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Now at the Met

A Three Kings Day Reunion

C. Griffith Mann, Michel David-Weill Curator in Charge, Department of Medieval Art and The Cloisters

Posted: Monday, January 6, 2014

Today, January 6, marks the Feast of the Epiphany, also known as Three Kings Day. This festival is widely celebrated, especially in western Christianity, as the day that the three wise men offered frankincense, myrrh, and gold to the Christ Child following their long journey from the East. This year, Three Kings Day is especially auspicious for the Museum's collection because today we celebrate the exceptional reunification of the sculptures pictured above.

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Peacocks and Dragons, Oh My!

Denise Patry Leidy, Curator, Department of Asian Art

Posted: Friday, January 3, 2014

The lush green hue of this Chinese court robe was created using peacock feathers, which were twisted onto silk threads before weaving the garment. The use of such peacock-feather threads is thought to have begun in China in the fifth century. However, the first preserved examples date to the early seventeenth century, and costumes woven with peacock feathers are extremely rare. This robe, which has not been displayed for more than fifty years, is now on view in Power and Prestige: Chinese Dragon Robes, 18th–21st Century.

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Precious Punctuation?

Soyoung Lee, Associate Curator, Department of Asian Art; and Denise Patry Leidy, Curator, Department of Asian Art

Posted: Friday, December 27, 2013

Dragons? Cashews? Crescent moons? What are those comma-shaped ornaments seen in the exhibition Silla: Korea's Golden Kingdom?

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Installing Ink Art

Mike Hearn, Douglas Dillon Chairman of the Department of Asian Art

Posted: Thursday, December 26, 2013

What does it take to install an exhibition of contemporary Chinese art?

The diversity in scale, media, and format of the seventy-some pieces in Ink Art: Past as Present in Contemporary China have tested the talents and ingenuity of the Museum's incredibly resourceful staff. After a number of advance planning meetings, our installation began in earnest on October 30 in the Early Chinese Buddhist Sculpture Gallery (206)—just off the Great Hall Balcony. There, we planned to display three 16 1/2-foot-tall hanging scrolls from Qiu Zhijie's 30 Letters to Qiu Jiawa, (2009) and the five triptychs of Yang Jiechang's Crying Landscapes (2002). Together, these works would announce to visitors to the Asian Wing that they were entering the world of contemporary China, where old and new often come together.

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Balthus: Cats and Girls—Interview with Curator Sabine Rewald

Nadja Hansen, Editorial Assistant, Editorial Department

Posted: Monday, December 23, 2013

With less than a month left to see the exhibition Balthus: Cats and Girls—Paintings and Provocations at The Metropolitan Museum of Art, I sat down with Sabine Rewald—Jacques and Natasha Gelman Curator in the Department of Modern and Contemporary Art,  and author of the accompanying exhibition catalogue—to discuss her many years of fascination with Balthus, as well as her latest research that has brought such a renewed richness to the artist's subjects.

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A Very Burdick Christmas

Freyda Spira, Assistant Curator, Department of Drawings and Prints; and Liz Zanis, Collections Management Assistant, Department of Drawings and Prints

Posted: Friday, December 20, 2013

Since the establishment of the Print Department in 1916 there has been a clear mission to gather all types of printed material ranging from Rembrandt's magnificent and widely collected etchings to the more ephemeral, which includes, among many others things, American and European trade and calling cards, bookplates, illustrated catalogues, and even greeting cards.

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Spectrum Spotlight: Ian Alteveer

Lucy Redoglia, Associate Online Community Producer, Digital Media; and Christopher Gorman, Assistant for Administration, Audience Development

Posted: Tuesday, December 17, 2013

Perhaps you have attended one of Spectrum's many concerts, panel discussions, trivia nights, or the annual Oktoberfest at The Cloisters museum and gardens. Now the group would like to bring you closer to the Met and introduce some of the staff members that make the Museum such a special place. This post is the first in our "Spectrum Spotlight" series, which will introduce some of the Met's rising stars on the curatorial staff. Look for more installments throughout the year, and, of course, please attend Spectrum events!

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Comparing Pairs

Perrin Stein, Curator, Department of Drawings and Prints

Posted: Thursday, December 5, 2013

If a picture is worth a thousand words, a comparison is worth at least two thousand.

The exhibition Artists and Amateurs, Etching in Eighteenth-Century France (on view through January 5) offers many thought-provoking pairings illuminating aspects of artistic process and individual style. An etching, which is printed from ink held in sunken lines on a copper plate, can be reworked between printings, resulting in distinct states. Such is the case with a print depicting soldiers trudging through a bleak landscape, off to join their regiment. An extremely rare first state is etched by the hand of Antoine Watteau, renowned painter of fêtes galantes. His delicate sinuous line imbues his figures with a grace more balletic than warlike.

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A Pensive Treasure

Denise Patry Leidy, Curator, Department of Asian Art; and Soyoung Lee, Associate Curator, Department of Asian Art

Posted: Monday, December 2, 2013

Last shown in the U.S. in 1981—and now on view in Silla: Korea's Golden Kingdom—this breathtaking gilt-bronze sculpture of a bodhisattva may never be seen in New York again.

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A Neighborhood of Castles in the Sky:
Washington Heights before The Cloisters

Danielle Oteri, Lecturer, The Cloisters museum and gardens; Program Director, International Center of Medieval Art; Curator, Feast on History

Posted: Friday, November 15, 2013

Washington Heights—the neighborhood in northern Manhattan that houses The Cloisters museum and gardens—is built upon a series of bluffs and cliffs. Concrete staircases and creaky subway elevators connect different sections of the neighborhood, and buildings stand tall on stilts driven deep into Manhattan schist. From a distance, blocks of apartment buildings appear like castellated European villages. However, despite its once-impenetrable terrain, or maybe because of it, Washington Heights is a place where some of the wildest and most romantic medieval-architecture fantasies in New York City have been realized for over 150 years.

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Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.