Works of Art (26)
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Academy of Baccio Bandinelli, 1550, Enea Vico (Italian), Engraving (17.50.16) |
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Battle of Naked Men, 1465, Antonio Pollaiuolo (Italian, Florentine), Engraving (17.50.99) |
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Cinq Personnages, 1946, Stanley William Hayter (British), Engraving and soft-ground etching (1980.117.1) |
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Design for a Commode and Console: Plate 9 of Collection de meubles et objets de goût, 1802,
Pierre de La Mésangère (French),
Paris,
Colored engraving (30.80) |
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Design for the Scrolled End of a Bedstead: Plate 15 of Recueil de décorations intérieures, 1812,
Charles Percier (French); Pierre-François-Léonard Fontaine (French),
Engraving (28.40.1) |
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Foliate Ornament, ca. 1470, Master W with the Key (Netherlandish), Engraving (29.16.1) |
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Four-Master and Two Three-Masters Anchored near a Fortified Island with a Lighthouse, ca. 1561–62, Frans Huys after Pieter Bruegel the Elder (Netherlandish), Engraving and etching; first state of two (59.534.23) |
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Hesperides, sive, De Malorum Aureorum cultura et usu Libri Quatuor (opposite page 342), 1646, Written by Giovanni Battista Ferrari (Italian), Published by Sumptibus Hermanni Scheus, Designed by Guido Reni (Italian), Printed by Johann Friedrich Greuter (German, active Rome), Etching and engraving (67.828) |
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Hunt of Wild Boar, from the series "Hunting Scenes in Ornamental Frames," 1570, Harmen Jansz Muller (Netherlandish), after Stradanus (Jan van der Straet) (Netherlandish), Engraving (49.95.992) |
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Impressio Librorum (Book Printing): Plate 4 of the Nova Reperta (New Discoveries), Theodor Galle (Flemish), after Stradanus (Jan van der Straet) (Netherlandish), Antwerp: Philips Galle, late 16th century, Engraving; plate (34.30 [5]) |
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Melencolia I, 1514, Albrecht Dürer (German), Engraving (43.106.1) |
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"Negress" Lying Down, 1658, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Etching, drypoint, engraving; 3 3/16 x 6 1/4 in. (8.1 x 15.8 cm) (29.107.28) |
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Poet Virgil in a Basket, 1525, Lucas van Leyden (Netherlandish), Engraving (41.1.23) |
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The Public Promenade, 1792, Philibert-Louis Debucourt (French), Etching, engraving, and aquatint printed in color (61.531) |
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The Punishment of Evil Counselors, 1864,
Gustave Doré (French),
From Dante's The Vision of Hell (Inferno), London, Cassell, 1866,
Wood engraving (21.36.133) |
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The Queen of Flowers, ca. 1430–40,
Master of the Playing Cards (German),
Engraving printed from two plates (2006.429)
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Rectangular Octagonal Virginal, ca. 1600, Augsburg (?), Wood and various materials (89.4.1778) |
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Sculptura in Aes (Engraving in Copper): Plate 19 of the Nova Reperta (New Discoveries), Hans Collaert (Flemish), after Stradanus (Jan van der Straet) (Netherlandish), Antwerp: Philips Galle, late 16th century, Engraving; sheet, trimmed within platemark (49.95.870 [10]) |
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The Skeletons: From the Grotteschi, ca. 1748, Giovanni Battista Piranesi (Italian), Etching with engraving, drypoint, and burnishing, second state (37.45.3.38) |
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Standard Bearer and Drummer, 1544, Hans Sebald Beham (German), Engraving (41.1.90) |
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The Three Trees, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Etching with drypoint and engraving (29.107.31) |
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Untitled, 1944–45, Jackson Pollock (American), Engraving and drypoint (1975.647.4) |
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Vauxhall Gardens, 1785, Thomas Rowlandson (British), Engraving and aquatint by R. Pollard and F. Jukes, after Rowlandson (59.533.975) |
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Venados, 1981,
Francisco Toledo (Mexican),
Color engraving and aquatint (1985.1139) |
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Venetian Woman with Moveable Skirt, late 16th century, Italian School, Engraving (55.503.30) |
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The Yew Tree Ball (detail), 1745, Charles-Nicolas Cochin (French), Engraving (30.22[34/34]) |
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Thematic Essays (11)
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