Posted: Tuesday, July 28, 2015
Missouri native Thomas Hart Benton is often recognized as the leader of Regionalism, the 1930s artistic movement that celebrated rural life in the United States, but few know that New York was his home from 1912 to 1935. In 1930, he received his first major commission for a mural from the New School of Social Research. Called America Today, that mural is the subject of The Metropolitan Museum of Art's latest Bulletin, published to accompany the acquisition of the mural as a gift from AXA in November 2012 and its installation at the Met.
Posted: Wednesday, July 22, 2015
Portraits can reveal so much about the character of the person depicted, beyond the obvious physical traits. What can you tell about the gentleman in this painting?
Posted: Thursday, July 16, 2015
What began as a casual conversation between Marco Leona, David H. Koch Scientist in Charge of the Met's Department of Scientific Research, and Carol Stringari, Deputy Director and Chief Conservator of the Guggenheim Foundation, has grown over the past ten months into an unprecedented collaboration aiming to advance the role of science within curatorial and conservation-based scholarship at both institutions. The partnership—described in detail on the Guggenheim's blog—has established a framework for scientific research within the Guggenheim conservation studio by creating a position for the first scientist on staff and granting access to the Met's fully equipped chemical laboratories and advanced analytical instrumentation. Conservators and scientists from the two museums are currently sharing resources, identifying projects of mutual interest, and jointly studying objects in their respective collections.
Posted: Thursday, July 16, 2015
Posted: Tuesday, July 7, 2015
Posted: Thursday, July 2, 2015
Ancient Maya kings and queens were masters of political pageantry. Rulers and nobles engaged in ritual celebrations while wearing elaborate costumes and regalia that incorporated images of both ancestors and deities. One of the most important classes of objects shown in royal portraits and found in royal burials is that of the scepter, a handheld staff often made of stone. The Metropolitan Museum's collection contains a fragment of one such object made of greenstone (fig. 1).
Posted: Wednesday, July 1, 2015
Posted: Tuesday, June 30, 2015
In the sixteenth and seventeenth centuries, the Deccan Plateau of south-central India was a nexus of international trade and home to a series of important, highly cultured Muslim kingdoms. With cultural connections to Iran, Turkey, eastern Africa, and Europe, Deccani art is particularly celebrated for its unmistakable, otherworldly character. This beautifully illustrated catalogue discusses two hundred of the finest Deccan works and includes extraordinary new photographs of the lush landscapes of the Deccan lands.
Posted: Friday, June 26, 2015
The Metropolitan Museum's collection of Chinese painting and calligraphy, one of the finest outside China in both quality and scope, is largely built upon the acquisition of a few private collections. The nearly three hundred works that entered the Museum from the collections of C. C. Wang (1907–2003), the Edward Elliot Family, and John M. Crawford, Jr. (1913–88) in the 1970s and 1980s include several of the most important extant Song (960–1279) and Yuan (1271–1368) pieces today. Spanning the period from the eleventh to the nineteenth century, these works form the core of the department's painting and calligraphy collection from dynastic China.
Posted: Monday, June 22, 2015
Step aside, Game of Thrones; Season 2 of The Artist Project is the most anticipated follow-up of the year. With twenty new artists talking about how The Met is the place where they always find inspiration and make new discoveries, there is no better watching. Tune in and feel free to binge watch.