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Paintings Conservation

Paintings Conservation

Paintings conservators support many different facets of the institution's activities, checking hundreds of paintings for loan and taking responsibility for many hundreds more that arrive at the Museum as honored guests to be part of temporary exhibitions and displays.

Now at the Met

First Things First: Commencing the Conservation of the Jabach Portrait

Michael Gallagher, Sherman Fairchild Conservator in Charge, Department of Paintings Conservation

Posted: Wednesday, July 30, 2014

I had first seen the Jabach family portrait in a warehouse in London over a year ago and loved it, but I'll admit that when it finally arrived in our paintings conservation studio at the Museum this past June, I was a bit overwhelmed—it's enormous! Fortunately, the work's current condition needs to be fully documented before conservation can begin. This not only helps a conservator understand the painting and its issues but also provides some breathing space and thinking time.

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Now at the Met

Making a Scene in Paris in the Age of Louis XIV

Keith Christiansen, John Pope-Hennessy Chairman, Department of European Paintings

Posted: Tuesday, July 15, 2014

Ever wonder what it would have been like to live in Paris in the golden age of the French monarchy and to have the money to do it in style?

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Now at the Met

Looking to Connect with European Paintings: Visual Approaches for Teaching

Elizabeth Perkins, 2012–2013 Samuel H. Kress Interpretive Fellow

Posted: Friday, September 6, 2013

As an art historian, my goal is to offer information and insight. As a teacher, I hope to encourage people to discuss, discover, and explore. Where is the balance between these things in museum teaching and interpretation? When and how is information meaningful? How do we help visitors look closely and relate to what they see? These are some of the questions that guided me during my Kress Interpretive Fellowship at the Met this past year. My main project was a thematic, digital publication focusing on teaching adults in the European Paintings collection. The exciting final result is Looking to Connect with European Paintings: Visual Approaches for Teaching in the Galleries—it has just been released and is available as a free download (PDF) within MetPublications.

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About this Blog

Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.