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Now at the Met

A New Web Feature: One Met. Many Worlds.

Thomas P. Campbell, Director and CEO

Posted: Wednesday, June 11, 2014

The art at the Met reaches across the globe, so we wanted to start providing our collection information in some of the many languages represented by these cultures. Our new web feature One Met. Many Worlds. brings you more than five hundred collection highlights in eleven languages: English, Arabic, Chinese, French, German, Italian, Japanese, Korean, Portuguese, Russian, and Spanish.

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Solace and Silence: The Music of Arvo Pärt

Michael Cirigliano II, Website Editor, Digital Media Department

Posted: Friday, May 30, 2014

"Feel the World Stand Still"

This phrase is currently emblazoned on subway ads across New York City promoting the Arvo Pärt Project at St. Vladimir's Seminary, which will bring the Estonian composer to New York for the first time since 1984. While this kind of dramatic hyperbole often surrounds any discourse regarding Pärt's music—"mystical," "heavenly," "timeless" are frequently used—the overwhelming acceptance of his work is a rare occurrence in the landscape of contemporary concert performance. His is a music that seamlessly bridges the gap between the modern and the ancient, minimalism and Gregorian chant, making the comparisons often cited between Pärt's music and that of both Phillip Glass and Josquin dez Prez the equivalent of an artist being equally heralded alongside Rothko and Caravaggio.

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Bashford Dean and the Arms and Armor Collection of William H. Riggs

Donald J. La Rocca, Curator, Department of Arms and Armor

Posted: Thursday, May 29, 2014

The current exhibition Bashford Dean and the Creation of the Arms and Armor Department features a number of pieces donated by William H. Riggs (1837–1924), a lifelong collector of arms and armor who assembled the finest private collection of his time before giving it to the Museum in 1913.

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Spectrum Spotlight: Yaëlle Biro

Lucy Redoglia, Associate Online Community Producer, Digital Media; and Christopher Gorman, Assistant for Administration, Audience Development

Posted: Thursday, May 29, 2014

Brought to you by the Spectrum group, which encourages post-college audiences to experience the Met in new and unexpected ways, this post is the third installment of our "Spectrum Spotlight" series, which introduces some of the staff members who make the Museum such a special place.

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Living on the Edge: Tapestry Borders

Sarah Mallory, Research Assistant, European Sculpture and Decorative Arts

Posted: Tuesday, May 27, 2014

In the world of tapestry, it's hip to be square—or rectangular, for that matter. Why, you ask? The answer is quite simple: borders.

You might have noticed that a decorative, tapestry-woven strip traces the edges of many tapestries, which is referred to as the border. While the border is very much a part of the physical tapestry itself, it often has a personality all its own. And, while some border designs were reused on multiple sets of unrelated tapestries, these ornamental edges can still be thought of as something like a thumbprint, a distinguishing characteristic that is apparent only upon close inspection.

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Charles James: Beyond Fashion—Interview with Photographer Karin L. Willis

Rachel High, Editorial Assistant, Editorial Department

Posted: Tuesday, May 27, 2014

I recently sat down with Karin L. Willis, the photographer for the Charles James: Beyond Fashion catalogue that accompanies the current exhibition of James's work, on view through August 10. The publication offers a comprehensive study of the life and work of the legendary Anglo-American couturier Charles James (1906−1978), highlights his virtuosity and inventiveness, and includes early photographs and rarely seen archival items—including muslin study pieces, dress forms, and sketches. During our conversation Karin spoke about the challenging but rewarding process of photographing James's designs.

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Gloria—A Pig Tale Brings Farm Life to the Met

Meryl Cates, Press Officer, Met Museum Presents

Posted: Friday, May 23, 2014

The opera Gloria—A Pig Tale, which will run for three performances at the Met between May 29 and June 1, is a wicked twist on the classic fairy tale—featuring a heroine pig, an unlikely (and wild) knight in shining armor, and a prince with an ulterior motive.

The Grace Rainey Rogers Auditorium stage will be inventively converted into a farm where the story can unfold in true operatic style, with rich, multilayered sets, a vaudevillian and dynamic score composed by HK Gruber, and unforgettable costumes. Designed by Doug Fitch of Giants Are Small and presented as part of the inaugural NY PHIL BIENNIAL, Gloria will be brought to life with incredible detail in an unprecedented transformation of the Met's main stage.

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Memorial Day at the Met

Victoria Cairl, Tourism Marketing Manager

Posted: Friday, May 23, 2014

Join us throughout the holiday weekend as we celebrate Memorial Day at the Met. Enjoy a special guided tour of the American Wing, use one of our many family guides to explore the galleries, or see artworks in the Museum's collection that were saved by the Monuments Men—a group of unlikely heroes culled from the art world who risked their lives to preserve Europe's cultural treasures during World War II.

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Asian-Pacific American Heritage Month at the Met

Donna Williams, Chief Audience Development Officer

Posted: Friday, May 23, 2014

May is Asian-Pacific American Heritage Month, a celebration of Asians and Pacific Islanders in the United States. This month affords us the opportunity to reflect on the various achievements and traditions of so many of our neighbors, friends, and family members. The Metropolitan's permanent collection and current exhibitions offer a calm and reflective setting for appreciating the art from this part of the world.

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Find the Chinese Treasury—if You Dare

Denise Patry Leidy, Curator, Department of Asian Art

Posted: Wednesday, May 21, 2014

The Florence and Herbert Irving Galleries for Chinese Decorative Arts, located on the mezzanine at the north end of the Museum, are filled with extraordinary objects made in materials that include silk, lacquer, and jade. These galleries can only be reached by an elevator or a staircase from the Chinese painting galleries, however, so finding the artworks displayed there can be categorized as "extreme" museum-going: It takes true commitment.

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In the Footsteps of Saint Francis

Alexa Schwartz, Collections Management Assistant, Department of Drawings and Prints

Posted: Monday, May 19, 2014

Published in Florence by Fra Lino Moroni in 1612, the Descrizione del Sacro Monte della Vernia (Description of the Sacred Mount Alverno) serves as a guide to Monte della Vernia (today known as La Verna) in the Tuscan Apennines. Monte della Vernia was the location where Saint Francis of Assisi retreated in 1224 for a forty-day period of fasting and meditation. It was there where he had the vision of an angel carrying the crucified Christ and experienced the stigmata.

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New MetPublications: Spring 2014

Mark Polizzotti, Publisher and Editor in Chief, Editorial Department

Posted: Monday, May 19, 2014

The Museum's Editorial Department has kept busy this spring, producing a range of new titles that celebrate the Met's collection and special exhibitions. The following are seven spectacular publications, just off the presses.

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Journeys to Divinity: A Preview

Kurt Behrendt, Associate Curator, Department of Asian Art

Posted: Thursday, May 15, 2014

The upcoming Met Museum Presents talk Journeys to Divinity, along with the current exhibition Tibet and India: Buddhist Traditions and Transformations, touch on how imagery functions to convey complex social and religious meanings—a concept occurring today in a myriad of contexts, as the Internet penetrates deeper into our communal experience. Gonkar Gyatso considers just such media in his construction Dissected Buddha, which draws from fragments of pop culture, mass media, and advertising in a way that appeals to a broad audience and breaks down both language and geographic boundaries.

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Toward Transcendent Enlightenment: Buddhist Sites in Central Tibet

Kurt Behrendt, Associate Curator, Department of Asian Art

Posted: Thursday, May 15, 2014

As mentioned in a previous post, I conducted two survey trips in preparation for the exhibition Tibet and India: Buddhist Traditions and Transformations (on view through June 8), which focuses on eleventh- and twelfth-century connections and interactions between the Buddhist communities of Tibet and India. My trip to central Tibet in September 2010 allowed me to visit and study many of the extant Buddhist monasteries there, and to survey the wall painting preserved in monastic sacred structures.

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Glimpses of Joy and Sorrow in Chen Hongshou's Calligraphy Album

Shi-yee Liu, Assistant Research Curator of Chinese Art, Department of Asian Art

Posted: Wednesday, May 14, 2014

Calligraphy is considered the premier art form in Chinese culture because it so directly reflects an artist's character and mentality. Sequences of lines and dots trace the creative process with utmost immediacy, and one can envision the movements of the calligrapher's hand and sense his mood, while the words—especially poetry of one's own composition—convey his thoughts. The calligraphy album of Chen Hongshou (1599–1652), currently featured in the exhibition Out of Character: Decoding Chinese Calligraphy—Selections from the Collection of Akiko Yamazaki and Jerry Yang, exemplifies this unique union of visual and verbal arts.

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Artist as Educator: Jeff Hesser at the Met

Michelle Hagewood, Assistant Museum Educator for Studio Programs, Education

Posted: Monday, May 12, 2014

On March 14, the Met's Education Department kicked off the first of several events planned collaboratively with Jeff Hesser, a visiting artist leading a suite of programs related to the current exhibition The Passions of Jean-Baptiste Carpeaux. A sculptor who works with a range of media such as clay, 3D digital software, and toy and model making, Hesser has exhibited widely across the country and taught at the Rhode Island School of Design; University at Buffalo, The State University of New York; and the New York Academy of Art.

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Interview with Charles James: Beyond Fashion Co-author Jan Glier Reeder

Rachel High, Editorial Assistant, Editorial Department

Posted: Thursday, May 8, 2014

The Costume Institute's 2014 exhibition, Charles James: Beyond Fashion, opens May 8 and offers a comprehensive study of the life and work of legendary Anglo-American couturier Charles James (1906−1978). In the accompanying exhibition catalogue, co-author Jan Glier Reeder—consulting curator in The Costume Institute for the Brooklyn Museum Costume Collection at The Metropolitan Museum of Art—highlights James's virtuosity and inventiveness, as well as his influence on future generations of fashion designers. This publication also includes early photographs and rarely seen archival items, such as muslin study pieces, dress forms, and sketches.

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First Lady Michelle Obama Opens The Costume Institute's Anna Wintour Costume Center

Nancy Chilton, Head of Communications for The Costume Institute

Posted: Tuesday, May 6, 2014

Yesterday morning, First Lady Michelle Obama cut the ribbon to mark the official opening of The Costume Institute's new Anna Wintour Costume Center, which has just undergone a two-year renovation. The space will reopen to the public this Thursday, May 8, with the exhibition Charles James: Beyond Fashion.

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Beautiful Tones in the Prints of Master IAM of Zwolle

John Byck, Research Assistant, Department of Drawings and Prints

Posted: Tuesday, May 6, 2014

One might not consider engraving to be a particularly "colorful" medium. Made by impressing paper with an incised metal plate primed with a single color of ink—typically black—an engraving lacks the spectrum of chromatic options of other arts, like painting. But it can often be surprising, upon close inspection, just how much tonal nuance engraved pictures can contain.

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Decoding Chinese Calligraphy

Joseph Scheier-Dolberg, Assistant Curator, Department of Asian Art

Posted: Tuesday, May 6, 2014

In the year 1561, the scholar, painter, and calligrapher Wen Peng sat down at his desk to write out the Thousand-Character Classic, a sixth-century poem often used by Chinese calligraphers to build or maintain their brush skills. The sixty-three-year-old Wen Peng was no stranger to the Thousand-Character Classic—he had likely written it several hundred times during his life, and no doubt knew the text by heart. But this time he did something unusual: He transcribed the text in a form of writing known as "clerical script," an archaic script used primarily for commemorative purposes; and he wrote the characters larger than normal, filling oversized sheets of paper with just twelve characters each.

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About this Blog

Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.