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Now at the Met

The 2013 Family Benefit: Heroes and Heroines at the Metropolitan

Kate Dobie, Associate Development Officer

Posted: Monday, March 4, 2013

On Monday, February 4, the Met hosted its twenty-first annual Family Benefit for families with kids of all ages. This year's theme, heroes and heroines, was a huge hit with parents and children alike.

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Today in Met History: March 1

Aleksandr Gelfand, Former Intern, Museum Archives

Posted: Friday, March 1, 2013

One hundred and forty years ago today, on March 1, 1873, The Metropolitan Museum of Art signed a lease for the Douglas Mansion, located at 128 West 14th Street in Manhattan. The rapidly expanding museum had outgrown its original location in the Dodworth Building in midtown and was in need of additional gallery space.

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Photographer Interview: Experiencing Art through Touch

Jennette Mullaney, Former Associate Email Marketing Manager, Digital Media

Posted: Friday, February 8, 2013

The Metropolitan Museum has a long history of making its collections accessible to blind and partially sighted visitors through touch and description. In the 1970s, the Museum established the Touch Collection, a group of small artworks from different curatorial departments, for the purpose of tactile exploration by blind and partially sighted visitors. Since 1998, these visitors have been invited to engage with a range of Museum objects through touch tours—guided or self-guided visits in which they can explore specific objects with their hands. For several years, photographer Matt Ducklo has captured participants on these tours at the Metropolitan and other museums, creating a body of work that explores how all people—both sighted and otherwise—experience art. I interviewed Matt about his work and how it has affected his own experience of looking at art.

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Today in Met History: February 4

Aleksandr Gelfand, Former Intern, Museum Archives

Posted: Monday, February 4, 2013

On Monday, February 4, 1963, a unique visitor entered The Metropolitan Museum of Art and remained in the building for the next three and a half weeks. Over one million people clamored to see her during her stay at the Museum, and the press reported extensively on her visit. To the great pleasure of the Metropolitan and its visitors, the Mona Lisa—perhaps the best known painting in the world—had come to the Museum as a loan from the Louvre.

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A New Web Feature: 82nd & Fifth

Thomas P. Campbell, Director and CEO

Posted: Friday, February 1, 2013

We have just launched 82nd & Fifth, a new Web feature that asks one hundred curators from across the Museum to each talk about a work of art from the Met's collection that changed the way they see the world.
One work. One curator. Two minutes at a time.

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The Devoted Collector: William H. Riggs and the Department of Arms and Armor

Aleksandr Gelfand, Former Intern, Museum Archives

Posted: Wednesday, January 16, 2013

On Friday, May 9, 1913, the ship La France steamed into New York Harbor carrying William Henry Riggs, a wealthy American and lifelong collector of arms and armor. Riggs was returning from France to his native city for the first time in over forty years in order to donate his impressive collection to The Metropolitan Museum of Art. Accompanying Riggs was Bashford Dean, curator of the Metropolitan Museum's recently established Department of Arms and Armor and a well-known collector in his own right. Dean had spent close to a decade trying to persuade Riggs to give his collection to the Museum. Now, as a result of Dean's efforts, the Museum's new Arms and Armor department was set to acquire one of the greatest collections of its day.

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Near Neighbors: Brooklyn Dressmakers in the Brooklyn Museum Costume Collection at The Metropolitan Museum of Art

P. Grace Hernandez, 2010–11 Polaire Weissman Fellow, The Costume Institute

Posted: Monday, January 14, 2013

When the Brooklyn Museum transferred its costume collection to the Metropolitan Museum's Costume Institute in January 2009, the Met acquired an impressive array of garments from renowned European and American designers. Some highlights from the collection were featured in the related 2010 exhibitions American Woman: Fashioning a National Identity at the Met and American High Style: Fashioning a National Collection at the Brooklyn Museum. Yet the collection also contains a set of objects with noteworthy local origins: garments and accessories made by Brooklyn-based clothing and accessory makers—milliners, tailors, and dressmakers—working independently or in department stores during the nineteenth and twentieth centuries.

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Marking the Arms and Armor Centennial

Donald J. La Rocca, Curator, Department of Arms and Armor

Posted: Wednesday, January 2, 2013

One hundred years ago, on October 28, 1912, the Trustees of The Metropolitan Museum of Art officially created the Department of Arms and Armor. From relatively modest beginnings, the department rapidly developed into one of the finest and most comprehensive collections of its type in the world.

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Thomas Hart Benton's America Today

Thomas P. Campbell, Director and CEO

Posted: Tuesday, December 11, 2012

I am delighted to announce that Thomas Hart Benton's epic mural America Today—a sweeping panorama of American life, has been donated by AXA Equitable Life Insurance Company to The Metropolitan Museum of Art.

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Art of the Islamic World: A New Resource for Teachers

Claire Moore, Assistant Museum Educator

Posted: Friday, November 30, 2012

The importance of the Islamic world within current geopolitics and the global context in which we live makes the study of these regions essential in K–12 classrooms around the world.

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This Weekend in Met History: November 24

Aleksandr Gelfand, Former Intern, Museum Archives

Posted: Wednesday, November 21, 2012

One hundred and thirty-seven years ago this weekend, on November 24, 1875, the American businessman and philanthropist William Backhouse Astor died. Just three years earlier, Astor had been responsible for a milestone in Metropolitan Museum of Art history: donating to the newly established institution its first work of art made by an American, the marble statue California by Hiram Powers.

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Recent Acquisitions

Thomas P. Campbell, Director and CEO

Posted: Thursday, November 15, 2012

The works of art in the recent issue of the Met's Bulletin are striking for their strength and diversity, but one familiar note plays throughout: the name of Mrs. Charles Wrightsman.

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This Weekend in Met History: October 28

Aleksandr Gelfand, Former Intern, Museum Archives

Posted: Friday, October 26, 2012

October 28, 2012, marks the centennial of the election of Edward S. Harkness as Trustee and Fellow for Life of The Metropolitan Museum of Art. A lifelong philanthropist estimated to have donated one hundred million dollars to charity, Harkness spent twenty-eight years working on the Museum's behalf. A number of his gifts are among the most beloved and visited works of art within the Met's galleries.

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Antonio Tempesta's View of Rome: Portraying the Baroque Splendor of the Eternal City

Femke Speelberg, Assistant Curator, Department of Drawings and Prints

Posted: Tuesday, October 23, 2012

In 1593, the Florence-born artist Antonio Tempesta (1555–1630) published one of his absolute masterpieces in print: a View of Rome composed out of twelve folio-sized, etched plates. When joined together in two rows of six, the print forms an impressive frieze measuring almost 3.5 by 8 feet (fig. 1).

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Book Smart

Thomas P. Campbell, Director and CEO

Posted: Thursday, October 11, 2012

There's nothing like a good read, and today we're adding 643 books to your reading list. MetPublications puts nearly all of our publications—past, present, and future—online. That out-of-print catalogue from the Met's groundbreaking 1985 India exhibition? Now you can read it. The 1970 catalogue of the Wrightsman porcelain collection? That's there, too, along with hundreds of other titles from across the Museum.

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Ancient Egyptian Ostraca: A Reevaluation

Jennifer Babcock, 2009–2011 Hagop Kevorkian Curatorial Fellow, Department of Ancient Near Eastern Art

Posted: Wednesday, October 10, 2012

Although I am an Egyptologist, I recently worked for two years in the Museum's Department of Ancient Near Eastern Art as the 2009–2011 Hagop Kevorkian Curatorial Fellow. The experience was invaluable, not only for its curatorial training, but also for the opportunity to approach my dissertation topic—ancient Egyptian ostraca—from a cross-disciplinary perspective.

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All Art Was Once Contemporary

Thomas P. Campbell, Director and CEO

Posted: Friday, October 5, 2012

Last March I posted a message about my time at TED, the annual four-day conference dedicated to the concept of "Ideas Worth Spreading." My talk is now available, and I'm pleased to share it. I hope it inspires you to visit the Met and spread some of the great ideas that connect our collections, our scholarship, and our visitors.

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In Memoriam: Arthur Ochs Sulzberger

Posted: Monday, October 1, 2012

The Trustees and staff of The Metropolitan Museum of Art mourn the passing of Arthur Ochs Sulzberger, whose wise stewardship and tireless devotion benefited this institution in countless ways over the past four decades.

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Live Stream: Patti Smith in Concert

Posted: Thursday, September 27, 2012

On Friday, September 28, at 7:00 p.m., rock legend Patti Smith will pay tribute to Andy Warhol, her fellow traveler on the cutting edge of the New York art and music scene in the 1970s. The concert is sold out, but a live audio stream of the performance will be available in Met Media.

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The French Franciscan Cloister in New York

Céline Brugeat, 2011–2012 Annette Kade Fellow, Department of Medieval Art

Posted: Thursday, September 27, 2012

The Cloisters incorporates significant sculptural ensembles from medieval cloisters from the south of France, traditionally identified as coming from four sites: Saint-Guilhem-le-Désert, Saint-Michel-de-Cuxa, Trie-en-Bigorre, and Bonnefont-en-Comminges.

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About this Blog

Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.