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Now at the Met

Event Highlights: Spring Break at the Met

Victoria Cairl, Tourism Marketing Manager

Posted: Friday, April 11, 2014

Start your spring break with a day of family fun at the Met! We invite visitors of all ages to make new memories as a family by exploring the Museum's global collection. With the Museum now open seven days a week and offering events each day, the possibilities are endless.

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Galleys in the Gallery: A Look at a Newly Acquired Drawing

Cabelle Ahn, Volunteer, Department of Drawings and Prints

Posted: Friday, April 11, 2014

Louis François Cassas's View of Messina Harbor is a fascinating recent addition to the continuously expanding collection of eighteenth-century drawings in the Department of Drawings and Prints. The pen and wash drawing offers an idyllic view of the main harbor in Messina, Sicily, before the earthquakes that devastated the Calabrian coast in February and March of 1783. This large-format drawing is currently on view in Gallery 690 until April 28 as part of a rotation of drawings and prints from the permanent collection.

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April in Paris (at the Met)

Lucy Redoglia, Associate Online Community Producer, Digital Media

Posted: Wednesday, April 9, 2014

Known as the "City of Light" and the "City of Love," Paris is the world-renowned capital of romance. Its wide boulevards and enchanting architecture have captured the hearts and imaginations of artists, writers, and architects for centuries. But you don't have to get on a plane to enjoy the delightful sights of this historic city; spend April in Paris right here at the Met with French works of art from the collection and special Paris-related exhibitions.

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Met Museum Presents Spring Ticket Sweepstakes on Facebook

Taylor Newby, Online Community Manager, Digital Media

Posted: Tuesday, April 8, 2014

This spring, the Met Museum Presents Ticket Sweepstakes series is giving away tickets to upcoming performances and talks on the Museum's Facebook page. Every Tuesday through June 3 (with the exception of April 22 and May 5), a new event will be featured in the sweepstakes.

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Featured Publication—The Cesnola Collection of Cypriot Art: Stone Sculpture

Rachel High, Editorial Assistant, Editorial Department

Posted: Tuesday, April 8, 2014

The Cesnola Collection of Cypriot Art: Stone Sculpture (2014) is the first comprehensive publication of 635 stone sculptures in the Met's extensive collection of ancient art from the island of Cyprus. Published online, in a historic first for the Museum, the publication is available to read, download, and search in MetPublications at no cost. A paperbound edition, complete and printed as a 436-page print-on-demand book with 949 full-color illustrations, is also available for purchase and can be ordered on Yale University Press's website.

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Bashford Dean and Japanese Arms and Armor

Donald J. La Rocca, Curator, Department of Arms and Armor

Posted: Tuesday, April 8, 2014

During scientific research trips to Japan in the 1890s, Bashford Dean (1867–1928), founding curator of the Department of Arms and Armor, immersed himself in the study of Japanese arms and armor. By about 1900 he had assembled a private collection of approximately 125 pieces. When Dean lent his collection to The Metropolitan Museum of Art in 1903, it was the most comprehensive of its kind in the United States.

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Cross-Departmental Dialogue: The Rock and the Revolution

Xin Wang, Research Assistant, Department of Asian Art

Posted: Friday, April 4, 2014

At the moment, we have on two different sides of the Museum great examples of contemporary artists who have created works that deal with history, politics, and social realities in their respective regions using stop-motion animation: The Refusal of Time (2012), an installation by William Kentridge (b. 1955) currently on view in the Modern and Contemporary Art galleries, and a selection of videos in the exhibition Ink Art: Past as Present in Contemporary China by artists Chen Shaoxiong (b. 1962), Qiu Anxiong (b. 1972) and Sun Xun (b. 1980). Qiu and Sun in particular have acknowledged Kentridge as a source of inspiration. I spoke with Ian Alteveer, associate curator in the Department of Modern and Contemporary Art, about the connections between Kentridge's film and several videos in Ink Art.

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Collecting Inspiration with Supersisters

Liz Zanis, Collections Management Assistant, Department of Drawings and Prints

Posted: Thursday, April 3, 2014

Published in 1979, the Supersisters trading cards were a playful, informative, and accessible way to spread feminism to younger audiences. The series was inspired by Lois Rich's daughter, an eight-year-old baseball-card collector, who asked why there weren't any pictures of girls on the cards. With a grant from the New York State Education Department, Lois Rich and her sister, Barbara Egerman, contacted five hundred women of achievement and created cards of the first seventy-two to respond.

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On Pots, Poets, and Poetry

Denise Patry Leidy, Curator, Department of Asian Art

Posted: Wednesday, April 2, 2014

The shadowy, newly blossomed plum tree and crescent moon painted on the interior of a black-glazed tea bowl (fig. 1) and delicately incised into the center of a green-glazed bowl (fig.2), both of which are now on view in the Great Hall Balcony, illustrate a complex web of cultural allusions. Understood as references to the ephemeral nature of life, plum blossoms also symbolize hope and endurance: They are the first flowers to bloom in early spring as winter begins to fade.

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What's New: Gallery 351

Yaëlle Biro, Assistant Curator, Department of the Arts of Africa, Oceania, and the Americas

Posted: Friday, March 28, 2014

At the entrance to the Michael C. Rockefeller Wing, in the gallery devoted to Ethiopian art (Gallery 351), an installation combines historical works from the Museum's collection with a series of related creations by a contemporary artist on loan from a private collection.

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Tapestries Report All the News That's Fit to Weave

Sarah Mallory, Research Assistant, European Sculpture and Decorative Arts

Posted: Tuesday, March 25, 2014

Before the advent of Facebook and Twitter, Pinterest and Instagram, television, or the daily paper, looking at tapestries was one way to learn about the news of the day, observe fashionable trends in clothing and interior design, and perhaps even make a political statement. Since it is #tapestrytuesday, let's examine how the social medium that is a tapestry just might have been an early form of social media.

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A Change of Scenery: New Drawings and Prints in Cleopatra's Needle

Femke Speelberg, Assistant Curator, Department of Drawings and Prints

Posted: Monday, March 24, 2014

Coinciding with the conservation treatment of the obelisk of Thutmose III in Central Park, the current exhibition Cleopatra's Needle focuses on this important Egyptian icon. Through various works of art from the Museum's encyclopedic collection, as well as some important loans from other institutions and private collectors, the show explores the meanings, functions, and manifestations of obelisks, both in their original context in ancient Egypt and later adaptations in western culture.

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Featured Catalogue: Interview with Curator, Author, and World Book Award Recipient Helen C. Evans

Rachel High, Editorial Assistant, Editorial Department

Posted: Thursday, March 13, 2014

​Helen C. Evans, Mary and Michael Jaharis Curator of Byzantine Art, traveled to Tehran, Iran, on February 8, 2014, to accept the twenty-first annual World Book Award for her catalogue Byzantium and Islam: Age of Transition. The award was presented by the World Book Award Committee of the Islamic Republic of Iran's Ministry of Culture and Religious Guidance.

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Tibetan Buddhist Art in the Twenty-First Century

Kurt Behrendt, Assistant Curator, Department of Asian Art

Posted: Wednesday, March 12, 2014

A rapidly evolving contemporary art movement has emerged both in Tibet and across the world in conjunction with the Tibetan diaspora, offering a wide range of perspectives on Buddhism and modern Buddhist practice. Two contemporary Tibetan artists currently featured in the exhibition Tibet and India: Buddhist Traditions and Transformations, Tenzing Rigdol and Gonkar Gyatso, both address Buddhist themes, but their intended audiences are global in scope, and their works are primarily vehicles of artistic expression and vision rather than objects of devotion. Nonetheless, merely presenting a Buddha or bodhisattva in a work of art charges it with a certain meaning, regardless of artistic intent. Buddhist ideas, traditional texts, and the current monastic tradition ground these images historically in a religious context, even if a contemporary viewer might not necessarily read them as "Buddhist art."

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A New Web Feature: MetCollects

Thomas P. Campbell, Director and CEO

Posted: Monday, March 10, 2014

I am delighted to announce the launch of the Met's latest web series, MetCollects. This multimedia feature gives you an intimate look at some of the hundreds of works of art that the Met acquires each year. These exciting new additions are introduced by the curators who proposed them for the Met's collection.

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Featured Catalogue—Interview with the Curator: Keith Christiansen

Nadja Hansen, Editorial Assistant, Editorial Department

Posted: Wednesday, March 5, 2014

Piero della Francesca: Personal Encounters, a new catalogue by Keith Christiansen—the John Pope-Hennessy Chairman of the Met's Department of European Paintings—is the first publication to explore the private devotional works of one of the Renaissance's great masters. Published in conjunction with the eponymous exhibition (on view through March 30), the appropriately small book matches the intimate exhibition, which focuses on one of the gems of the Gallerie dell'Accademia in Venice: Piero della Francesca's Saint Jerome and a Supplicant, a work that has long mesmerized Christiansen, and has never before left Italy. I sat down with him to discuss this work and why he felt compelled to put this show and publication together.

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A Tribute to J.D. 'Okhai Ojeikere (1930–2014)

Giulia Paoletti, J. Clawson Mills Fellow, Department of the Arts of Africa, Oceania, and the Americas

Posted: Wednesday, March 5, 2014

On February 2, J.D. 'Okhai Ojeikere, one of the greatest African photographers of the twentieth century, passed away. Over a career that spanned more than fifty years, Ojeikere exhibited internationally in major venues such as the Venice Biennial, Tate Modern, Studio Museum in Harlem, Documenta, and Fondation Cartier pour l'Art Contemporain, among others. He is represented in some of the most prestigious collections, including the Met's, which includes two photographs from his celebrated Hairstyles series.

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A Look at the Life of Bashford Dean

Donald J. La Rocca, Curator, Department of Arms and Armor

Posted: Tuesday, March 4, 2014

In October 2012, the Department of Arms and Armor marked one hundred years as an independent curatorial department, an event celebrated in the current exhibition Bashford Dean and the Creation of the Arms and Armor Department. Through the closing of the exhibition on October 13, 2014, a series of monthly blog posts will look at different aspects of Bashford Dean's unique and multifaceted career as a scientist, soldier, curator, and collector.

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A Reflection from Davos

Thomas P. Campbell, Director and CEO

Posted: Thursday, February 27, 2014

I arrived in Davos this year ready to talk about the critical relevance of culture within the World Economic Forum's annual meetings. But one thing was lingering in my mind and became a critical part of my discussions there. Last November Bill Gates did an interview with the Financial Times newspaper. In it, he said that it was morally questionable to give money to an art museum when there are still diseases that cause blindness in the world. While I greatly admire Mr. Gates's work as a significant philanthropic catalyst, this particular perspective seems limited and counter to the very priorities that he champions in his charitable work.

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In the Footsteps of Buddhist Pilgrims: Sites in North India

Kurt Behrendt, Assistant Curator, Department of Asian Art

Posted: Tuesday, February 25, 2014

Last year, in preparation for the exhibition Tibet and India: Buddhist Traditions and Transformations (on view through June 8), I traveled to India to see about a dozen major museum collections. (In 2010 I conducted a similar survey in Tibet, which will be the subject of my next post.) While I was in India I also had the opportunity to study many of the major tenth- to twelfth-century Buddhist sites in the northern part of the country—sites made sacred by the actions of the Buddha. I spent most of my time in Bihar, but I also visited Buddhist centers in Odisha on the east coast.

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About this Blog

Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.