Posted: Tuesday, June 10, 2014
Frances Morris (1866–1955) was not only the first woman to work as a professional at The Metropolitan Museum of Art, but she was also, effectively, the first curator of the Museum's collection of musical instruments. The daughter of a minister and raised in New York, little is known of her early life and education, and there is no evidence that she had any professional degrees or musical training.
Posted: Tuesday, February 18, 2014
With her letter of February 16, 1889, Mary Elizabeth Adams Brown (1842–1918) became a "surprise collector" at The Metropolitan Museum of Art. As a woman of the time, her confident, independent tone was as unexpected as her collection was little known. She was the wife of a respected New York merchant banker, John Crosby Brown of Brown Bros. & Co., and she herself was of impeccable New England ancestry—the grand-daughter of shipbuilders, clergymen, and schoolmen.
Posted: Thursday, January 30, 2014
This year the Museum officially celebrates the 125th anniversary of the Crosby Brown Collection of Musical Instruments. In 1889 Mrs. John Crosby Brown, the largest donor in the Department's history, gave the first 278 of what would ultimately be more than 3,000 instruments. She was not the founder of the Museum's instrument collection, however—that honor belongs to Joseph W. Drexel (1830–1888). This post is dedicated to Drexel, and is the first in an occasional series that will highlight the history of the collection during this anniversary year.