Works of Art (25)
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Manuscript Leaf from a Choir Book, second half of 15th century,
Mariano del Buono (Italian, Florentine(?)),
Parchment, tempera, ink, gold leaf (96.32.15) |
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The Adoration of the Shepherds, ca. 1500, Francesco Marmitta (Italian), Tempera and gold leaf on parchment (1975.1.2491) |
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All Saints in an Initial E: Cutting from an Antiphonary, ca. 1430–40, Osservanza Master (Italian), Tempera and gold leaf on parchment (1975.1.2484) |
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Assumption of the Virgin in an Initial A: Cutting from an Antiphonary, ca. 1470–80, Cosimo Tura (Italian), Tempera and gold leaf on parchment (11.50.1) |
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Descent from the Cross: Cutting from a Missal, ca. 1475–76, Girolamo da Cremona (Italian), Tempera and gold leaf on parchment, laid down on wood (49.7.8) |
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Double-Sided Gospel Leaf, first half of 14th century,
Ethiopia; Tigray region,
Tempera on parchment (2006.100) |
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Facsimile of a scene depicting an estate (Tomb of Nebamun, ca. 1375 B.C.), ca. 1928, Tempera on paper (30.4.57) |
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Facsimile of a scene depicting the afterlife (Tomb of Sennedjem) (detail), ca. 1922, Charles K. Wilkinson (American, born Britain), Tempera on paper (30.4.2) |
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Initial V from a Bible, ca. 1175–1195, French; From the Abbey of Pontigny, Tempera on parchment (1999.364.2) |
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King David in Prayer in an Initial B: Cutting from a Psalter, 1450, Zanobi Strozzi (Italian), Tempera and gold leaf on parchment (1975.1.2470) |
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Last Judgment in an Initial C: Cutting from an Antiphonary, ca. 1406–7, Lorenzo Monaco (Piero di Giovanni) (Italian, Florentine), Tempera and gold leaf on parchment (1975.1.2485) |
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Last Judgment, from a Book of Hours, ca. 1400, French; Paris, Tempera and gold on vellum (1998.179) |
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Leaf from a Laudario with the Martyrdom of Saint Bartholomew,
Pacino di Bonaguida (Italian),
Tempera and gold on parchment (2006.250) |
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Leaf from a Royal Manuscript, with Scenes from the Life of Saint Francis, ca. 1320–1342, Italian; Made in Bologna, for Hungarian use, Tempera and gold leaf on parchment (1994.516) |
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Leaf from the Hours of Étienne Chevalier: The Right Hand of God Protecting the Faithful against Demons, ca. 1452–60, Jean Fouquet (French), Tempera and gold leaf on parchment (1975.1.2490) |
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Machinery, 1920,
Charles Demuth (American),
Tempera and pencil on cardboard (49.59.2)
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Manuscript Illumination with the Evangelist Luke, late 13th–early 14th century, Tempera and gold leaf on parchment (2001.633) |
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Martyrdom of Saint Agatha in an Initial D: Cutting from an Antiphonary, ca. 1470–73, Sano di Pietro (Italian), Tempera and gold leaf on parchment (1975.1.2488) |
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Psalter, late 12th century, Byzantine, Tempera, black ink, gold leaf on parchment with paper endpapers (2001.730) |
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Saint Mark the Evangelist and Saint Sinibaldus Venerated by Members of a Lay Confraternity: Leaf from a Mariegola, ca. 1425–34, Cristoforo Cortese (Italian), Tempera and gold leaf on parchment (1975.1.2468) |
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Saint Peter Martyr in an Initial P, ca. 1270–80,
South Italian (probably Naples),
Tempera on parchment (2005.273) |
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Self-Portrait, 1558, Simon Bening (Netherlandish), Tempera on parchment (1975.1.2487) |
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Two Lovers, 1630; Safavid, Riza cAbbasi (ca. 1565–1635), Isfahan, Iran, Tempera and gilt paint on paper (50.164) |
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Virgin and Child with a Dragonfly, ca. 1500, Master of Saint Giles, Oil and tempera (?) on paper laid down on wood (1975.1.131) |
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Woodwork from the Great Hall of Van Rensselaer Manor House, 1765–69,
Albany, New York (28.143); Doors from the Great Hall of Van Rensselaer Manor House, 1765–69,
Albany, New York (31.95.1-2,6); Wallpaper, ca. 1768,
Tempera on watercolor paper (28.224) |
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Thematic Essays (4)
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