Works of Art (101)
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Academy of Baccio Bandinelli, 1550, Enea Vico (Italian), Engraving (17.50.16) |
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Adam and Eve, 1504, Albrecht Dürer (German), Engraving (19.73.1) |
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Aeneas and His Family Fleeing Troy, 1595, Agostino Carracci (Italian, Bolognese), after Federico Barocci (Italian), Engraving (47.100.1023) |
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Amorini Celebrate the Rape of Proserpina, 1805–12, Francesco Rosaspina (Italian), after an oil painting by Francesco Albani (Italian), Engraving and etching (45.78.123) |
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Apollo and Diana, ca. 1500–1505, Jacopo de' Barbari (Italian), Engraving (20.92.2) |
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Apollo and the Muses on Parnassus, 1784, Raphael Morghen (Italian, Neapolitan), after Anton Raphael Mengs (German), Engraving and etching (28.22.36) |
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Apollo and the Muses on Parnassus, ca. 1514–20, Marcantonio Raimondi (Italian), after Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian), Engraving (17.37.150) |
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Apollo Belvedere,ca. 1530–34, Marcantonio Raimondi (Italian), Engraving (49.97.114) |
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Apollo Slays the Python and Quarrels with Cupid: From the series The Story of Apollo and Daphne, mid-16th century, Master of the Die, after Baldassare Tommaso Peruzzi (Italian, Sienese), Engraving (49.97.323) |
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Apollo, 1588, Hendrick Goltzius (Netherlandish), Engraving (51.501.3) |
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Apollo, Marsyas, and the Judgment of Midas, 1582, Melchior Meier (German, active Tuscany), Engraving (41.1.210) |
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Apollo, Pan, and a Putto Blowing a Horn, 1560s, Giorgio Ghisi (Italian, Mantuan), after Francesco Primaticcio (Italian, Bolognese), Engraving (49.95.161) |
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Architectura Privata: Das is Gründtliche Beschreibung . . . in was form . . . ein Burgerliches Wohn-Haus . . . (plate opposite page 15), 1641, Joseph Furttenbach the Elder (German) and Johann Jacob Campanus (German, active Ulm), Matthäus Rembold (German), Johann Schultes the Younger (German), Augsburg, Engraving (54.512.2) |
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Avaritia (Greed), 1558, Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; only state (26.72.31) |
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Bacchanal with a Wine Vat, ca. 1490, After Andrea Mantegna (Italian, Paduan), Italian, Engraving (1986.1159) |
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Bacchanal with Silenus, ca. 1470s, Andrea Mantegna (Italian, Paduan), Engraving (29.44.15) |
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Battle about Money, after 1570, Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; second state of four (26.72.40) |
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Battle of Naked Men, 1465, Antonio Pollaiuolo (Italian, Florentine), Engraving (17.50.99) |
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Big Fish Eat Little Fish, 1557, Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; first state of three (17.3.859) |
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Christ Carrying the Cross, ca. 1475–80, Martin Schongauer (German), Engraving (35.27) |
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Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Drypoint, engraving, and scraping; fourth state of five (41.1.33) |
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Cinq Personnages, 1946, Stanley William Hayter (British), Engraving and soft-ground etching (1980.117.1) |
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The Circumcision: From the series The Early Life of the Virgin, 1593–94, Hendrick Goltzius (Netherlandish), Engraving (17.37.36) |
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Colosseum, mid-16th century, Italian school, Published by Antonio Lafréri (French), From the Metropolitan Museum's copy of the Speculum Romanae magnificentiae (Mirror of Rome's Magnificence), Engraving (41.72[1.59]) |
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Composite Capital, Master G. A. with the Caltrop (Italian), From the Metropolitan Museum's copy of the Speculum Romanae magnificentiae (Mirror of Rome's Magnificence), Engraving (41.72[2.24]) |
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Cupid with the Arms of Mars, ca. 1547–62, Adamo Scultori (Italian, Mantuan), Engraving (49.97.479) |
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Desidia (Sloth), 1558, Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; only state (26.72.34) |
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Design for a Commode and Console: Plate 9 of Collection de meubles et objets de goût, 1802,
Pierre de La Mésangère (French),
Paris,
Colored engraving (30.80) |
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Design for a Tablet for a Chimney Piece: Plate 5 of a A New Book of Ornaments, 1762, Published by Thomas Johnson (British), British, Crayon manner and stipple engraving (1985.1099) |
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Design for the Scrolled End of a Bedstead: Plate 15 of Recueil de décorations intérieures, 1812,
Charles Percier (French); Pierre-François-Léonard Fontaine (French),
Engraving (28.40.1) |
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Diana: From the series Gods in Niches, 1526, Giovanni Jacopo Caraglio (Italian, Veronese or Parmese), after Rosso Fiorentino (Italian, Florentine), Engraving, as retouched by Franceso Villamena (Italian) (49.97.233) |
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The Drunken Silenus ("The Tazza Farnese"), ca. 1600, Annibale Carracci (Italian, Bolognese), Engraving from a silver plate printed in brown ink (27.78.1.150); Study for The Drunken Silenus ("The Tazza Farnese"), 1597–1601, Annibale Carracci (Italian, Bolognese), Pen and brown ink and wash over black chalk, incised for transfer (1972.133.4) |
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The Entombment, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Etching, drypoint, and engraving; second state of four (23.51.7) |
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Erasmus of Rotterdam, 1526, Albrecht Dürer (German), Engraving (19.73.120) |
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The Fall of Phaeton: From the series The Metamorphoses, ca. 1588, Anonymous engraver, after Hendrick Goltzius (Netherlandish), Engraving (49.97.662) |
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Fall of the Giants, ca. 1530s–40s, Attributed to Girolamo Fagiuoli (Italian, active Bologna), after Perino del Vaga (Italian), Engraving (49.95.8) |
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Farnese Hercules,1562, Jacob Bos (Netherlandish, born 's Hertogenbosch), Published by Antonio Lafréri (French), From the Metropolitan Museum's copy of the Speculum Romanae magnificentiae (Mirror of Rome's Magnificence), Engraving (41.72[2.63]) |
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Feast of the Gods at the Marriage of Cupid and Psyche, 1587, Hendrick Goltzius (Netherlandish), after Bartholomeus Spranger (Netherlandish), Engraving, printed from three plates on three attached sheets; second state of four (2000.113) |
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Foliate Ornament, ca. 1470, Master W with the Key (Netherlandish), Engraving (29.16.1) |
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Four-Master and Two Three-Masters Anchored near a Fortified Island with a Lighthouse, ca. 1561–62, Frans Huys after Pieter Bruegel the Elder (Netherlandish), Engraving and etching; first state of two (59.534.23) |
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Frontispiece of the Apocalypse, 1555, Jean Duvet (French), Engraving (25.2.68) |
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The Great Hercules, 1589, Hendrick Goltzius (Netherlandish), Engraving (46.140.28) |
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Hercules and Achelous in the Form of a Bull, ca. 1524–25, Giovanni Jacopo Caraglio (Italian, Veronese or Parmese), after Rosso Fiorentino (Italian, Florentine), Engraving (49.50.208) |
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Hercules and the Hydra of Lerna, ca. 1500–1520, Robetta (Cristofano di Michele Martini) (Italian, Florentine), after Antonio Pollaiuolo (Italian, Florentine), Engraving (27.20.2) |
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Hercules Farnese, ca. 1592 (published and dated 1617), Hendrick Goltzius (Netherlandish), Engraving (17.37.59) |
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Hesperides, sive, De Malorum Aureorum cultura et usu Libri Quatuor (opposite page 342), 1646, Written by Giovanni Battista Ferrari (Italian), Published by Sumptibus Hermanni Scheus, Designed by Guido Reni (Italian), Printed by Johann Friedrich Greuter (German, active Rome), Etching and engraving (67.828) |
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Hunt of Wild Boar, from the series "Hunting Scenes in Ornamental Frames," 1570, Harmen Jansz Muller (Netherlandish), after Stradanus (Jan van der Straet) (Netherlandish), Engraving (49.95.992) |
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Hurdy-Gurdy Playing Satyr with a Sleeping Nymph, Master of 1515 (Italian [?]), Engraving with drypoint burr; plate (31.31.19) |
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Impressio Librorum (Book Printing): Plate 4 of the Nova Reperta (New Discoveries), Theodor Galle (Flemish), after Stradanus (Jan van der Straet) (Netherlandish), Antwerp: Philips Galle, late 16th century, Engraving; plate (34.30 [5]) |
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James Hargreaves spinning jenny of 1764,
Detail of a plate from John James, History of the Worsted Manufacture in England, London: Longman, Brown, Green, Longmans, and Roberts, 1857,
Engraved by W. Willis (156.4 J23) |
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Judgment of Paris, ca. 1510–20, Marcantonio Raimondi (Italian); Designed by Raphael (Raffaello Sanzio or Santi) (Italian), Italian, Engraving (19.74.1) |
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Knight, Death, and the Devil, 1513–14, Albrecht Dürer (German), Engraving (43.106.2) |
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L'Autonne, ca. 1715–16, Faissar, after Antoine Watteau (French, Etching and engraving (28.113 (2), pl.52) |
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Lament of the Art of Painting, ca. 1572–78, Cornelis Cort (Flemish), after Federico Zuccaro (Italian), Engraving from two plates (1988.1086) |
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Land of Cockaigne, after 1570(?), Attributed to Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; first state of two (26.72.44) |
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Martin Luther as a Monk, 1520, Lucas Cranach the Elder (German), Engraving (20.64.21) |
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Martyrdom of Saint Lawrence, 1571, Cornelis Cort (Flemish), after Titian (Tiziano Vecellio) (Italian, Venetian), Engraving (49.97.537) |
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Martyrdom of Saint Lawrence, Lucas Vorsterman the Elder (Flemish), after Peter Paul Rubens (Flemish), Engraving (51.501.7125) |
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Melencolia I, 1514, Albrecht Dürer (German), Engraving (43.106.1) |
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Naval Battle between Trojans and Greeks, 1538, Giovanni Battista Scultori (Italian, Mantuan), Engraving printed in brown ink (53.600.996)fi |
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"Negress" Lying Down, 1658, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Etching, drypoint, engraving; 3 3/16 x 6 1/4 in. (8.1 x 15.8 cm) (29.107.28) |
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Oliver Cromwell, after 1653, Jan van de Velde IV (Dutch), after Robert Walker (British), Engraving, aquatint, and roulette (30.54.72) |
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Omnia vincit Amor, 1599, Agostino Carracci (Italian, Bolognese) (17.3.1853) |
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Ornamental Panel, 1521, Agostino Veneziano (Agostino dei Musi) (Italian), Engraving; sheet, trimmed within platemark (49.95.41) |
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Orpheus and Eurydice, ca. 1505–6, Marcantonio Raimondi (Italian), Engraving (56.581.12) |
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Orpheus and Eurydice, ca. 1590–95, Agostino Carracci (Italian, Bolognese), Engraving (17.37.170) |
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Orpheus Charming the Beasts with His Music, late 15th century, Peregrino da Cesena (Italian, active Bologna), Niello print (28.97.99) |
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Poet Virgil in a Basket, 1525, Lucas van Leyden (Netherlandish), Engraving (41.1.23) |
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Poetry, ca. 1465–67, Engraving with applied gilding (59.570.32); The Muse Euterpe, ca. 1465–67, Ferrarese school, Engraving (19.52.18) |
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Portrait of Rudolph II, 1603, Aegidius Sadeler (Netherlandish), after Hans von Aachen (German), Engraving (51.501.6469) |
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The Power of Cupid (Jupiter Disarmed), ca. 1530–50, Master of the Die (active Rome), after Baldassare Tommaso Peruzzi (Italian, Sienese), Engraving (49.97.328) |
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Procession of Silenus, ca. 1520–25, Agostino Veneziano (Agostino dei Musi) (Italian), Engraving (49.97.82) |
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The Public Promenade, 1792, Philibert-Louis Debucourt (French), Etching, engraving, and aquatint printed in color (61.531) |
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The Punishment of Evil Counselors, 1864,
Gustave Doré (French),
From Dante's The Vision of Hell (Inferno), London, Cassell, 1866,
Wood engraving (21.36.133) |
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The Queen of Flowers, ca. 1430–40,
Master of the Playing Cards (German),
Engraving printed from two plates (2006.429)
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The Rape of Ganymede, ca. 1500–1505, Giulio Campagnola (Italian, Paduan), Engraving (37.3.10) |
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Rectangular Octagonal Virginal, ca. 1600, Augsburg (?), Wood and various materials (89.4.1778) |
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Saint Anthony Tormented by Demons, ca. 1470–75 Martin Schongauer (German), Engraving, first state of two (20.5.2) |
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Saint Jerome in the Wilderness, ca. 1591, Annibale Carracci (Italian, Bolognese), Etching and engraving, third state of four6 (26.70.4.20) |
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Saint Paul Led Away to Damascus, 1509, Lucas van Leyden (Netherlandish), Engraving, sheet (34.94.4) |
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Schiac Appas, Re di Persia (Shah cAbbas, King of Persia),
Engraver: Giacomo Franco (Italian, Venetian),
From: Effigie naturali dei maggior prencipi et più valorosi capitani di questa età con l'armi loro, raccolte et con dilegentia intagliate da Giacomo Franco,
Publisher: Giacomo Franco, Venice, 1596 (57.506) |
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Sculptura in Aes (Engraving in Copper): Plate 19 of the Nova Reperta (New Discoveries), Hans Collaert (Flemish), after Stradanus (Jan van der Straet) (Netherlandish), Antwerp: Philips Galle, late 16th century, Engraving; sheet, trimmed within platemark (49.95.870 [10]) |
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The Skeletons: From the Grotteschi, ca. 1748, Giovanni Battista Piranesi (Italian), Etching with engraving, drypoint, and burnishing, second state (37.45.3.38) |
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Standard Bearer and Drummer, 1544, Hans Sebald Beham (German), Engraving (41.1.90) |
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Summer, 1570, Pieter van der Heyden after Pieter Bruegel the Elder (Netherlandish), Engraving; first state of two (26.72.23) |
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Tantalus, Icarus, Phaeton, and Ixion: From the series The Four Disgracers, 1588, Hendrick Goltzius (Netherlandish), after Cornelisz van Haarlem (Netherlandish), Engraving (53.601.338 [3-5, and 65]) |
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The Three Trees, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Etching with drypoint and engraving (29.107.31) |
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Toile de Jouy: Les monuments d'Égypte, ca. 1808,
Manufacture de Jouy (French); Designer: Jean-Baptiste Huet (French), after a drawing by Louis-François Cassas (French),
Roller-printed cotton (X.404) |
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The Triumph of Love, ca. 1485–90, Francesco Rosselli (Italian, Florentine), Engraving (25.2.33) |
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The Trojans Pulling the Wooden Horse into the City, 1545, Giulio Bonasone (Italian, Bolognese), after Francesco Primaticcio (Italian, Bolognese), Engraving (53.600.4450) |
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Two Flayed Men and Skeletons, ca. 1540–1545, Domenico del Barbiere, after Rosso Fiorentino (Italian, Florentine), Engraving (49.95.181) |
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Untitled, 1944–45, Jackson Pollock (American), Engraving and drypoint (1975.647.4) |
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Various Roman Ionic capitals compared with Greek examples, from Julien-David Le Roy's Les ruines des plus beaux monuments de la Grèce (1758): Plate 20 of Della magnificenza ed architettura de' romani, 1761, Giovanni Battista Piranesi (Italian), Engraving (41.71.1.7.20) |
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Vauxhall Gardens, 1785, Thomas Rowlandson (British), Engraving and aquatint by R. Pollard and F. Jukes, after Rowlandson (59.533.975) |
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Venados, 1981,
Francisco Toledo (Mexican),
Color engraving and aquatint (1985.1139) |
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Venetian Woman with Moveable Skirt, late 16th century, Italian School, Engraving (55.503.30) |
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Venus and Adonis, ca. 1556–57, Giorgio Ghisi (Italian, Mantuan), after Teodoro Ghisi (Italian, Mantuan), Engraving (53.522.28) |
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Venus Whipping Cupid with Roses, early 17th century, Giovanni Luigi Valesio (Italian), Engraving (17.50.16[188]) |
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Venus Wounded by the Rose's Thorn, ca. 1516, Marco Dente da Ravenna (Italian), after Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian) or Giulio Romano (Italian, Roman), Engraving (1986.1180.213) |
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Vulcan at His Forge with Mars and Venus, 1543, Enea Vico (Italian), after Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma), Engraving (49.97.351) |
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The Yew Tree Ball (detail), 1745, Charles-Nicolas Cochin (French), Engraving (30.22[34/34]) |
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Thematic Essays (25)
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