Denise Patry Leidy is a curator in the Department of Asian Art.
Posted: Wednesday, May 21, 2014
The Florence and Herbert Irving Galleries for Chinese Decorative Arts, located on the mezzanine at the north end of the Museum, are filled with extraordinary objects made in materials that include silk, lacquer, and jade. These galleries can only be reached by an elevator or a staircase from the Chinese painting galleries, however, so finding the artworks displayed there can be categorized as "extreme" museum-going: It takes true commitment.
Posted: Wednesday, April 2, 2014
The shadowy, newly blossomed plum tree and crescent moon painted on the interior of a black-glazed tea bowl (fig. 1) and delicately incised into the center of a green-glazed bowl (fig.2), both of which are now on view in the Great Hall Balcony, illustrate a complex web of cultural allusions. Understood as references to the ephemeral nature of life, plum blossoms also symbolize hope and endurance: They are the first flowers to bloom in early spring as winter begins to fade.
Posted: Friday, February 14, 2014
With just ten days remaining until the special exhibition Silla: Korea's Golden Kingdom closes on February 23, here are our top ten reasons to visit (or revisit) these exquisite treasures.
Posted: Friday, January 31, 2014
Do you like the digital media in the exhibition Silla: Korea's Golden Kingdom? Ranging from an eye-catching, wide-screen projection of a majestic burial site to a 3D animation of a famous monument, the technology in the exhibition is there to enhance a visitor's experience of the art on display.
Posted: Friday, January 3, 2014
The lush green hue of this Chinese court robe was created using peacock feathers, which were twisted onto silk threads before weaving the garment. The use of such peacock-feather threads is thought to have begun in China in the fifth century. However, the first preserved examples date to the early seventeenth century, and costumes woven with peacock feathers are extremely rare. This robe, which has not been displayed for more than fifty years, is now on view in Power and Prestige: Chinese Dragon Robes, 18th–21st Century.
Posted: Friday, December 27, 2013
Posted: Monday, December 2, 2013
Posted: Wednesday, August 15, 2012
Hundreds of stories are embedded in the Chinese ceramics that have recently been reinstalled on the Great Hall Balcony (Gallery 200 through Gallery 205), at the heart of the Museum. Some of these stories tell of technological advances in ceramic production, others illustrate aspects of Chinese culture, and many—including comparative pieces from around the world—illustrate China's continuous and complicated impact in global ceramic history. All of these stories intertwine in fascinating and, sometimes, unexpected ways.