Marble (72.6) |
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Block statue of a governor, Late Period, Dynasty 26 (ca. 664–525 B.C.),
Egyptian,
Graywacke (1982.318) |
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Boys in a Dory, 1873,
Winslow Homer (American),
Watercolor washes and gouache over graphite underdrawing on medium rough textured white wove paper (2001.608.1) |
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Charles-Maurice de Talleyrand-Périgord (1754–1838), Prince de Bénévent, 1817,
Pierre-Paul Prud'hon (French),
Oil on canvas (1994.190) |
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Childbirth bowl (scodella) with confinement-chamber scene (interior) and Diana and Actaeon (exterior), ca. 1530s,
Circle of Francesco Xanto Avelli (Italian),
Tin-glazed earthenware (maiolica) (41.49.2) |
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Childbirth tray (desco da parto) with scenes from Boccaccio's Commedia delle ninfe fiorentine: Ameto's Discovery of the Nymphs and Contest between the Shepherds Alcesto and Acaten, ca. 1410,
Master of 1416 (Italian, Florentine),
Tempera on panel (26.287.1,2) |
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Childbirth tray (desco da parto) with the Triumph of Fame (recto) and Medici and Tornabuoni arms and devices (verso), 1448–49,Giovanni di Ser Giovanni Guidi, called Lo Scheggia (Italian, Florentine),
Tempera, silver, and gold on panel (1995.7) |
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Combat at a City Gate, early 16th century,
Il Riccio (Andrea Briosco) (Italian),
Italy (Padua),
Bronze (1986.319.30) |
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Costumes of Roman Women,
Pietro Bertelli (Italian, Paduan),
Engravings (62.676.31.2–6) |
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Dish with scene of Christ at Supper with Simon the Pharisee and with the Arms of Orsini Impaling della Rovere, 1528,
Circle of Nicola da Urbino (Italian); lustered in the workshop of Maestro Giorgio Andreoli (Gubbio),
Tin-glazed earthenware (maiolica), with luster (1975.1.1103) |
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Dovizia, late 15th–early 16th century,
Workshop of Giovanni della Robbia (Italian, Florentine),
Glazed terracotta (22.16.6) |
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The Emperor Aurangzeb at a Royal Hunt, ca. 1700,
Bhavanidas (Mughal school, later Kishangarh),
India,
Opaque watercolor, ink, and gold on paper (2003.430) |
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Ewer with profile busts of a man and a woman, ca. 1520,
Possibly workshop of Maestro Giorgio Andreoli (Italian),
Tin-glazed earthenware (maiolica), with luster (27.97.39) |
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Female Dancer, Western Han dynasty (206 B.C.–9 A.D.), 2nd century B.C.,
China,
Earthenware with slip and pigments (1992.165.19) |
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Francesco Sassetti and His Son Teodoro, ca. 1488,
Domenico Ghirlandaio (Italian, Florentine),
Tempera on panel (49.7.7) |
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Girl Braiding Her Hair, 1600–1610,
Barthélemy Prieur (French),
Bronze with red-brown lacquer patina (1982.60.126)
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"Gondola" cup with figure personifying a spring, ca. 1620–25; model, ca. 1600–1610,
Probably by Guillaume Dupré (French),
Lead-glazed earthenware (53.225.54)
|
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Head of the pharaoh Apries, Late Period, Dynasty 26, reign of Apries, ca. 589–570 B.C.,
Egyptian,
Diorite (1994.198) |
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Jewel cabinet incorporating a watch, possibly before 1766,
Signed by James Cox (English),
Agate, mounted in gilded copper and gilded brass and set with painted enamel plaques, and fruitwood (64.101.829) |
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La Frileuse / Winter, 18th century (1787),
Jean-Antoine Houdon (French),
French (Paris),
Bronze (62.55) |
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Louise Brongniart (1772–1845), 18th century (after a model of 1777),
After Jean-Antoine Houdon (French),
French (Paris),
Marble (14.40.670) |
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Low-footed bowl with bust of a woman, ca. 1530,
Urbino or Castel Durante,
Tin-glazed earthenware (maiolica) (1975.1.1084) |
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A Mercenary Holding the Banner of the Canton Glarus, 1521,
Urs Graf (Swiss),
Pen and brown ink (2003.323) |
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Morion, ca. 1560–65,
Germany (Brunswick),
Etched steel (1999.62) |
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The Natchez, 1835,
Eugène Delacroix (French),
Oil on canvas (1989.328) |
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The Nurse, from a model of ca. 1607–8,
Probably designed by Guillaume Dupré (French),
Lead-glazed earthenware (1974.356.303)
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Partial coffee service ("Déjeuner Culture et Récolte du Cacao"), 1836,
Sèvres Manufactory (French); Decorated by Jean-Charles Develly (French),
Hard-paste porcelain (1986.281.1ab–4) |
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Pendant with facing couple (obverse) and sacred monogram (reverse), 15th century,
Italy,
Silver gilt, niello (17.190.965) |
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The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935), ca. 1870,
Berthe Morisot (French),
Oil on canvas (2003.20.8) |
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Plate with the Death of the Woman of Sestos, 1532,
Francesco Xanto Avelli (Italian),
Tin-glazed earthenware (maiolica) (32.100.378) |
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Plate, ca. 520–510 B.C.; red-figure,
Greek, Attic,
Signed by Epiktetos as painter,
Terracotta (1981.11.10) |
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Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini; and Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini, ca. 1485–90,
Attributed to the Maestro delle Storie del Pane,
Tempera on panel (1975.1.95, 96) |
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Portrait of Alvise Contarini (recto) and a tethered roebuck (verso); portrait of a woman (recto) and scene in grisaille (verso), ca. 1485–95,
Jacometto Veneziano (Italian, Venetian),
Oil on panel (1975.1.85, 86) |
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Portrait of Charlotte Duchesne, ca. 1628–30,
Philippe de Champaigne (French),
Black chalk, heightened with white chalk, touches of red chalk (1994.7) |
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Portrait of Pietro Aretino (probably after a design by Sebastiano del Piombo), ca. 1517–20 or 1524–25,
Marcantonio Raimondi (Italian),
Engraving (17.50.40) |
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A Rose, 1907,
Thomas P. Anshutz (American),
Oil on canvas (1993.324) |
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Roundel with mock Triumph of Love, ca. 1510–20,
Perhaps Castel Durante or elsewhere in the Marches,
Tin-glazed earthenware (maiolica) (1975.1.1025) |
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Studies of ten (?) heads and two ears (recto); Studies of three figures and a head (verso), ca. 1495–98,
Gerard David (Netherlandish),
Silverpoint on prepared paper (recto); black chalk (verso) (2008.368a,b) |
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Table cover with story of Gombaut and Macée, ca. 1600,
French,
Wool and silk on canvas (54.7.1)
|
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Woman Bathing, 1890–91
Mary Cassatt (American, 1844–1926)
Drypoint and aquatint (16.2.2) |
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Woman Seen from the Back, ca. 1862,
Onésipe Aguado (French),
Salted paper print from glass negative (2005.100.1) |
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Young Woman Knitting, ca. 1883,
Berthe Morisot (French),
Oil on canvas (67.187.89) |
