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Now at the Met

Antonio Tempesta's View of Rome: Portraying the Baroque Splendor of the Eternal City

Femke Speelberg, Assistant Curator, Department of Drawings and Prints

Posted: Tuesday, October 23, 2012

In 1593, the Florence-born artist Antonio Tempesta (1555–1630) published one of his absolute masterpieces in print: a View of Rome composed out of twelve folio-sized, etched plates. When joined together in two rows of six, the print forms an impressive frieze measuring almost 3.5 by 8 feet (fig. 1).

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Book Smart

Thomas P. Campbell, Director and CEO

Posted: Thursday, October 11, 2012

There's nothing like a good read, and today we're adding 643 books to your reading list. MetPublications puts nearly all of our publications—past, present, and future—online. That out-of-print catalogue from the Met's groundbreaking 1985 India exhibition? Now you can read it. The 1970 catalogue of the Wrightsman porcelain collection? That's there, too, along with hundreds of other titles from across the Museum.

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Ancient Egyptian Ostraca: A Reevaluation

Jennifer Babcock, 2009–2011 Hagop Kevorkian Curatorial Fellow, Department of Ancient Near Eastern Art

Posted: Wednesday, October 10, 2012

Although I am an Egyptologist, I recently worked for two years in the Museum's Department of Ancient Near Eastern Art as the 2009–2011 Hagop Kevorkian Curatorial Fellow. The experience was invaluable, not only for its curatorial training, but also for the opportunity to approach my dissertation topic—ancient Egyptian ostraca—from a cross-disciplinary perspective.

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All Art Was Once Contemporary

Thomas P. Campbell, Director and CEO

Posted: Friday, October 5, 2012

Last March I posted a message about my time at TED, the annual four-day conference dedicated to the concept of "Ideas Worth Spreading." My talk is now available, and I'm pleased to share it. I hope it inspires you to visit the Met and spread some of the great ideas that connect our collections, our scholarship, and our visitors.

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In Memoriam: Arthur Ochs Sulzberger

Posted: Monday, October 1, 2012

The Trustees and staff of The Metropolitan Museum of Art mourn the passing of Arthur Ochs Sulzberger, whose wise stewardship and tireless devotion benefited this institution in countless ways over the past four decades.

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Live Stream: Patti Smith in Concert

Posted: Thursday, September 27, 2012

On Friday, September 28, at 7:00 p.m., rock legend Patti Smith will pay tribute to Andy Warhol, her fellow traveler on the cutting edge of the New York art and music scene in the 1970s. The concert is sold out, but a live audio stream of the performance will be available in Met Media.

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The French Franciscan Cloister in New York

Céline Brugeat, 2011–2012 Annette Kade Fellow, Department of Medieval Art

Posted: Thursday, September 27, 2012

The Cloisters incorporates significant sculptural ensembles from medieval cloisters from the south of France, traditionally identified as coming from four sites: Saint-Guilhem-le-Désert, Saint-Michel-de-Cuxa, Trie-en-Bigorre, and Bonnefont-en-Comminges.

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The High-Tech Met

Jennette Mullaney, Former Associate Email Marketing Manager, Digital Media

Posted: Wednesday, September 19, 2012

Twenty-five digital artists and programmers descended upon the Metropolitan Museum's Art Studio on June 1 and 2 for our first 3D scanning and printing Hackathon. The invited guests, along with staff from MakerBot Industries, spent two action-packed days photographing Museum objects and using specialized printers to convert their images into 3D models.

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Spring Fashion Forecast for The Costume Institute = PUNK

Posted: Tuesday, September 18, 2012

The Costume Institute's next exhibition swerves to the streets and clubs of New York and London, then to ateliers and runways with PUNK: Chaos to Couture. The exhibition, on view from May 9 through August 11, 2013, will examine punk's impact from the 1970s to its continuing influence on high fashion now.

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If Tea Bowls Could Talk

Denise Patry Leidy, Curator, Department of Asian Art

Posted: Wednesday, August 15, 2012

Hundreds of stories are embedded in the Chinese ceramics that have recently been reinstalled on the Great Hall Balcony (Gallery 200 through Gallery 205), at the heart of the Museum. Some of these stories tell of technological advances in ceramic production, others illustrate aspects of Chinese culture, and many—including comparative pieces from around the world—illustrate China's continuous and complicated impact in global ceramic history. All of these stories intertwine in fascinating and, sometimes, unexpected ways.

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Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.