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Femke Speelberg is an assistant curator in the Department of Drawings and Prints.
Sasha Rossman, Visiting Research Scholar, Department of Drawings and Prints; and Femke Speelberg, Assistant Curator, Department of Drawings and Prints
Posted: Thursday, April 16, 2015
In his 1583 book The Anatomie of Abuses, the English moralist Phillip Stubbes criticized the growing trend for wearing arms as a stylish accessory, condemning upstart fops who sported "swoords, daggers and rapiers guilte and reguilte, burnished, and costly engraven, with all things els that any noble of honorable, or worshipfull man doth, or may weare so as one cannot easily be discerned from the other." Stubbes's main concern lay in the fact that men of all classes gave in to the whims of fashion and started wearing decorated arms daily as pieces of jewelry, giving way to vanity and pride and simultaneously blurring the lines of social standing.
Femke Speelberg, Assistant Curator, Department of Drawings and Prints
Posted: Monday, March 24, 2014
Coinciding with the conservation treatment of the obelisk of Thutmose III in Central Park, the current exhibition Cleopatra's Needle focuses on this important Egyptian icon. Through various works of art from the Museum's encyclopedic collection, as well as some important loans from other institutions and private collectors, the show explores the meanings, functions, and manifestations of obelisks, both in their original context in ancient Egypt and later adaptations in western culture.
Posted: Monday, July 1, 2013
Now on view (through September 8), the exhibition Living in Style brings together drawings, prints, books, and pieces of furniture from the Museum's collections to illustrate five centuries of interior design, from the Renaissance period through the 1960s. Following a chronological path of development, the show traces changes and continuities in the approach to materials, shapes, colors, and decorations as displayed by the works on paper.
Posted: Tuesday, October 23, 2012
In 1593, the Florence-born artist Antonio Tempesta (1555–1630) published one of his absolute masterpieces in print: a View of Rome composed out of twelve folio-sized, etched plates. When joined together in two rows of six, the print forms an impressive frieze measuring almost 3.5 by 8 feet (fig. 1).
Posted: Tuesday, January 31, 2012
"Pity my life and be my wife."
These words were delivered in a round, white box to a Miss Oliver in Hythe, Southampton, in the mid-nineteenth century. The box contained a beautiful Valentine's Day card covered in lace, with a basket of textile flowers in its center. Although we may never know if Miss Oliver accepted the somewhat woefully expressed petition of the man who loved her, we do know that the card and even its container survived the test of time, cherished at the very least as a keepsake.
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