Posted: Tuesday, June 19, 2012
At the end of the fifth century, the great Buddhist centers of Gandhara in Northern Pakistan collapsed in the wake of Hun invasions that swept in from the area north of Afghanistan. The current exhibition Buddhism along the Silk Road: 5th–8th Century (on view through February 10, 2013) focuses on art produced as a result of contact with the dispersed Gandharan Buddhist communities, who were moving into Afghanistan and up into the Western parts of Central Asia.
Posted: Thursday, May 31, 2012
Artists come to the Met every day to be inspired, discovering visual and technical solutions in works from every corner of the world, ranging from ancient times to the present day. They might attend a program, sketch from objects, or create their own copies of original paintings, as they have done since 1872 when the Met first allowed artists to re-create works of art on display.
Posted: Tuesday, May 22, 2012
Each spring, as soon as the weather gets warm, friends start asking me when the Museum's Roof Garden will be open. By the time they ask, I've already been excited for months, anticipating the installation process and the opportunity to collaborate with the exhibiting artist (or artists), curators, fabricators, and installers who, each year, transform one of my favorite places in the city into a totally new space.
Posted: Friday, May 11, 2012
It's springtime in New York, and to celebrate we've collaborated with the New York Botanical Garden on a free app that invites you to experience Claude Monet's living masterpiece, his garden at Giverny.
Posted: Tuesday, May 1, 2012
Posted: Thursday, April 26, 2012
We like to think that the language of art is universal, but a museum like the Met, with an audience that is forty percent international, cannot ignore the global scope of its visitors. There are some days when the Met's Great Hall is a glorious cacophony of languages from all over the world—and from all over New York.
Posted: Thursday, April 12, 2012
We are delighted to unveil the 2012–13 season of Met Museum Presents, our newly renamed performing arts and talks series. This is the first season programmed by Concerts & Lectures General Manager Limor Tomer, who began working at the Met in July 2011. The video above certainly captures the new approach that the Met is taking toward performance at the Museum.
Posted: Wednesday, March 28, 2012
Chief Photographer Joe Coscia has worked at the Museum for more than twenty years. One of his recent assignments was to photograph the works of art for Masterpieces of European Sculpture in The Metropolitan Museum of Art, 1400–1900, written by Ian Wardropper and published last fall. I asked him about the unique work of a museum photographer, as well as the collaborations and complex choices involved in shooting the masterpieces illustrated in this book.
Posted: Tuesday, March 20, 2012
One hundred and forty years ago today, on March 20, 1872, the City of New York's Department of Public Parks designated the area between 79th and 84th Streets in Central Park as the future site of The Metropolitan Museum of Art.
Posted: Thursday, March 15, 2012
"What's your Met?" We asked this question of eleven celebrities, and were delighted by the range of answers we got from Alex Rodriguez, Claire Danes, Marc Jacobs, Alicia Keys, Jeff Koons, Seth Meyers, Zaha Hadid, Hugh Jackman, Kristen Wiig, and Carmelo and La La Anthony.
Posted: Wednesday, March 14, 2012
In the words of the historian Jacob Burckhardt, fifteenth-century Italy was "the place where the notion of the individual was born." In keeping with this notion, early Renaissance Italy hosted the first great age of portraiture in Europe.
Posted: Wednesday, March 7, 2012
I am just back from Long Beach, CA, where I spoke at TED, the annual four-day conference started twenty-five years ago and dedicated to the concept of "Ideas Worth Spreading."
Posted: Friday, February 17, 2012
One hundred and forty years ago, on February 20, 1872, The Metropolitan Museum of Art opened its doors to the public for the first time.
Posted: Thursday, February 2, 2012
A Metropolitan Museum patron interested in Islamic art in the 1880s would have found little of relevance on display.1 By 1910, however, the situation was very much improved, and in the century since then, the Islamic art displays at the Museum have become the largest in the Western world. This essay briefly describes the evolution of the display of Islamic art at the Metropolitan Museum—from the first largely visual exhibitions to the present scholarly organization by style, material, and civilization.
Posted: Tuesday, January 31, 2012
"Pity my life and be my wife."
These words were delivered in a round, white box to a Miss Oliver in Hythe, Southampton, in the mid-nineteenth century. The box contained a beautiful Valentine's Day card covered in lace, with a basket of textile flowers in its center. Although we may never know if Miss Oliver accepted the somewhat woefully expressed petition of the man who loved her, we do know that the card and even its container survived the test of time, cherished at the very least as a keepsake.
Posted: Friday, January 20, 2012
Left: Heroic Africans exhibition catalogue; Right: Commemorative figure of a priestess, 19th century. Cameroon, Grassfields region, Bangwa chiefdom. Bamileke peoples. Wood, pigments. Musée Dapper, Paris (3343)
Alisa LaGamma, curator of Heroic Africans: Legendary Leaders, Iconic Sculptures and author of the accompanying catalogue, recently discussed the Commemorative figure of a priestess, one of the masterpieces from the exhibition, for the Yale University Press blog. Don't miss the rare opportunity to see the powerful figure, on loan from the Musée Dapper, Paris (3343). The exhibition at the Met closes on January 29 before traveling to the Museum Rietberg in Zurich.
Posted: Friday, January 13, 2012
This week we celebrated the completion of the rebuilding of the Met's extraordinary American Wing, and in doing so unequivocally acknowledged the importance of the arts of this nation to the Metropolitan Museum.
Posted: Monday, January 9, 2012
By any standards, Lisbon's Hebrew Bible—now on view at the Met—is a masterpiece of medieval illumination. Its acquisition in 1804 by the National Library of Portugal may be credited to the enlightened intellectualism of the institution's first librarian, António Ribeiro dos Santos.
Posted: Thursday, January 5, 2012
The Museum Library, authorized by the Museum's 1870 charter and formally established in 1880, is one of the world's great collections of art historical research materials. However, thousands of printed books in the Library and other departments of the Museum are deteriorating rapidly through heavy use, acidic paper, or both. In some cases, important information has already been lost.
Posted: Wednesday, January 4, 2012