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Now at the Met

Charles James: Beyond Fashion—Interview with Conservators Sarah Scaturro and Glenn Petersen

Rachel High, Editorial Assistant, Editorial Department

Posted: Tuesday, June 17, 2014

Sarah Scaturro and Glenn Petersen are conservators in The Costume Institute who not only contributed to the conservation of Charles James's works in Charles James: Beyond Fashion, on view through August 10, but also authored an essay for the catalogue which accompanies the exhibition. The book offers a comprehensive study of the life and work of legendary Anglo-American couturier Charles James (1906−1978) and highlights his virtuosity and inventiveness. This publication also includes early photographs and rarely seen archival items, such as muslin study pieces, dress forms, and sketches.

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A Happy Occasion for Melencolia I

Nadine Orenstein, Curator, Department of Drawings and Prints

Posted: Monday, June 16, 2014

The year 2014 marks the five-hundredth anniversary of Albrecht Dürer's Melencolia I (1514), a masterpiece of engraving whose imagery has fascinated artists, historians, scientists, and mathematicians for centuries. In honor of this occasion, a small display of Melencolia and several works it influenced is on view through July 14 in the Robert Wood Johnson Jr. Gallery.

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I Was Here I Was I to Channel The Temple of Dendur's History

Meryl Cates, Press Officer, Met Museum Presents

Posted: Friday, June 13, 2014

When Kate Soper's adventurous score for I Was Here I Was I fills The Temple of Dendur in The Sackler Wing on June 20, the gallery itself will be at the center of the performance. The Temple of Dendur has long been an unrivaled venue for concerts, but for this dramatic and unprecedented finale to Alarm Will Sound's yearlong residency, the Temple will be the principal character in a story that spans two millennia and three different storylines.

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Celebrating the World Cup through the Met's Collection

Christopher Gorman, Assistant for Administration, Audience Development

Posted: Thursday, June 12, 2014

Today marks the opening day of the World Cup, the monthlong tournament in which teams from thirty-two nations will compete for the title of best soccer team in the world. Since the Metropolitan's collection includes works of art from all thirty-two nations participating in the games, we thought this would be a perfect occasion to celebrate the global nature of our holdings.

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Metropolitan Museum Singled Out for Curatorial Achievement in Time-Based Media

Pari Stave, Senior Administrator, Department of Modern and Contemporary Art

Posted: Thursday, June 12, 2014

The Metropolitan Museum recently swept the AICA-USA Arts Awards for Excellence in Curatorial Achievement in the time-based media category.​

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A New Web Feature: One Met. Many Worlds.

Thomas P. Campbell, Director and CEO

Posted: Wednesday, June 11, 2014

The art at the Met reaches across the globe, so we wanted to start providing our collection information in some of the many languages represented by these cultures. Our new web feature One Met. Many Worlds. brings you more than five hundred collection highlights in eleven languages: English, Arabic, Chinese, French, German, Italian, Japanese, Korean, Portuguese, Russian, and Spanish.

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Solace and Silence: The Music of Arvo Pärt

Michael Cirigliano II, Website Editor, Digital Media Department

Posted: Friday, May 30, 2014

"Feel the World Stand Still"

This phrase is currently emblazoned on subway ads across New York City promoting the Arvo Pärt Project at St. Vladimir's Seminary, which will bring the Estonian composer to New York for the first time since 1984. While this kind of dramatic hyperbole often surrounds any discourse regarding Pärt's music—"mystical," "heavenly," "timeless" are frequently used—the overwhelming acceptance of his work is a rare occurrence in the landscape of contemporary concert performance. His is a music that seamlessly bridges the gap between the modern and the ancient, minimalism and Gregorian chant, making the comparisons often cited between Pärt's music and that of both Phillip Glass and Josquin dez Prez the equivalent of an artist being equally heralded alongside Rothko and Caravaggio.

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Bashford Dean and the Arms and Armor Collection of William H. Riggs

Donald J. La Rocca, Curator, Department of Arms and Armor

Posted: Thursday, May 29, 2014

The current exhibition Bashford Dean and the Creation of the Arms and Armor Department features a number of pieces donated by William H. Riggs (1837–1924), a lifelong collector of arms and armor who assembled the finest private collection of his time before giving it to the Museum in 1913.

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Spectrum Spotlight: Yaëlle Biro

Lucy Redoglia, Associate Online Community Producer, Digital Media; and Christopher Gorman, Assistant for Administration, Audience Development

Posted: Thursday, May 29, 2014

Brought to you by the Spectrum group, which encourages post-college audiences to experience the Met in new and unexpected ways, this post is the third installment of our "Spectrum Spotlight" series, which introduces some of the staff members who make the Museum such a special place.

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Living on the Edge: Tapestry Borders

Sarah Mallory, Research Assistant, European Sculpture and Decorative Arts

Posted: Tuesday, May 27, 2014

In the world of tapestry, it's hip to be square—or rectangular, for that matter. Why, you ask? The answer is quite simple: borders.

You might have noticed that a decorative, tapestry-woven strip traces the edges of many tapestries, which is referred to as the border. While the border is very much a part of the physical tapestry itself, it often has a personality all its own. And, while some border designs were reused on multiple sets of unrelated tapestries, these ornamental edges can still be thought of as something like a thumbprint, a distinguishing characteristic that is apparent only upon close inspection.

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About this Blog

Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.