Thomas P. Campbell is the director and CEO of The Metropolitan Museum of Art.
Posted: Thursday, February 3, 2011
As the situation unfolds in Egypt, I continue to reflect on my trip there last fall and the extraordinary country that I encountered during my stay. My visit was focused on the Met's archaeological work, and I was particularly struck by the relationship between the collection of the Cairo Museum and the holdings of the Met. Our strong relationship with our colleagues in Egypt has fostered more than a century of collaboration, and thirty years of partage (1906–36) has yielded two deeply connected collections.
Posted: Wednesday, January 5, 2011
In my first few months as director, some colleagues and I developed the idea of a series that would encourage people to think about the Met's collection in a new way. The result is Connections, a year-long exploration of the Met's holdings by staff from throughout the Museum. These journeys through the collection are not driven so much by art history as by broad, often personal, themes. Some are playful, some are deeply complex.
Posted: Tuesday, December 21, 2010
Velázquez's portrait of Philip IV, king of Spain, went back on view in the European Paintings galleries today after an absence of more than a year, following the completion of a particularly complex restoration.
Posted: Monday, December 20, 2010
I'm pleased to share with you a video that takes you to some of my favorite works of art in our galleries and highlights why the Met belongs to all of us—families, students, scholars—visitors from across our nation and around the globe. I hope you will support the collections and programs that make the Met such an extraordinary place.
Posted: Monday, November 22, 2010
In eighteen months on the job, I have traveled all over the globe, and it is incredible to understand the scope of the Met's international reach. In fact, I have just returned from a tour of the Met's archaeological work in Egypt, activity that extends back to the earliest days of the Museum.
Posted: Friday, October 22, 2010
The fall season is in full swing and the Met has never felt more vibrant. Our current exhibitions take our visitors through the full span of history, telling the story of art as no other museum can.
Posted: Thursday, September 23, 2010
We have just opened a new show, The World of Khubilai Khan: Chinese Art in the Yuan Dynasty, one of the most complex and ambitious exhibitions ever mounted by the Metropolitan Museum. It is a true tour de force of scholarship and international collaboration, and it aims to cover every aspect of the arts and culture of China of the Yuan dynasty, one of the most dynamic and pivotal periods in Chinese history.
Posted: Wednesday, August 11, 2010
The Museum's Members just received their Summer Bulletin, which details the archaeological excavations in the ancient Near East that have been supported by the Metropolitan from 1931 to 2010. It reminds me that many people don't realize that the Met has been involved in the study of antiquity since the Museum's founding in 1870 (the Met's Egyptian Expedition began in 1906 and continued with extraordinary success for thirty years).
Posted: Tuesday, July 27, 2010
John D. Rockefeller Jr. once said, "I can think of nothing so unpleasant as a life devoted to pleasure." How extraordinary, then, that he would create perhaps the most idyllic retreat on the island of Manhattan: The Cloisters Museum and Gardens in Fort Tryon Park.
Posted: Friday, July 9, 2010
Each year, the Met holds four meetings at which curators present works of art to a special committee of Trustees for possible purchase by the Museum. It is a thoughtful and rigorous process, and it is always a thrill to see the acquired objects when they finally arrive in our galleries. This past year's purchases included four exquisite works of sculpture spanning from the ancient world to the mid-eighteenth century.
Posted: Tuesday, June 1, 2010
Eight curators, five conservators, five research scientists, and eight researchers worked together for nearly a year to create our current exhibition Picasso in The Metropolitan Museum of Art and its accompanying catalogue, shedding new light on a subject that one might think had been completely exhausted. Their work revealed many important discoveries, but perhaps none more compelling than the identification of a long-lost painting by the master.
Posted: Friday, January 29, 2010
We've heard from many of you that you enjoy this website and find it to be an exciting, in-depth access point into the Museum's collections, exhibitions, programs, and research. But we've also heard that you would appreciate a single page where you can sample what's on at the Museum right now and what our experts are working on behind the scenes.