Works of Art (141)
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A Bird's-Eye View, 1889, Theodore Robinson (American), Oil on canvas (10.64.9) |
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A Forest at Dawn with a Deer Hunt, ca. 1635, Peter Paul Rubens (Flemish), Oil on wood (1990.196) |
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A Gathering at Woods' Edge, ca. 1760–80, Jean-Honoré Fragonard (French), French, Red chalk (1995.101) |
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A Large Tree, Salvator Rosa (Italian, Neapolitan), Pen and brown ink, on brown paper (11.66.7) |
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A Meadow Bordered by Trees, ca. 1845,
Pierre-Étienne-Théodore Rousseau (French),
Oil on wood (11.45.5) |
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A River Landscape with Storks, 1864,
Charles-François Daubigny (French),
Oil on wood (14.40.818) |
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A Road in Louveciennes, ca. 1870, Pierre-Auguste Renoir (French), Oil on canvas (1974.356.32) |
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A Rushy Shore, 1887–88, Peter Henry Emerson (British, born Cuba), Platinum print (1994.520.2) |
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Allée of Chestnut Trees,
Alfred Sisley (English),
Oil on canvas (1975.1.211) |
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Alpine Pool, 1907, John Singer Sargent (American), Oil on canvas (50.130.15) |
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Ariadne, 1913, Giorgio de Chirico (Italian, born Greece), Oil and graphite on canvas (1996.403.10), |
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Arques-la-Bataille, 1884, John Henry Twachtman (American), Oil on canvas (1991.130) |
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Arques-la-Bataille, 1885, John Henry Twachtman (American), Oil on canvas (68.52) |
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Bandits on a Rocky Coast, Salvator Rosa (Italian, Neapolitan), Oil on canvas (34.137) |
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Black Columns in a Landscape, 1919, Paul Klee (German), Watercolor, pen, and ink on paper (1987.455.1) |
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Blind Orion Searching for the Rising Sun, 1658, Nicolas Poussin (French), Oil on canvas (24.45.1) |
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Bohemia Lies by the Sea, 1996, Anselm Kiefer (German), Oil, emulsion, shellac, charcoal, and powdered paint on burlap (1997.4a,b) |
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Brig on the Water, 1856, Gustave Le Gray (French), Albumen silver print from glass negative (1976.645.1) |
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Bringing down Marble from the Quarries to Carrara, 1911, John Singer Sargent (American), Oil on canvas (17.97.1) |
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Côte des Grouettes, near Pontoise, probably 1878,
Camille Pissarro (French),
Oil on canvas (1991.277.2) |
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Clump of Trees with a Vista, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Drypoint; second state of two (20.46.4) |
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Craig Goch, Moel Hebog, North Wales, 1802, Cornelius Varley (British), Watercolor over graphite (1973.83) |
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Cypresses, 1889, Vincent van Gogh (Dutch), Oil on canvas (49.30) |
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Day: From the series Dreams, 1891, Odilon Redon (French), Lithograph (44.8 x 31.6 cm) (20.30.6) |
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Entrance to the Port of Boulogne, 1855, Édouard Baldus (French, born Prussia), Salted paper print from paper negative (1992.5000) |
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Evening: Landscape with an Aqueduct, 1818,
Jean-Louis-André-Théodore Gericault (French),
Oil on canvas (1989.183) |
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Falconer's Bag, 1695, Jan Weenix (Dutch), Oil on canvas (50.55) |
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Falls of the Llugwy, at Pont y Pair, 1857, Roger Fenton (British), Albumen silver print from glass negative (1988.1027) |
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Fantastic Landscape, Francesco Guardi (Italian, Venetian), Oil on canvas (53.225.3) |
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Fishing Boats, Collioure, 1905, André Derain (French), Oil on canvas (1982.179.29) |
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Fontainebleau: Oak Trees at Bas-Bréau, 1832 or 1833, Jean-Baptiste-Camille Corot (French), Oil on paper, laid down on wood (1979.404) |
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Fountain in Front of the Villa Aldobrandini (Villa Belvedere): From Le fontane di Roma, part 2, Le fontane delle ville di Frascati (plate 5), 1691,
Artist: Giovanni Battista Falda (Italian),
Rome: Giovanni Giacomo de' Rossi, 1691,
Etching (1991.1073.145.5) |
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Four-Master and Two Three-Masters Anchored near a Fortified Island with a Lighthouse, ca. 1561–62, Frans Huys after Pieter Bruegel the Elder (Netherlandish), Engraving and etching; first state of two (59.534.23) |
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Gardanne, 1885–86, Paul Cézanne (French), Oil on canvas (57.181) |
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Garden at Sainte-Adresse, 1867, Claude Monet (French), Oil on canvas (67.241) |
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Gardens of the Villa d'Este at Tivoli, Charles-Joseph Natoire (French), Pen and brown ink, brown and gray wash, watercolor, heightened with touches of white, over black and red chalk (65.65) |
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Harvesters, 1565, Pieter Bruegel the Elder (Netherlandish), Oil on wood (19.164) |
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Haystacks (Effect of Snow and Sun), 1891, Claude Monet (French), Oil on canvas (29.100.109) |
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Haystacks: Autumn, ca. 1874,
Jean-François Millet (French),
Oil on canvas (60.71.12) |
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Hieronymus in Deserto (Saint Jerome in the Wilderness), ca. 1555–56, Jan and Lucas van Doetecum after Pieter Bruegel the Elder (Netherlandish), Etching and engraving; only state (26.72.13) |
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Huis ten Bosch, view of the garden facade, dated ca. 1668, Jan van der Heyden (Dutch), Oil on wood (64.65.2) |
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Inter artes et naturam (Between Art and Nature),
Pierre Puvis de Chavannes (French),
Oil on canvas (58.15.2) |
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Italian Landscape with an Old Woman Holding a Spindle (after Domenico Campagnola), ca. 1715, Jean Antoine Watteau (French), Red chalk (1972.118.237) |
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La Grenouillère, 1869, Claude Monet (French), Oil on canvas (29.100.112) |
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Land of Cockaigne, after 1570(?), Attributed to Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; first state of two (26.72.44) |
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Landscape with a Double Spruce in the Foreground, ca. 1520–22, Albrecht Altdorfer (German), Etching printed from iron (1993.1097) |
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Landscape with a Tree and a Farm Building, Anthony van Dyck (Flemish), Pen and brown ink, brush and brown wash (2003.27) |
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Landscape with Architecture, ca. 1730, Isaac de Moucheron (Netherlandish), Pen and brown ink, brush and brown and black ink over traces of black chalk (61.21.2) |
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[Landscape with Clouds], probably 1856, Roger Fenton (British), Salted paper print from glass negative (1997.382.35) |
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Landscape with Cottage, 1845, Marie-Charles-Isidore Choiselat (French); Stanislas Ratel (French), Daguerreotype (1994.417) |
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Landscape with Goat, Titian (Tiziano Vecellio) (Italian, Venetian), Italian, Pen and brown ink (1991.462) |
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Landscape with Trees, Aelbert Cuyp (Dutch, Black chalk, gray wash, watercolored in brown, yellow, and green, partly brushed with gum arabic (07.282.14) |
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Landscape with Wine Harvest, 1630s, Pietro da Cortona (Pietro Berrettini) (Italian), Brush and gray wash, touches of pen and brown ink, over traces of black chalk, with an illusionistic frame drawn in yellow and brown wash, on off-white laid paper (2003.101) |
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Landscape, 1892,
Hilaire-Germain-Edgar Degas (French),
Monotype in oil colors, heightened with pastel (1972.636) |
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Le Bassin d'Apollon (The Fountain of Apollo, Versailles): From the series Veues des plus Beaux Lieux de France et d'Italie . . ., 1680s, Adam Perelle (French), Nicolas Langlois, Paris, Etching (52.519.84.88) |
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Le Jardinier: From the Fêtes Italiennes (Italian Village Scenes), 1734–36, François Boucher (French); Woven at the Beauvais workshop under André Charlemagne Charron (French), 1762, French, Wool and silk (64.145.4) |
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Lovers, ca. 1525–30, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma), Etching, first state; sheet, trimmed to platemark (26.70.3 [102]) |
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Magdalena Poenitens (Penitent Magdalene), ca. 1555–56, Joannes and Lucas van Doetecum after Pieter Bruegel the Elder (Netherlandish), Etching with engraving; first state of two (26.72.14) |
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[Miss Mary and Lotte at the Hill Crest], ca. 1910, Heinrich Kühn (Austrian, born Germany), Autochrome (2005.100.370) |
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Mont Sainte-Victoire and the Viaduct of the Arc River Valley, 1882–85, Paul Cézanne (French), Oil on canvas (29.100.64) |
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Mountain Stream, ca. 1912–14, John Singer Sargent (American), Watercolor and graphite on off-white wove paper (15.142.2) |
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Nocturne: The Thames at Battersea, 1878, James Abbott McNeill Whistler (American), Lithograph(17.3.159) |
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[Oak Tree and Rocks, Forest of Fontainebleau], 1849–52, Gustave Le Gray (French), Salted paper print from paper negative (2000.13) |
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Olive Orchard, 1889, Vincent van Gogh (Dutch), Oil on canvas (1998.325.1) |
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Olive Trees at Tivoli, 1873, George Inness (American), Gouache, watercolor, and graphite on blue wove paper with colored fibers (1989.287) |
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Palais de Gézyret, Pavillon Extérieur, 1870s,
J. Pascal Sébah (Turkish), Cairo, Albumen silver print from glass negative (1973.594.55) |
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Peach Blossoms—Villiers-le-Bel, ca. 1887–89, Childe Hassam (American), Oil on canvas (1979.490.9) |
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Penitence of Saint Jerome, triptych, ca. 1518, Joachim Patinir (Netherlandish), Oil on wood (36.14a–c) |
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Pirna: The Obertor from the South, Bernardo Bellotto (Italian, Venetian), Oil on canvas (1991.306) |
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Polyphemus and Galatea in a Landscape, last decade of 1st century B.C.; mid-Augustan, Third Style, Roman, Fresco (20.192.17)ar |
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Poppy Field, Argenteuil, 1875, Claude Monet (French), Oil on canvas (2001.202.5) |
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Promenade among the Olive Trees, 1905–6, Henri Matisse (French), Oil on canvas (1975.1.194) |
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Queen Esther Approaching the Palace of Ahasuerus, 1658, Claude Lorrain (Claude Gellée) (French), Pen and brown ink, brown wash over black chalk, heightened with white (1997.156) |
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Rabbit Hunt, 1560, Pieter Bruegel the Elder (Netherlandish), Etching (25.2.11) |
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Reapers Resting in a Wheat Field, 1885, John Singer Sargent (American), Oil on canvas (50.130.14) |
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Road in Etten, 1881, Vincent van Gogh (Dutch), Chalk, pencil, pastel, watercolor (1975.1.774) |
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Romesnil, 1850–55, Louis-Rémy Robert (French), Salted paper print from paper negative (1996.363.2) |
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Saint Anthony Abbot Tempted by a Heap of Gold, ca. 1435, Osservanza Master (Italian [Siena]), Tempera on panel (1975.1.27) |
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Saint Jerome in the Wilderness, ca. 1525–30, Italian School, after Titian (Tiziano Vecellio) (Italian, Venetian), Woodcut (22.73.119) |
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Schiphol, 1994, Andreas Gursky (German), Chromogenic print (1995.191) |
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Schreckhorn, Eismeer (from the Splendid Mountain Watercolours Sketchbook), 1870, John Singer Sargent (American), Watercolor and graphite on off-white wove paper (50.130.146f recto) |
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Springtime, ca. 1894–99,
Maurice Denis (French),
Oil on canvas (1999.180.2ab) |
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Summer Morning, ca. 1830, Made by David Lucas (British); Designed by John Constable (British), Mezzotint (39.68.27) |
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Summer, 1570, Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; first state of two (26.72.23) |
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Temptation of Saint Anthony (recto); Fantastic Landscape (verso), ca. 1510–20, Jan Wellens de Cock (Netherlandish), Pen, or point of the brush, and gray ink, heightened with white, on green prepared paper (1972.118.276) |
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The Artist's Garden at Saint-Clair,
Henri-Edmond Cross (French),
Watercolor on paper (48.10.7) |
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The Bodmer Oak, Fontainebleau Forest, 1865, Claude Monet (French), Oil on canvas (64.210) |
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The Edge of the Woods at Monts-Girard, 1854, Pierre-Étienne-Théodore Rousseau (French), Oil on wood (96.27) |
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The Fairy Tree at Colinton, ca. 1846, David Octavius Hill (Scottish,); Robert Adamson (Scottish), Salted paper print from paper negative (1997.382.29) |
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The Feast of Acheloüs, ca. 1615, Peter Paul Rubens (Flemish); and Jan Brueghel the Elder (Flemish), Oil on wood (45.141) |
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The Ferryman, ca. 1865,
Jean-Baptiste-Camille Corot (French),
Oil on canvas (14.40.811) |
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The Fishermen (Fantastic Scene), ca. 1875, Paul Cézanne (French), Oil on canvas (2001.473) |
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The Floods of 1856, Avignon, 1856, Édouard Baldus (French, born Prussia), Salted paper print from paper negative (1997.52) |
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The Flowering Orchard, 1888, Vincent van Gogh (Dutch), Oil on canvas (56.13) |
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The Forest in Winter at Sunset, 1845–67,
Pierre-Étienne-Théodore Rousseau (French),
Oil on canvas (11.4) |
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The Great Wave, Sète, 1856–59, Gustave Le Gray (French), Albumen silver print from glass negative (1976.646) |
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The Iron Forge between Dolgelli and Barmouth in Merioneth Shire: Plate 6 of XII Views in North Wales, 1776, Paul Sandby (British), London, Etching and aquatint printed in brown ink (36.8.30) |
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The Lake of Zug, 1843, Joseph Mallord William Turner (British), Watercolor over graphite (59.120) |
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[The Large Tree at La Verrerie, Romesnil], ca. 1852, Louis-Rémy Robert (French), Salted paper print from paper negative (2005.100.38) |
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The Manneporte near Étretat, 1886, Claude Monet (French), Oil on canvas (31.67.11) |
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The Mill of Montmartre, probably ca. 1820,
Georges Michel (French),
Oil on canvas (25.110.8) |
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The Rest on the Flight into Egypt, ca. 1627, Nicolas Poussin (French), Oil on canvas (1997.117.6) |
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The Roman Campagna, dated ca. 1639, Claude Lorrain (Claude Gellée) (French), Oil on canvas (65.181.12) |
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The Semicircular Water Theater of the Villa Mondragone: From Le fontane di Roma, part 2, Le fontane delle ville di Frascati (plate 18), 1691,
Artist: Giovanni Battista Falda (Italian),
Rome: Giovanni Giacomo de' Rossi, 1691,
Etching; (1991.1073.145.18) |
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The Swing, 1777–79, Hubert Robert (French), Oil on canvas (17.190.27) |
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The Terrace at Vernonnet, 1939, Pierre Bonnard (French), Oil on canvas (68.1) |
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The Three Trees, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Etching with drypoint and engraving (29.107.31) |
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The Windmill, 1641, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Etching (41.1.12) |
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Three Ages of Man, Dosso Dossi (Giovanni de Lutero) (Italian, Ferrarese), Oil on canvas (26.83) |
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[Tree Study, Forest of Fontainebleau], ca. 1856,
Gustave Le Gray (French),
Albumen silver print from glass negative (1987.1011) |
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Two Satyrs in a Landscape, Titian (Tiziano Vecellio) (Italian), Pen and brown ink, highlighted and corrected with white gouache, on off-white laid paper (1999.28) |
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Vaprio d'Adda, 1744, Bernardo Bellotto (Italian, Venetian), Oil on canvas (39.142) |
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Venetian Canal, 1913, John Singer Sargent (American), Watercolor and graphite on off-white wove paper (15.142.10) |
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View of Collioure and the Sea, 1907, Henri Matisse (French), Oil on canvas (1999.363.42) |
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View of Kensington Gardens, ca. 1811, John Linnell (British), Watercolor over graphite on paper (2000.238) |
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View of La Crescenza, 1648–50, Claude Lorrain (Claude Gellée) (French), Oil on canvas (1978.205) |
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View of Rome, Seen from the Janiculum Hill, Anton van den Wyngaerde (Flemish), Pen and brown ink, brown wash (52.124.1) |
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View of Rouen from St. Catherine's Hill, 1821–22, Richard Parkes Bonington (British), Watercolor over graphite on white wove paper (1996.277) |
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View of St. Peter's and the Vatican from the Janiculum (Gianicolo), 1754, Richard Wilson (British), British, Black and white chalks with stumping, on gray paper laid down on original artist's mount, colored with purple wash (1972.118.294) |
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View of the Grand Facade of the Louvre (Vue de la Grande Façade du Vieux Louvre), 1752, Jacques Rigaud (French), Etching (53.600.1191) |
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View of the Lake and the Island from the Lawn at Kew (plate 38), 1763, William Marlow (English), Designed by Sir William Chambers (English), Watercolor (25.19.38) |
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View of the Queen's Theatre from the Rotunda, ca. 1739, Jacques Rigaud (French), Ink and wash (42.79.7) |
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View of the Villa La Petraia: From Vedute delle ville, e d'altri luoghi della Toscana (plate 33), 1744,
Artist: Filippo Morghen, after a drawing by Giuseppe Zocchi (Italian),
Florence: Giuseppe Allegrini, 1744,
Etching (36.31.10.33) |
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View of the Villa Lante on the Janiculum (Gianicolo) in Rome, 1782–83, John Robert Cozens (British), British, Watercolor over traces of graphite on white laid paper (67.68) |
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View of the Wilderness at Kew, 1763, William Marlow (English), Sir William Chambers (English), Watercolor (25.19.43) |
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View of Toledo, El Greco (Domenikos Theotokopoulos) (Greek), Oil on canvas (29.100.6) |
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Villa Borghese: From Li giardini di Roma (plate 15), after 1677,
Artist: Simone Felice (Italian),
Rome: Giovanni Giacomo de' Rossi, after 1677,
Etching (61.532.26[15]) |
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Villa d'Este, Tivoli, View of the Palace from the Lower Level Garden: From Le fontane di Roma, part 4, Le fontane del giardino Estense in Tivoli (plate 3 [foldout]), 1691,
Artist: Giovanni Franceso Venturini (Italian),
Rome: Giovanni Giacomo de' Rossi, 1691,
Etching (1991.1073.145.3) |
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Villa Medici: From Li giardini di Roma (plate 7), after 1677,
Artist: Giovanni Battista Falda (Italian),
Rome: Giovanni Giacomo de' Rossi, after 1677,
Etching (61.532.26[7]) |
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Ville-d'Avray, 1870,
Jean-Baptiste-Camille Corot (French),
Oil on canvas (87.15.141) |
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Warwick Castle: The East Front, 1752, Canaletto (Giovanni Antonio Canal) (Italian, Venetian), Pen and brown ink, gray wash (1975.1.297) |
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Wheat Field with Cypresses, 1889, Vincent van Gogh (Dutch), Oil on canvas (1993.132) |
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Wild Emperor, 1975, Anselm Kiefer (German), Watercolor and acrylic on paper (1995.14.11) |
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Wilton Garden (plate 1), ca. 1640, Written and designed by Isaac de Caus (French), Peter Stent (British), Thomas Rowlett, London, Etching (27.66.2) |
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Wooded Landscape at L'Hermitage, Pontoise, 1879,
Camille Pissarro (French),
Softground etching, drypoint, and aquatint on china paper, sixth state (21.46.1) |
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Wooded Landscape with Herdsmen and Cows, mid- to late 1780s, Thomas Gainsborough (British), Aquatint, printed in brown ink (49.95.59) |
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Wooded Upland Landscape, probably 1783, Thomas Gainsborough (British), Oil on canvas (06.1279) |
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Eastern Coast of Rügen Island with Shepherd, ca. 1805–6,
Caspar David Friedrich (German),
Sepia-colored ink, sepia-colored wash, white gouache, and graphite on off-white wove paper (2002.260) |
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Pomegranates and Other Fruit in a Landscape
Abraham Brueghel (Flemish)
Oil on canvas (71.118) |
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The Afternoon Meal (La Merienda), ca. 1771,
Luis Egidio Meléndez (or Menéndez) (Spanish),
Oil on canvas (1982.60.39) |
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Hortus Palatinus (plate 32), bound with Les raisons des forces mouvants, 1620, Salomon de Caus (Flemish, active in Germany), Jan Norton, Frankfurt, Etching (49.122) |
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Thematic Essays (45)
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