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Michael Gallagher

Michael Gallagher is the Sherman Fairchild Conservator in Charge in the Department of Paintings Conservation.

Now at the Met

"Please Lie Down; This Won't Hurt a Bit": The Jabach Conservation Continues

Michael Gallagher, Sherman Fairchild Conservator in Charge, Department of Paintings Conservation

Posted: Wednesday, October 22, 2014

Now that I've finished the cleaning of the Jabach portrait, it is time to deal with the distortion resulting from the top of the picture having been folded over (as described in my last post). We first had to construct a platform on which to lay the picture face down while working on the reverse side of the canvas. This was custom built by our structural specialist, George Bisacca.

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Now at the Met

The Jabach Portrait Conservation Continued: Next Steps

Michael Gallagher, Sherman Fairchild Conservator in Charge, Department of Paintings Conservation

Posted: Wednesday, September 24, 2014

Now that the varnish removal from the Jabach portrait is finished, it's time to turn to a rather more thorny issue: the structural conservation work.

The original and surprisingly fine canvas is constructed from five pieces of fabric: a large, central rectangle; two horizontal bands, one each top and bottom; and two vertical bands, one each at the left- and right-hand sides. The horizontal bands run the full width of the composition. This construction is entirely original, planned from the outset to accommodate the monumental scale of the painting while carefully situating the seams in the peripheral areas of the composition.

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The Conservation Continues: Revealing Jabach's Daughter Anna Maria

Michael Gallagher, Sherman Fairchild Conservator in Charge, Department of Paintings Conservation

Posted: Wednesday, August 27, 2014

The cleaning of the Jabach portrait is going well, and we in Paintings Conservation are all transfixed by the exceptional quality of the painting. One area I was particularly looking forward to seeing without the yellowed varnish was the beautiful figure of Jabach's daughter Anna Maria. She really anchors the right-hand side of the composition, and her self-aware, direct gaze pulls us into the Jabach family's rarefied world. Below are some photographs that I took during the cleaning.

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First Things First: Commencing the Conservation of the Jabach Portrait

Michael Gallagher, Sherman Fairchild Conservator in Charge, Department of Paintings Conservation

Posted: Wednesday, July 30, 2014

I had first seen the Jabach family portrait in a warehouse in London over a year ago and loved it, but I'll admit that when it finally arrived in our paintings conservation studio at the Museum this past June, I was a bit overwhelmed—it's enormous! Fortunately, the work's current condition needs to be fully documented before conservation can begin. This not only helps a conservator understand the painting and its issues but also provides some breathing space and thinking time.

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Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.