Signed and dated (lower left): Vincent 87

Paris. Grand Bouillon-Restaurant du Chalet. November–December 1887, no catalogue [see Ref. Pickvance 1984 and Ref. Welsh-Ovcharov 1988].

Kunsthaus Zürich. "Französische Kunst des XIX. und XX. Jahrhunderts," October 5–November 14, 1917, no. 109 (lent by A. K.).

Kunstverein Winterthur. "Meisterwerke aus Schweizer Privatbesitz," August 20–October 8, 1922, no. 52 (lent by E. Richard Bühler, Winterthur) [see Ref. La Faille 1928 and correspondence in archive file].

Kunstmuseum Basel. "Loan exhibition," 1932, no catalogue? [see notes in archive file].

Amsterdam. Stedelijk Museum. "Masterworks of the 19th and 20th Centuries," 1938, no catalogue? [see notes in archive file].

Pittsburgh. Carnegie Institute. "An Exhibition of Modern Dutch Art: 14 Paintings by Vincent van Gogh and Work by Contemporary Dutch Atists," February 5–March 1, 1943, cat. supplement (lent by J. K. Thannhauser) [see correspondence in archive file].

Montreal Museum of Fine Arts. "Five Centuries of Dutch Art," March 9–April 9, 1944, no. 120 (lent by J. K. Thannhauser, Esq., New York).

New York. The Metropolitan Museum of Art. "Van Gogh: Paintings and Drawings," October 21, 1949–January 15, 1950, no. 60.

Art Institute of Chicago. "Van Gogh: Paintings and Drawings," February 1–April 15, 1950, no. 60.

Houston. Contemporary Arts Museum. "Vincent van Gogh," February 4–25, 1951, no. 5.

Utica, N.Y. Munson-Williams-Proctor Institute. "Masterpieces of French Impressionist Painting," March 29–April 26, 1953, no catalogue (continuing series of one painting at a time).

New York. Wildenstein & Co., Inc.. "Van Gogh," March 24–April 30, 1955, no. 12.

New York. Helena Rubenstein, Inc.. November 21–29, 1963, no catalogue.

New York. The Metropolitan Museum of Art. "Van Gogh as Critic and Self-Critic," October 30, 1973–January 6, 1974, no. 6.

New York. The Metropolitan Museum of Art. "Van Gogh in Arles," October 18–December 30, 1984, no. 3.

Amsterdam. Rijksmuseum Vincent van Gogh. "Vincent van Gogh: Paintings," March 30–July 29, 1990, no. 17 (as "Still-Life with Two Sunflowers").

Art Institute of Chicago. "Van Gogh and Gauguin: The Studio of the South," September 22, 2001–January 13, 2002, no. 23 (as "Two Sunflowers").

Amsterdam. Van Gogh Museum. "Van Gogh and Gauguin: The Studio of the South," February 9–June 2, 2002, no. 23 (as "Two Sunflowers").

New York. The Metropolitan Museum of Art. "Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde," September 13, 2006–January 7, 2007, no. 113.

Art Institute of Chicago. "Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde," February 17–May 13, 2007, no. 113.

Paris. Musée d'Orsay. "De Cézanne à Picasso: Chefs d'oeuvre de la galerie Vollard," June 19–September 16, 2007, no. 147.

Vincent van Gogh. Letter to his sister Willemien. [between July 29 and August 15, 1888] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, p. 440, letter no. W5].

Vincent van Gogh. Letter to his brother Theo. [July 15, 1888] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 2, p. 612, letter no. 510].

Vincent van Gogh. Letter to his brother Theo. [January 17, 1889] [published in "The Complete Letters of Vincent van Gogh," 3 vols., Greenwich, Conn., 1958, vol. 3, p. 120, letter no. 571].

Paul Gauguin. Letter to Charles Dosbourg. February 23, 1895 [published in James Cummins Bookseller, Catalogue 32, New York, Fall 1991, p. 25, no. 47].

Paul Gauguin. Letter to Émile Schuffenecker. April 10, 1896, partially transcribed in "Précieux Autographes Composant la Collection de Monsieur Alfred Dupont: Troisème Partie," sale cat., Hôtel Drouot, Paris, December 3-4, 1958, lot 115.

Paul Gauguin. Letter to Daniel de Monfreid. December 1896, published in Ref. Segalen 1920, no. 27, p. 157 and Annie Joly-Segalen, ed., "Lettres de Gauguin à Daniel de Monfreid," Paris: Georges Falaize, 1950, no. 27, p. 97.

J.-B. de La Faille. L'Oeuvre de Vincent van Gogh: Catalogue Raisonné. Paris, 1928, vol. 1, p. 105, no. 375; vol. 2, pl. 103.

Ambroise Vollard. Recollections of a Picture Dealer. London, 1936, p. 174.

J.-B. de La Faille. Vincent van Gogh. London, [1939], pp. 215, 559, 583, 587, no. 278, ill.

Stephen Spender. "The Painter as a Poet." Art News Annual 19 (1950), p. 76, ill.

Margaretta M. Salinger. The Metropolitan Museum of Art Miniatures: Vincent van Gogh. New York, 1952, unpaginated, ill. (color).

H. R. Graetz. The Symbolic Language of Vincent van Gogh. New York, 1963, p. 64, pl. 27.

Paolo Lecaldano. "Da Etten a Parigi." L'opera pittorica completa di Van Gogh e i suoi nessi grafici. 1, repr. [1st ed., 1966]. Milan, 1977, p. 118, no. 442, ill. p. 118 and colorpl. 58.

Annet Tellegen. "Documentatie: Vincent en Gauguin." Museumjournaal voor Moderne Kunst, 11th ser., nos. 1-2 (1966), pp. 42–43, 51, ill.

Charles Sterling and Margaretta M. Salinger. "XIX–XX Centuries." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 3, New York, 1967, pp. 181–82, ill.

J.-B. de La Faille. The Works of Vincent van Gogh: His Paintings and Drawings. Amsterdam, 1970, pp. 174, 184, 626, no. 375, ill.

Bogomila Welsh-Ovcharov Universiteit Utrecht. Vincent van Gogh: His Paris Period, 1886–1888. Utrecht, 1976, pp. 110, 126 n. 62, p. 229.

Jan Hulsker. The Complete Van Gogh: Paintings, Drawings, Sketches. [1st ed., Amsterdam, 1977]. New York, 1980, pp. 292, 295, 298–99, no. 1329, ill.

Paul Hefting. Vincent van Gogh: A Detailed Catalogue of the Paintings and Drawings by Vincent van Gogh in the Collection of the Kröller-Müller National Museum. 4th rev. ed. Otterlo, 1980, p. 81 [1st Dutch ed., 1957; 1st English ed., 1959].

Bogomila Welsh-Ovcharov. Vincent van Gogh and the Birth of Cloisonism. Exh. cat., Art Gallery of Ontario. Toronto, 1981, p. 147.

Douglas Cooper. Paul Gauguin: 45 Lettres à Vincent, Théo et Jo van Gogh. The Hague, 1983, pp. 15, 27–28, 253, ill.

Carol Donnell-Kotrozo. Critical Essays on Postimpressionism. London, 1983, p. 57.

Ronald Pickvance. Van Gogh in Arles. Exh. cat., The Metropolitan Museum of Art. New York, 1984, pp. 36–37, no. 3, ill. (color).

Haruo Arikawa in Vincent van Gogh. Exh. cat., National Museum of Western Art. Tokyo, 1985, p. 204, ill.

Naomi Esther Margolis Maurer. "The Pursuit of Spiritual Knowledge: The Philosophical Meaning and Origins of Symbolist Theory and Its Expression in the Thought and Art of Odilon Redon, Vincent van Gogh, and Paul Gauguin." PhD diss., University of Chicago, 1985, vol. 2, p. 726, vol. 3, fig. 133.

Tsukasa Kodera in Anne Trembley. "Vincent van Gogh: Sonnenblumen 1887." Berner Kunstmitteilungen nos. 258–259 (November 1987–January 1988), p. 9.

Gary Tinterow in Recent Acquisitions: A Selection, 1986–1987. New York, 1987, p. 42.

Gary Tinterow et al. "Modern Europe." The Metropolitan Museum of Art. 8, New York, 1987, pp. 10, 60, colorpl. 39.

Anne Trembley. "Vincent van Goghs 'Sonnenblumen' von 1887 im Kunstmuseum Bern." Artis 40, nos. 7–8 (July–August 1988), p. 30, fig. 4 (color).

Bogomila Welsh-Ovcharov in Van Gogh à Paris. Exh. cat., Paris. Paris, 1988, pp. 154–55.

Judith Bumpus. Van Gogh's Flowers. Oxford, 1989, pp. 52, 54, colorpl. 28.

Victor Merlhès. Paul Gauguin et Vincent van Gogh, 1887–1888: Lettres retrouvées, sources ignorées. Taravao, Tahiti, 1989, p. 55 n. 2.

Roland Dorn Johannes-Gutenberg-Universität zu Mainz. Décoration: Vincent van Goghs Werkreihe für das Gelbe Haus in Arles. Hildesheim, 1990, p. 278 n. 272.

Roland Dorn in Vincent van Gogh and the Modern Movement: 1890–1914. Exh. cat., Museum Folkwang, Essen. Freren, Germany, 1990, p. 117.

Peter C. Sutton. Northern European Paintings in the Philadelphia Museum of Art: From the Sixteenth through the Nineteenth Century. Philadelphia, 1990, pp. 98, 103 n. 1.

Evert van Uitert et al. Vincent van Gogh: Paintings. Exh. cat., Rijksmuseum Vincent van Gogh, Amsterdam. Milan, 1990, p. 65, no. 17, ill. p 67 (color).

Joseph J. Rishel in Masterpieces of Impressionism & Post-Impressionism: The Annenberg Collection. Exh. cat., Philadelphia Museum of Art. Philadelphia, 1991, p. 202 n. 3 [1st edition has different page numbers].

Takanori Nagai in Vincent van Gogh and Japan. Exh. cat., National Museum of Modern Art, Kyoto. [Tokyo?], 1992, p. 184, fig. 7.

Jan Hulsker. Vincent van Gogh: A Guide to His Work and Letters. Amsterdam, 1993, pp. 38, 53, 75.

Alfred Nemeczek. "In Paris das Fest der Farben." Art no. 11 (November 1994), p. 29, ill. p. 4 and pp. 28–29 (all in color).

Denis Thomas. Van Gogh on Location. Edison, N.J., 1994, ill. pp. 66–67 (color).

Jan Hulsker. The New Complete Van Gogh: Paintings, Drawings, Sketches. rev. ed. Amsterdam, 1996, pp. 292, 298, 494, no. 1329, ill. p. 299.

Georg Klusmann. Vincent van Gogh: Still Life with Peonies. Mainburg, Germany, 1996, p. 74 n. 137.

Juleke van Lindert in Vincent van Gogh and His Time: Still Lifes from the Van Gogh Museum and the H.W. Mesdag Museum. Exh. cat., Seiji Togo Memorial Yasuda Kasai Museum of Art. [Tokyo], 1996, pp. 62, 141, fig. 9.

Janice Anderson. Van Gogh's Flowers and Landscapes. New York, 1997, p. 28, ill. (color).

Carol Zemel. Van Gogh's Progress. Berkeley, 1997, p. 188.

Bogomila Welsh-Ovcharov. "The Ownership of Vincent van Gogh's 'Sunflowers'." Burlington Magazine 140 (March 1998), pp. 184–88, 191, fig. 32.

Roland Dorn. "Van Gogh's 'Sunflowers' Series: The Fifth Toile de 30." Van Gogh Museum Journal (1999), pp. 48, 49 nn. 38, 39, pp. 51, 58, ill.

Anne Trembley in "Les soleils fanés de Vincent." L'amour de l'Art: Hommage à Paolo Cadorin. Milan, 1999, pp. 374, 379, fig. 11 (color).

Douglas Druick and Peter Kort Zegers et al. Van Gogh and Gauguin: The Studio of the South. Exh. cat., Art Institute of Chicago. New York, 2001, pp. 76–78, 82, 85, 220, 352, 377 n. 107, p. 405, no. 23, fig. 49 (color).

Debra N. Mancoff. Sunflowers. Chicago, 2001, p. 92, ill. pp. 5, 13, 92–93, back cover (color, detail and overall).

Louis van Tilborgh and Ella Hendriks. "The Tokyo 'Sunflowers': A Genuine Repetition by Van Gogh or a Schuffenecker Forgery?" Van Gogh Museum Journal (2001), p. 25 nn. 51–52.

Hollis Clayson. "'Some Things Bear Fruit'? Witnessing the Bonds between Van Gogh and Gauguin." Art Bulletin 84 (December 2002), p. 672, fig. 2.

Fred Leeman. Der Sämann - Vincent van Gogh. Exh. cat., Villa Flora Winterhur. Bern, 2002, pp. 23, 53.

Paul Gauguin, Vincent e Theo van Gogh: Sarà sempre amicizia tra noi, Lettere 1887–1890. 2nd ed. [1st ed. 1991]. Milan, 2002, pp. 17, 336 n. 14.

Jos ten Berge in The Paintings of Vincent van Gogh in the Collection of the Kröller-Müller Museum. Otterlo, 2003, pp. 181–82.

Sjraar van Heugten in Van Gogh and Flowers. Exh. cat., Seiji Togo Memorial Sompo Japan Museum of Art. [Tokyo], 2003, pp. 24, 30.

Shôko Kobayashi in Van Gogh and Flowers. Exh. cat., Seiji Togo Memorial Sompo Japan Museum of Art. [Tokyo], 2003, pp. 84, 91, fig. 7 (color).

Ann Dumas and Jonathan Pascoe Pratt in Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde. Exh. cat., The Metropolitan Museum of Art. New York, 2006, p. 374, no. 113, ill.

Ella Hendriks and Louis van Tilborgh Universiteit van Amsterdam. New Views on Van Gogh's Development in Antwerp and Paris: An Integrated Art Historical and Technical Study of His Paintings in the Van Gogh Museum. [Amsterdam], [2006], pp. 133, 135, fig. 124b.

Jonathan Pascoe Pratt in Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde. Exh. cat., The Metropolitan Museum of Art. New York, 2006, pp. 49, 59 n. 38, fig. 49 (color) [French ed., "De Cézanne à Picasso: Chefs-d'oeuvre de la galerie Vollard," Paris, 2007, pp. 59, 68 n. 38, p. 334, no. 147, ill. p. 62 (color)].

Laura Ann Coyle. "The Still-Life Paintings of Vincent van Gogh and Their Context." PhD diss., Princeton University, September 2007, pp. 337, 352–53 n. 296, pp. 354–57, fig. 5.95.

Susan Alyson Stein in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, pp. 169, 255–56, no. 157, ill. (color and bw).

Louis van Tilborgh. Van Gogh and the Sunflowers. Amsterdam, 2008, pp. 19, 22–23, 31–32, 35, 40, 45, 48, 69, ill. fig. 20 and back cover (color, overall and detail).