Posted: Monday, September 15, 2014
With the start of a new school year, it is a great time to learn about the art and cultures of Oceania with the help of this fascinating new publication, written specifically to provide the keys to understanding the significance and meaning of Oceanic art. How to Read Oceanic Art is a clear and detailed introduction to Oceanic art as seen through the Met's comprehensive collection. I recently spoke with the book's author, Eric Kjellgren—formerly the Evelyn A. J. Hall and John A. Friede Associate Curator for Oceanic Art in the Department of the Arts of Africa, Oceania, and the Americas—about this engaging introduction to Oceanic art and his interest in the artistic traditions of the Pacific Islands.
Posted: Friday, September 12, 2014
During the summer of 1644, the city of Nanjing lived beneath a cloud of anxiety and fear. The once-vibrant southern capital of the Ming dynasty (1368–1644) had become home to the remnants of the Ming court, a bedraggled and shaken group who had fled south after the fall of Beijing in April of that year. The shock of seeing their capital fall, of witnessing their young emperor retreat behind the Forbidden City and commit suicide—these were the traumas that the court brought south to Nanjing. Even as they struggled to establish a temporary capital in the south, up north the Manchus prepared to complete their conquest of the empire. Like a city preparing for the arrival of a hurricane, Nanjing waited, and feared.
Posted: Thursday, September 11, 2014
Those of us who work in museums are as curious as any visitor to know about all the objects that fill a given painting. In the case of Charles Le Brun's Jabach portrait, a painting of a well-to-do family in a luxurious Parisian residence, there's a lot to catch your eye; we see a number of things the family must have owned and treasured.
Posted: Wednesday, September 10, 2014
It is a great day for the Met and a great day for the City of New York. More than a century after the completion of the Met's Fifth Avenue facade and forty years after its last plaza renovation, the Museum has revived one of the great outdoor spaces in New York.
Posted: Tuesday, September 2, 2014
I'm pleased to announce the launch of the Met app created by the Museum's Digital Media Department. This free digital resource is the easiest way for the Met community, both local and global, to stay current with what's happening at the Museum every day—wherever you are.
Posted: Wednesday, August 27, 2014
The cleaning of the Jabach portrait is going well, and we in Paintings Conservation are all transfixed by the exceptional quality of the painting. One area I was particularly looking forward to seeing without the yellowed varnish was the beautiful figure of Jabach's daughter Anna Maria. She really anchors the right-hand side of the composition, and her self-aware, direct gaze pulls us into the Jabach family's rarefied world. Below are some photographs that I took during the cleaning.
Posted: Tuesday, August 26, 2014
Posted: Tuesday, August 19, 2014
In June 2014 the United Nations Educational, Scientific, and Cultural Organization (UNESCO) named the "Precolumbian Chiefdom Settlements with Stone Spheres of the Diquís" to its World Heritage List, the first cultural site from Costa Rica to make the list of global heritage sites. The team from the Museo Nacional de Costa Rica, led by archaeologist Dr. Francisco Corrales Ulloa, nominated these sites as an "outstanding representation of the complex social, economic and political systems, as well as the refined cultural achievements, of chiefdom societies of the south Central American region during the pre-Columbian period a.d. 500–1500."
Posted: Wednesday, August 13, 2014
Well, if you live in New York and work at the Metropolitan Museum, there's really only one acceptable answer to that question! But what happens when two versions of a picture exist, as is the case with the Metropolitan's new painting by Charles Le Brun of the German banker Everhard Jabach (1618–1695)? I worried about this as we entered into negotiations for the purchase of the picture.
Posted: Friday, August 8, 2014
For the first time in recent memory, all seventeen of the Met's paintings by Vincent van Gogh—the largest collection of the artist's work on this side of the Atlantic—are in house and on view in galleries 823, 826, and 961. Visitors can enjoy a full range of highlights from the artist's prolific years in France, from portraits to still lifes to landscapes. These masterpieces are often committed to exhibitions around the world, making this a not-to-be-missed occasion.