Works of Art (100)
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Ceremonial Banner (Palepai Maju), probably 18th century,
South central Lampung region, Sumatra, Indonesia,
Rattan, ceramic and glass beads, cloth, nassa shells (1990.335.28) |
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Ceremonial Textile (Tampan), 19th century,
Piya, Wai Ratai, Lampung Bay, Lampung region, Sumatra, Indonesia,
Cotton (1990.335.22) |
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Ceremonial Textile (Ulos Ragidup), late 19th–early 20th century,
Toba Batak people, Sumatra, Indonesia,
Cotton (1988.104.25) |
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Woman's Ceremonial Skirt (Lawo Butu or Lawo Ngaza), late 19th–early 20th century,
Ngada people, Flores Island, Indonesia,
Cotton, glass beads, chambered nautilus shell, nassa shells (2006.2) |
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Album quilt, ca. 1860, Members of the First Reformed Churches of Fishkill and Hopewell, Dutchess County, New York, Cotton (52.103) |
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Beach cover-up, late 1940s, Tina Leser (American), Red-and-white checked cotton (1988.402.1) |
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Beachwear (Bikini), 1970s,
American or European,
Cotton (1993.517.40ab) |
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Bedspread (Colcha), 1786, Embroidered by Doña Rosa Solís y Menéndez, Mexican (Mérida/Yucatán), Colored silks on weft-faced rib weave, cotton ground (1971.20) |
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Bolster Cover, middle of the 18th century, Greece, Epirus, Cotton embroidered with silk (31.42) |
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"Bondage" suit, 1976, Vivienne Westwood (British); Malcolm McLaren (British), Black cotton with metal fittings (2004.15a,b); "Bondage" pants, late 1970s, Vivienne Westwood (British); Malcolm McLaren (British), Black cotton sateen with two-piece matching black wool over-kilt (2003.479a–c) |
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Brassiere, 1920s, French, Silk, cotton (1977.363.18) |
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"Brother Rabbit," design registered May 20, 1882 (printed 1917–23) (detail),
Designed by William Morris (British); Produced by Morris & Company, Merton Abbey, England,
Printed cotton (23.163.5) |
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"Burner Dye" (fabric no. 9–361), 2000,
Reiko Sudo (Japanese); Manufacturer: NUNO Corporation,
Stainless steel, cotton (2001.348.1) |
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Bustle, ca. 1871, British, Cotton, metal (1985.27.4)
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Carpet, ca. 1650; Mughal, India, Cotton, wool (1970.321) |
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Chintz appliquéd quilt, ca. 1835, Made by Mary Malvina Cook Taft (American), Possibly Maryland, Virginia, or South Carolina, Cotton (1970.288) |
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Commemorative printed cotton, 1806,
Attributed to John Burg,
Lancashire, England, Cotton (16.28) |
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Corset cover, 1900–1910, American, Cotton (1982.316.8) |
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Cover for a ceremonial gift (rumal), ca. 1640–50, India, Deccan, Golconda, Cotton, stenciled, painted, and dyed (28.159.1) |
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Crinoline, 1860, American, Metal, cotton (1986.180) |
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Daffodil textile, 1883–1900,
Associated Artists (New York City),
Printed cotton velvet (28.70.25) |
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Dragon Carpet, 19th century, Caucasus region, Wool, cotton; plain weave with supplementary-weft embroidery (Soumak) (1971.263.5) |
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Dress (open robe), 1795, English, Silk, cotton,(C.I.37.46.1) |
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Dress, ca. 1799–1800, American, Linen, cotton (1988.242.4) |
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Dress, ca. 1990, Issey Miyake (Japanese), Gold and burgundy finely pleated cotton blend (2001.711) |
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"Electricity," 1900,
English (Nottingham),
Levers machine-made lace (64.229.2) |
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Embroidered coverlet, 1770, Mary Breed (American), Probably New London County, Connecticut, Linen and cotton with wool embroidery (22.55) |
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Embroidered length, early 19th century, Turkey, Cotton, silk, silver metal thread (79.1.275) |
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Ensemble, autumn/winter 2001–2, Rei Kawakubo (Japanese), for Comme des Garçons (French), Black cotton velvet; red cotton velvet; pink rayon satin with black cotton tulle and synthetic lace (2004.188ab) |
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Ensemble, ca. 1983, Issey Miyake (Japanese), Dark gray cotton and wool with taupe and cream mud-cloth style resist patterns (1996.335.10a-c) |
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Ensemble, ca. 1999, Prada (Italian), Brown and white faux tweed checked cotton with brown leather trim (2002.561.1a—d) |
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Ensemble, late 19th—early 20th century, Slovakian, Cotton, silk, wool (C.I.39.91.30a—g) |
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Evening dress, ca. 1810, French, White mull with allover embroidery with silver tinsel (1976.137.1); Robe à l'anglaise, 1784–87, French, White muslin with hammered silver foliate diaper-patterned and red silk thread embroidery (1991.204a,b) |
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Evening ensemble, fall 1952, Emilio Schuberth (Italian), Purple, pink, and black striped silk satin with black cotton lace appliqué (C.I.55.76.12a–d) |
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Evening gown, 1963, Hubert de Givenchy (French), Coral cotton lace reembroidered with coral-colored beads and coral pieces (1974.184.2) |
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Fan quilt, ca. 1900, American, Cotton (1988.24.1) |
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Firefighter's Coat with Susanoo-no-mikoto and Sea Monster, Edo period, 19th century,
Dark blue quilted (sashiko) cotton with freehand paste-resist decoration (1983.158a–c) |
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Garden carpet, ca. 1800, Iran, Cotton warp and weft, wool pile (67.156) |
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Hanging (?) fragment, 4th–3rd century B.C.,
Peru; Chavín,
Painted cotton (1987.394.704) |
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Honeycomb quilt, ca. 1830, Made by Elizabeth Van Horne Clarkson (American), New York City, Cotton (23.80.75) |
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Hunting and Fishing Scenes, 1769, Designed by Robert Jones; Manufactured at Old Ford, English, Linen and cotton (1983.365) |
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Ivy textile, 1883–1900,
Associated Artists (New York City),
Printed cotton velvet (28.70.1) |
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"Junon" dress, fall/winter 1949–50, Christian Dior (French); Christian Dior Haute Couture (French), Cotton, sequins (C.I.53.40.5a-d) |
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Kalamkari wall hanging, ca. 1640–50; Mughal, India, Madras region, perhaps Pulicat, Cotton, resist dyed and painted (20.79) |
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Kanduri, ca. 1900,
India, Cotton (1986.53) |
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Khorasan-type carpet fragment, late 16th or early 17th century; Safavid,
Iran,
Cotton and silk (foundation), wool (pile); asymmetrically knotted pile (2001.54) |
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Kilim, ca. 1800,
Central Anatolia,
Wool, cotton, and silver thread (2006.190) |
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"La Marchande d'Amours," ca. 1817,
Designed by Louis-Hippolyte Lebas (French); Manufactured by Oberkampf,
Jouy, France, Cotton (26.238.9a-f) |
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Lace flounce, 1867,
Verdé, Delisle and Company,
French (Paris), Linen (43.37.1) |
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Length of printed cotton, 19th–20th century, William Morris (British); Manufacturer: Morris & Co., Merton Abbey, England, Cotton (23.163.7) |
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Man's robe, second half of 17th century; Mughal, India, Painted cotton with applied gold leaf (31.135) |
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Mantle border fragment, 1st–2nd century,
Peru; Nazca,
Cotton, camelid hair (1994.35.120) |
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Memorial Crazy quilt, ca. 1877, Made by Tamar Horton Harris North (American), North Landing, Indiana, Silk, silk velvet, cotton, and cotton lace (1983.349) |
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"Mira-Spectrum" textile, ca. 1970,
Verner Panton (Danish); Manufacturer: Mira-X,
Printed cotton (2001.405.2) |
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Pantsuit, spring/summer 1970, Designed by Yves Saint Laurent (French, born Algeria), Cotton (1984.598.96a–c) |
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"Persian Shah," ca. 1896,
Russian, Printed cotton (36.90.816) |
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Petticoat, 1830s, American, Cotton (1992.365); Corset, 1830s, American, Cotton (1987.238) |
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Pinwheel quilt, 1930, Unidentified maker (J.L.), Amish, Indiana, Wool and cotton (1988.128) |
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Play/bathing suit, 1943, Claire McCardell (American), Checked cotton gingham (C.I.45.71.4) |
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Presentation quilt, ca. 1849, Baltimore, Maryland, Cotton and silk velvet (1974.24) |
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Printed cotton (detail), ca. 1820,
English, Cotton (29.88) |
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Printed cotton (detail), ca. 1830,
English, Cotton (63.55.2) |
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Printed cotton, 1787, French (Jouy), Cotton (37.170) |
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Printed velveteen, 1890s,
Designed by C. F. A. Voysey (British) for Liberty and Co.; Manufactured by Turnbull & Stockdale,
English, Cotton (1990.155) |
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Quilt center, ca. 1790,
John Hewson (American, born England),
Philadelphia, Pennsylvania,
Cotton (2005.284)
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Robe à la française, third quarter of 18th century, French, Ivory cotton printed in multicolored floral motif (C.I.64.32.3a,b) |
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Round gown, ca. 1798, British, White cotton with polychrome wool crewel embroidered trim (1998.222.1) |
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"Seashell" or "Shell-knit" coat, spring/summer 1985, Issey Miyake (Japanese), Gray, pink, red, and lavender cotton/synthetic blend knit with heat-embossed ribbing (2003.79.16) |
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Serape, 1750–1800, Mexican (Saltillo), Cotton and wool (2002.471.1) |
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Serape, 1880–1900, Mexico; Saltillo, Cotton, wool, metal (2002.471.2) |
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Serape, mid-18th century, Mexico; Saltillo, Cotton, wool (10.107.9) |
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Shirt, 1976, Vivienne Westwood (British); Malcolm McLaren (British), Striped brown and white cotton with stenciled and painted slogans, and appliquéd patches (1985.375.6) |
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Sleeve supports, ca. 1828, British, Cotton, baleen (C.I.66.38.5a,b) |
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Storage bag (chuval), early 19th century, Turkoman/Arabatchi, Central Asia, Goat hair, cotton and wool; asymmetrically knotted pile (22.100.40.a) |
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Sundress, ca. 1956, Claire McCardell (American), Red, blue, yellow, and plaid cotton (C.I.58.49.5) |
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Sunshine and shadow quilt, ca. 1940, Amish, Lancaster County, Pennsylvania, Wool and cotton (1973.94) |
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T-shirt, 1975–77, Vivienne Westwood (British); Malcolm McLaren (British), White cotton with red, blue, and black silkscreen print (1985.375.13) |
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Talismanic shirt, 15th or early 16th century,
India (north India or the Deccan),
Ink, gold, and colors on stiffened cotton (1998.199) |
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Tent door hanging (ensi), early 19th century, Turkoman/Saryk, Central Asia, Wool, cotton (22.100.42) |
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Tent lining, 1700–1740,
Burhanpur, Deccan, India,
Cotton, stenciled, mordant-dyed, and painted (2005.251) |
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Textile Blanket, Chieftan, 19th century; Fulani, Fulani people; Mali or Ghana, Cotton, wool (1971.30) |
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Textile fragment, late 10th century; cAbbasid, Probably Iraq, Cotton, plain weave with painted inscription (31.106.32) |
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Textile Fragment: Scenes from the Ramayana, 15th century, Nepal, Embroidery in silk on polished cotton (1995.331) |
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Textile Skirt, 20th century, South Africa; Xhosa people, Cotton, glass beads, buttons, ocher (1993.373) |
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Textile Tent Divider, 19th–20th century, Sudan; Beja peoples, Cotton, leather, beads, cowrie shells, palm leaf (1996.455) |
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Textile Tunic (Bororo), 20th century; Fulani, Fulani people; Niger (Bororo, Wodaabe), Cotton (1993.372) |
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Textile Tunic (Jibbeh), 1881–98, Sudan; Mahdist, Cotton, wool (1993.370) |
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Textile Wrapper, 20th century, Ghana; Akan, Rayon, cotton (1993.384.2) |
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Tiraz fragment from a shawl, 10th century, Yemen, Cotton, ink, gold leaf; plain weave with painted decoration (29.179.9) |
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Toile de Jouy: Les monuments d'Égypte, ca. 1808,
Manufacture de Jouy (French); Designer: Jean-Baptiste Huet (French), after a drawing by Louis-François Cassas (French),
Roller-printed cotton (X.404) |
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Two dresses, ca. 1810, French, White cotton (07.146.5) |
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Wall hanging, ca. 1750, India, Cotton (28.78.2) |
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Wall hanging, early 19th century, Uzbekistan (Nurata), Silk embroidery on cotton; couching, chain, satin, and buttonhole stitches (07.72) |
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"Wandle," design registered July 28, 1884 (printed 1917–23) (detail),
Designed by William Morris (British); Produced by Morris & Company, Merton Abbey, England,
Printed cotton (23.163.10) |
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Wedding dress, spring/summer 2000, Yohji Yamamoto (Japanese), Natural cotton muslin (2003.573.8a,b) |
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Woman's ceremonial skirt (kain kebat), early 20th century,
Indonesia (Upper Kapuas River, West Kalimantan, Borneo); Kantu' people,
Cotton (2006.349) |
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Woven coverlet, 1828, Workshop of James Alexander (American), Little Britain, Orange County, New York, Cotton and wool (67.33) |
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Woven coverlet, 1834, Made by David Daniel Haring (American), Bergen County, New Jersey, Cotton and wool (1988.127) |
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Woven coverlet, ca. 1825, American, Wool and cotton; overshot, woven on a hand loom (10.125.410) |
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Wrap dress, ca. 1975, Diane Von Furstenberg (American), Green-and-white dotted cotton/rayon blend jersey (1997.487) |
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Thematic Essays (9)
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