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Now at the Met

Connections Reaches 100

Thomas P. Campbell, Director and CEO

Posted: Friday, December 30, 2011

At the beginning of 2011 we embarked on a project called Connections, a Web feature that explored the collections through themes that were personal to Met staff. One hundred employees from across the Museum participated in the project, which allowed them to articulate their own distinct relationship with objects in our collections. Some were surprising, others provocative, many deeply moving.

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A Great Year at the Met

Thomas P. Campbell, Director and CEO

Posted: Thursday, December 22, 2011

Throughout 2011, our global audience has helped bring new energy to the Met. It's an exciting time for the Museum, marked by outstanding scholarship and incredible new ways to access and explore our collections. This short video captures some of my thoughts about this moment and the tremendous potential the Met's future holds. It comes with my thanks for your continued interest and support.

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Google Goggles

Thomas P. Campbell, Director and CEO

Posted: Friday, December 16, 2011

Have you ever seen a work of art—on a poster, in a book, on a billboard, or even in one of the Met's galleries—and simply had to know more about it? Now you can. I'm pleased to announce a new collaboration with Google that lets you take a picture of a work of art with your mobile device and link straight to more information on metmuseum.org. This is yet another milestone in our effort to provide global access to our collections.

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Today in Met History: December 13

Julie Tran Lê, Library Associate, The Irene Lewisohn Costume Reference Library

Posted: Tuesday, December 13, 2011

Sixty-five years ago today, on December 13, 1946, The Costume Institute's first exhibition at the Metropolitan Museum opened to the public.

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The 9/11 Peace Story Quilt

Posted: Wednesday, December 7, 2011

In commemoration of the tenth anniversary of the events of September 11, 2001, the Museum mounted a small exhibition, The 9/11 Peace Story Quilt in the Ruth and Harold D. Uris Center for Education. On September 11, 2011, Museum visitors from all walks of life participated in various special events at the Museum: a lecture by artist Faith Ringgold—who designed the quilt with New York City youth—poetry readings, and a memorial concert.

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The Met Around the World

Thomas P. Campbell, Director and CEO

Posted: Tuesday, November 22, 2011

Today we launch a new section of the Met's website: The Met Around the World. The work of the Metropolitan Museum reflects the global scope of its collections and extends across the world through a variety of initiatives and programs including exhibitions, excavations, fellowships, professional exchanges, conservation projects, and traveling works of art. All these activities are now consolidated here to allow you to search them by location or category.

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Fellows Series: The Etched Decoration of German Renaissance Armor

Stefan Krause, 2010–2011 Andrew W. Mellon Fellow, Department of Arms and Armor

Posted: Friday, November 18, 2011

Armor made from steel plates that covered almost the entire body was developed around the late fourteenth century in Northern Italy, and spread north of the Alps soon after. Most early examples were plain, but by the middle of the fifteenth century armorers began to emboss surfaces with ridges and grooves and add gilt copper-alloy applications, transferring current tastes in civilian fashion to create sumptuous garments of steel. The turn of the sixteenth century saw the first elements of armor embellished with etching, a technique that dominated the decor until the end of armor as an art form, in the middle of the seventeenth century.

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Today in Met History: November 15

Rebecca Weintraub, Intern, Museum Archives

Posted: Tuesday, November 15, 2011

One hundred and twenty-five years ago today, on November 15, 1886, The Metropolitan Museum of Art's Board of Trustees officially approved the establishment of the institution's first curatorial departments—the Department of Paintings, Department of Sculpture, and Department of Casts.

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The Challenge of Interpreting Caricatures and Satires

Nadine Orenstein, Curator, Department of Drawings and Prints

Posted: Wednesday, November 9, 2011

Caricatures and satires are generally created to comment on specific events or moments in history. The Headache, Enrique Chagoya's print of President Obama, for example, reminds us of the strident debates that took place more than a year ago about changes to the U.S. healthcare system. Chagoya based his image on a nineteenth-century print by George Cruikshank entitled The Head Ache that illustrates a man attacked by hammering and drilling demons who are the source of his woes.

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The Shows Go On: Exhibitions at the Met

Ryan Wong, Former Administrative Assistant for Exhibitions, Office of the Director

Posted: Friday, November 4, 2011

When I joined the Metropolitan's Exhibitions Office, I could not have imagined the immensity of the work that goes into the exhibitions program. It can take up to five years for an exhibition to turn from a proposal into an installation and involve hundreds of workers across the Museum. In this post, I hope to answer the questions about the exhibitions process that I always had while roaming the galleries as a visitor.

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About this Blog

Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.