Posted: Friday, July 19, 2013
Toward the end of the first century a.d. Jerusalem lay in ruins, the second temple built by Herod the Great (74/73–4 b.c.) destroyed and ransacked by the Roman army. Meanwhile, in Babylon, scribes continued to copy ancient texts, inscribing some of them on cuneiform tablets made of clay. After the last cuneiform scribe passed to his fate, no one remained who could read or write documents in Babylonian, Assyrian, or Sumerian. In 1893, pioneer archaeologists and explorers digging in Iraq began to uncover vast archives of cuneiform tablets that had been buried for two thousand years. Today, philologists, archaeologists, and historians are able to combine narratives previously known only from the Bible with information gleaned from thousands of historic, literary, religious, and scientific texts, illuminating the world of Nebuchadnezzar, Sennacherib, and Cyrus. The Cyrus Cylinder, now on view at the Met, helps us understand the peoples and policies of the ancient Near East.
Posted: Tuesday, July 2, 2013
I'm back in New York, and I've had a chance to reflect on my first Travel with the Met experience. The trip was truly unforgettable, thanks in part to the hospitality and humor of our Russian hosts and the stoic pride they take in their country.
Posted: Monday, July 1, 2013
Now on view (through September 8), the exhibition Living in Style brings together drawings, prints, books, and pieces of furniture from the Museum's collections to illustrate five centuries of interior design, from the Renaissance period through the 1960s. Following a chronological path of development, the show traces changes and continuities in the approach to materials, shapes, colors, and decorations as displayed by the works on paper.
Posted: Friday, June 28, 2013
"Creating the Cloisters," the spring issue of the Metropolitan Museum of Art Bulletin written by curator Timothy B. Husband, is an engaging and nuanced narrative of the early history of The Cloisters. As a complement to that narrative, I'd like to review the more recent gallery renovations and reinstallations that have been undertaken, all guided by the principle of maintaining the integrity of the original architectural vision of The Cloisters.
Posted: Thursday, June 27, 2013
Our local guide explained that the first settlers to the Kizhi Island area in the sixteenth century practiced two religions simultaneously: Russian Orthodox Christianity and pre-Christian pagan mysticism.
Posted: Wednesday, June 26, 2013
As part of the installation of the New European Paintings Galleries last month, all of the wall labels were rewritten to reflect recent research. Each time I walked into the Rembrandt gallery (Gallery 637) during the installation, I wondered if I was seeing an art project or merely temporary storage for our new label holders.
Posted: Tuesday, June 25, 2013
Here the Volga River meets the Kotorosl River as seen from the bluffs of Yaroslavl, a picturesque city with a population of 640,000. Decorative plantings in the shape of a bear, the city's emblem, commemorate the 1,003rd anniversary of Yaroslav.
Posted: Monday, June 24, 2013
The Cyrus Cylinder, currently on display in the exhibition The Cyrus Cylinder and Ancient Persia: Charting a New Empire (June 20–August 4, 2013), is a document of unique historical significance. It records the Persian king Cyrus' conquest of the city of Babylon in 539 b.c., and his proclamation that cults and temples should be restored, their personnel allowed to return from Babylon to their home cities.
Posted: Friday, June 21, 2013
Ninety-five years ago the halls of The Metropolitan Museum of Art resounded with the sounds of music, as the first public concert was held within the Museum's galleries.
Posted: Thursday, June 20, 2013
In 1776, while America was starting a revolution, the Russians were building the Bolshoi Theater.