Posted: Tuesday, July 19, 2011
Established in 1951, the Fellowship Program at The Metropolitan Museum of Art is flourishing, with scholars taking up residence in all corners of the building—from the curatorial departments, conservation labs, libraries, and study rooms to the Education Department, gallery spaces, offices, and archives.
Posted: Friday, July 15, 2011
Ninety years ago today, on July 15, 1921, The Metropolitan Museum of Art opened its first solo exhibition of works by a female artist. The Children's World: Drawings by Florence Wyman Ivins, a group of watercolor drawings, woodcuts, and black-and-white drawings, was shown in the Education Department through November 19, 1921.
Posted: Thursday, July 7, 2011
Posted: Tuesday, July 5, 2011
The current exhibition Pastel Portraits: Images of 18th-Century Europe opens a window on one of the most popular art forms of the Rococo and Enlightenment eras. These works slipped from public notice long ago as they became associated with the artificiality of the ancien régime, and in modern times because their fragility discouraged exhibition and travel. This is the first exhibition of such portraits in at least seventy-five years. It presents a sense of the great numbers of artists who practiced in this once popular medium, the many different styles in which they worked, and the materials and techniques they employed.
Posted: Friday, July 1, 2011
One hundred and ten years ago this weekend, on July 2, 1901, American locomotive magnate and Metropolitan Museum of Art benefactor Jacob S. Rogers died. Unbeknownst to the Museum's staff and Trustees at the time, Rogers's death would result in the largest and most significant financial contribution to the institution until that time, and among the most important in its history.
Posted: Thursday, June 30, 2011
Alexander McQueen had a unique understanding of the dramatic potential of tailoring, as well as of how the actual fabric of a garment is intrinsic both to its shape and historical, cultural, and psychological impact. In the exhibition Alexander McQueen: Savage Beauty, a retrospective of the late designer's work, we can appreciate the designer's superb craftsmanship up close; from shells to feathers, from traditional embroidery to cutting-edge digital print, we see the dazzling array of textile techniques that cemented his reputation as the most inventive fashion designer of the late twentieth and early twenty-first centuries.
Posted: Thursday, June 16, 2011
In conjunction with the exhibition Alexander McQueen: Savage Beauty, The Costume Institute at The Metropolitan Museum of Art held a competition for fashion design graduate students this spring. The winner was announced at the Met's McQueen for a Night event on May 20; Paula Cheng, a student at Parsons The New School for Design, won the contest and received an internship at Alexander McQueen, a yearlong Metropolitan Museum Membership, and several other exhibition-related prizes.
Posted: Tuesday, June 7, 2011
As our presentation of the Washington Haggadah enters its final month, we turn not to the end of the book but to the first page of the manuscript. In both word and image, this page proclaims the privilege of preparing for Passover.
Posted: Wednesday, June 1, 2011
The "Mask of Agamemnon" is one of the most famous gold artifacts from the Greek Bronze Age. Found at Mycenae in 1876 by the distinguished archaeologist Heinrich Schliemann, it was one of several gold funeral masks found laid over the faces of the dead buried in the shaft graves of a royal cemetery.
Posted: Tuesday, May 31, 2011
One hundred and twenty years ago today, on May 31, 1891, The Metropolitan Museum of Art opened to the public on a Sunday for the first time in its history. The decision to allow Sunday admission followed nearly twenty years of debate on the subject.