Works of Art (40)
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Abstract Trio, 1923, Paul Klee (German), Watercolor and transferred printing ink on paper, bordered with gouache and ink (1984.315.36) |
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Adam and Little Eve, 1921, Paul Klee (German), Watercolor and transferred printing ink on paper (1987.455.7) |
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Angel of the Revelation, ca. 1803–5, William Blake (British), Watercolor, pen and black ink, over traces of graphite (14.81.1) |
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Architectural Study: Search for Volumes in an Isolated Building, ca. 1919, Virgilio Marchi (Italian), Pencil and watercolor on paper (1984.91) |
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The Artist's Garden at Saint-Clair,
Henri-Edmond Cross (French),
Watercolor on paper (48.10.7) |
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Black Columns in a Landscape, 1919, Paul Klee (German), Watercolor, pen, and ink on paper (1987.455.1) |
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Costume Study for Nijinsky in his Role in La Péri,
Léon Bakst (Russian),
Watercolor (22.226.1) |
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Craig Goch, Moel Hebog, North Wales, 1802, Cornelius Varley (British), Watercolor over graphite (1973.83) |
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Dark Prison ("Carcere Oscura"), after Piranesi, 1790s, Joseph Mallord William Turner (British), Watercolor over graphite (06.1051.3) |
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Dutch Fishing Boats, Verso: Sketches of Boats,
Johan Barthold Jongkind (Dutch),
Watercolor over black chalk on paper; verso black chalk (17.120.238) |
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Fishing Boats, Le Pouliguen, 1828,
Paul Signac (French),
Watercolor and graphite on paper (1975.1.718) |
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Four Tulips, ca. 1635, Jakob Marrel (Dutch), Watercolor on vellum (68.66) |
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Ghost Chamber with the Tall Door (New Version), 1925, Paul Klee (German), Sprayed and brushed watercolor, and transferred printing ink on paper, bordered with gouache and ink (1987.455.16) |
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Hammamet with Its Mosque, 1914, Paul Klee (German), Watercolor and pencil on paper (1984.315.4) |
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Lady Lilith, 1867, Dante Gabriel Rossetti (British), Watercolor and gouache on paper (08.162.1) |
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The Lake of Zug, 1843, Joseph Mallord William Turner (British), Watercolor over graphite (59.120) |
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Lindisfarne Castle, Holy Island, ca. 1797, Thomas Girtin (British), Watercolor on rough cartridge paper (06.1051.1) |
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Miraculous Landing, or the "112!", 1920, Paul Klee (German), Watercolor, transferred printing ink, pen, and ink on paper (1984.315.23) |
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The Parable of the Wise and Foolish Virgins, ca. 1803–5, William Blake (British), Watercolor, brush and gray wash, pen and black ink over graphite (14.81.2) |
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Pity, second impression, ca. 1795, William Blake (British), Color print finished with pen and ink and watercolor, sheet, (58.603) |
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The Pont Neuf, ca. 1912–14,
Hippolyte Petitjean (French),
Watercolor and gouache on paper (1975.1.681) |
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The Rehearsal of the Ballet Onstage, probably 1874,
Hilaire-Germain-Edgar Degas (French),
Oil colors freely mixed with turpentine, with traces of watercolor and pastel over pen-and-ink drawing on cream-colored wove paper, laid down on bristol board and mounted on canvas (29.160.26) |
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Saada, the Wife of Abraham Benchimol, and Préciada, One of Their Daughters, 1832, Eugène Delacroix (French), Watercolor over graphite (1972.118.210) |
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Self-Portrait, 1911, Egon Schiele (Austrian), Watercolor, gouache, and pencil on paper (1984.433.298a) |
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Silhouette of David Roentgen in Saint Petersburg, ca. 1784–86, Johann Friedrich Anthing (German, active in Russia), Russian; Saint Petersburg, Cut paper, ink, watercolor, gold foil (48.73.1) |
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Songs of Innocence and of Experience: The Tyger (Plate 42), 1794/ca. 1825,
William Blake (British), Copy Y, ca. 1825,
Relief etchings printed in orange-brown ink, heightened with watercolor and shell gold, with hand-painted decorative borders, (17.10.42) |
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Start of the Race of the Barbieri Horses, Rome, 1860,
Jean-Baptiste Carpeaux (French),
Pen and ink, watercolor, and gouache on wove paper (2000.105) |
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Tale à la Hoffmann, 1921, Paul Klee (German), Watercolor, pencil, and transferred printing ink on paper, bordered with metallic foil (1984.315.26) |
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Venetian Canal, 1913, John Singer Sargent (American), Watercolor and graphite on off-white wove paper (15.142.10) |
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Ventriloquist and Crier in the Moor, 1923, Paul Klee (German), Watercolor and transferred printing ink on paper, bordered with ink (1984.315.35) |
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View of Kensington Gardens, ca. 1811, John Linnell (British), Watercolor over graphite on paper (2000.238) |
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View of London from Greenwich, 1825, Joseph Mallord William Turner (British), Watercolor and gouache over graphite (59.23.23) |
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View of Rouen from St. Catherine's Hill, 1821–22, Richard Parkes Bonington (British), Watercolor over graphite on white wove paper (1996.277) |
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View of the Lake and the Island from the Lawn at Kew (plate 38), 1763, William Marlow (English), Designed by Sir William Chambers (English), Watercolor (25.19.38) |
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View of the Villa Lante on the Janiculum (Gianicolo) in Rome, 1782–83, John Robert Cozens (British), British, Watercolor over traces of graphite on white laid paper (67.68) |
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View of the Wilderness at Kew, 1763, William Marlow (English), Sir William Chambers (English), Watercolor (25.19.43) |
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View of University Park Looking Towards New College, Oxford, after 1825, William Turner of Oxford (British), Watercolor over graphite on paper (2000.242) |
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Wild Emperor, 1975, Anselm Kiefer (German), Watercolor and acrylic on paper (1995.14.11) |
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Young Jewish Woman of Algeria, Seated, 1846,
Théodore Chassériau (French),
Watercolor over graphite (64.188) |
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The Zouave, ca. June 20, 1888,
Vincent van Gogh (Dutch),
Watercolor, reed pen and ink, wax crayon (62.151) |
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Thematic Essays (8)
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