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Event Highlights: September 29–October 2

Posted: Monday, September 29, 2014

The Museum offers hundreds of events and programs each month—including lectures, performances, tours, family activities, and more. The following listings are just a sample of our upcoming programs.

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The Drinking Cup of a Classic Maya Noble

James Doyle, Assistant Curator, Department of the Arts of Africa, Oceania, and the Americas

Posted: Thursday, September 25, 2014

When researchers deciphering the Classic Maya (ca. a.d. 250–900) hieroglyphic writing turned their attention to texts on ceramic vessels, they encountered a repeated series of similar signs first known as the "Primary Standard Sequence." The signs were statements that Classic Maya artists used to name the type of vessel (e.g., "plate" vs. "drinking cup"), the material it originally held (e.g., "chocolate" vs. "tamales"), and the owner or giver of the gift. For instance, the text around the rim of the vessel from the Met's collection (fig. 1, shown at left) identifies it as a "drinking cup."

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The Jabach Portrait Conservation Continued: Next Steps

Michael Gallagher, Sherman Fairchild Conservator in Charge, Department of Paintings Conservation

Posted: Wednesday, September 24, 2014

Now that the varnish removal from the Jabach portrait is finished, it's time to turn to a rather more thorny issue: the structural conservation work.

The original and surprisingly fine canvas is constructed from five pieces of fabric: a large, central rectangle; two horizontal bands, one each top and bottom; and two vertical bands, one each at the left- and right-hand sides. The horizontal bands run the full width of the composition. This construction is entirely original, planned from the outset to accommodate the monumental scale of the painting while carefully situating the seams in the peripheral areas of the composition.

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#AskaCurator Day on Twitter

Taylor Newby, Social Media Manager, Digital Media

Posted: Monday, September 15, 2014

This Wednesday, September 17, join us on Twitter for Ask a Curator Day. Three curators will answer your questions about their jobs, collections, exhibitions, and more during live Twitter Q&As. You can tweet your questions to @metmuseum using the #AskaCurator hashtag both in advance and during the following sessions.

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How to Read Oceanic Art—Interview with Author Eric Kjellgren

Rachel High, Editorial Assistant, Editorial Department

Posted: Monday, September 15, 2014

With the start of a new school year, it is a great time to learn about the art and cultures of Oceania with the help of this fascinating new publication, written specifically to provide the keys to understanding the significance and meaning of Oceanic art. How to Read Oceanic Art is a clear and detailed introduction to Oceanic art as seen through the Met's comprehensive collection. I recently spoke with the book's author, Eric Kjellgren—formerly the Evelyn A. J. Hall and John A. Friede Associate Curator for Oceanic Art in the Department of the Arts of Africa, Oceania, and the Americas—about this engaging introduction to Oceanic art and his interest in the artistic traditions of the Pacific Islands.

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The Art of the Chinese Album

Joseph Scheier-Dolberg, Assistant Curator, Department of Asian Art

Posted: Friday, September 12, 2014

During the summer of 1644, the city of Nanjing lived beneath a cloud of anxiety and fear. The once-vibrant southern capital of the Ming dynasty (1368–1644) had become home to the remnants of the Ming court, a bedraggled and shaken group who had fled south after the fall of Beijing in April of that year. The shock of seeing their capital fall, of witnessing their young emperor retreat behind the Forbidden City and commit suicide—these were the traumas that the court brought south to Nanjing. Even as they struggled to establish a temporary capital in the south, up north the Manchus prepared to complete their conquest of the empire. Like a city preparing for the arrival of a hurricane, Nanjing waited, and feared.

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What's That? A Closer Look at Objects in the Jabach Portrait

Keith Christiansen, John Pope-Hennessy Chairman, Department of European Paintings

Posted: Thursday, September 11, 2014

​Those of us who work in museums are as curious as any visitor to know about all the objects that fill a given painting. In the case of Charles Le Brun's Jabach portrait, a painting of a well-to-do family in a luxurious Parisian residence, there's a lot to catch your eye; we see a number of things the family must have owned and treasured.

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Opening of the Met's New David H. Koch Plaza

Thomas P. Campbell, Director and CEO

Posted: Wednesday, September 10, 2014

It is a great day for the Met and a great day for the City of New York. More than a century after the completion of the Met's Fifth Avenue facade and forty years after its last plaza renovation, the Museum has revived one of the great outdoor spaces in New York.

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The New Met App

Thomas P. Campbell, Director and CEO

Posted: Tuesday, September 2, 2014

I'm pleased to announce the launch of the Met app created by the Museum's Digital Media Department. This free digital resource is the easiest way for the Met community, both local and global, to stay current with what's happening at the Museum every day—wherever you are.

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The Conservation Continues: Revealing Jabach's Daughter Anna Maria

Michael Gallagher, Sherman Fairchild Conservator in Charge, Department of Paintings Conservation

Posted: Wednesday, August 27, 2014

The cleaning of the Jabach portrait is going well, and we in Paintings Conservation are all transfixed by the exceptional quality of the painting. One area I was particularly looking forward to seeing without the yellowed varnish was the beautiful figure of Jabach's daughter Anna Maria. She really anchors the right-hand side of the composition, and her self-aware, direct gaze pulls us into the Jabach family's rarefied world. Below are some photographs that I took during the cleaning.

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A Master of Design, A Master of Tapestry: Recognizing Pieter Coecke van Aelst

Elizabeth Cleland, Associate Curator, Department of European Sculpture and Decorative Arts

Posted: Tuesday, August 26, 2014

The upcoming exhibition Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry (on view October 8, 2014–January 11, 2015) is the story, told through more than sixty astonishing objects, of a startlingly forward-thinking designer and entrepreneur—one who just happened to be born in 1502.

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A Stone Sphere from Costa Rica

James Doyle, Assistant Curator, Department of the Arts of Africa, Oceania, and the Americas

Posted: Tuesday, August 19, 2014

In June 2014 the United Nations Educational, Scientific, and Cultural Organization (UNESCO) named the "Precolumbian Chiefdom Settlements with Stone Spheres of the Diquís" to its World Heritage List, the first cultural site from Costa Rica to make the list of global heritage sites. The team from the Museo Nacional de Costa Rica, led by archaeologist Dr. Francisco Corrales Ulloa, nominated these sites as an "outstanding representation of the complex social, economic and political systems, as well as the refined cultural achievements, of chiefdom societies of the south Central American region during the pre-Columbian period a.d. 500–1500."

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Le Brun's Jabach: Who's Got the Best?

Keith Christiansen, John Pope-Hennessy Chairman, Department of European Paintings

Posted: Wednesday, August 13, 2014

Well, if you live in New York and work at the Metropolitan Museum, there's really only one acceptable answer to that question! But what happens when two versions of a picture exist, as is the case with the Metropolitan's new painting by Charles Le Brun of the German banker Everhard Jabach (1618–1695)? I worried about this as we entered into negotiations for the purchase of the picture.

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Way to Gogh

Alison Hokanson, Assistant Curator, Department of European Paintings

Posted: Friday, August 8, 2014

For the first time in recent memory, all seventeen of the Met's paintings by Vincent van Gogh—the largest collection of the artist's work on this side of the Atlantic—are in house and on view in galleries 823826, and 961. Visitors can enjoy a full range of highlights from the artist's prolific years in France, from portraits to still lifes to landscapes. These masterpieces are often committed to exhibitions around the world, making this a not-to-be-missed occasion.

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Now on View: Works by Vittore Carpaccio, Master Draftsman of Renaissance Italy

Furio Rinaldi, Research Assistant, Department of Drawings and Prints; and Carmen Bambach, Curator, Department of Drawings and Prints

Posted: Friday, August 8, 2014

Well known for the outstanding storytelling of his cycles of paintings, the Renaissance artist Vittore Carpaccio (1460/66?–1525/26) was also a prolific draftsman. Four of the artist's drawings are part of the Met's collection and currently on view in the Robert Wood Johnson Jr. Gallery.

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Our New 82nd & Fifth iPad App—in Twelve Languages

Thomas P. Campbell, Director and CEO

Posted: Thursday, August 7, 2014

The Met's 82nd & Fifth web feature redefined the online museum experience: in two-minute episodes, one hundred Met curators talked about the work of art that changed the way they see the world—one curator, one work, two minutes at a time. That content is now available on an iPad app in twelve languages. You can download, favorite, and share episodes, and create your own collections.

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First Things First: Commencing the Conservation of the Jabach Portrait

Michael Gallagher, Sherman Fairchild Conservator in Charge, Department of Paintings Conservation

Posted: Wednesday, July 30, 2014

I had first seen the Jabach family portrait in a warehouse in London over a year ago and loved it, but I'll admit that when it finally arrived in our paintings conservation studio at the Museum this past June, I was a bit overwhelmed—it's enormous! Fortunately, the work's current condition needs to be fully documented before conservation can begin. This not only helps a conservator understand the painting and its issues but also provides some breathing space and thinking time.

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Becoming the Advertisement: Daisy Murdoch as "Cupid" on 1880s Tobacco Cards

Rebekah Burgess, Collections Management Coordinator, Department of Drawings and Prints

Posted: Tuesday, July 29, 2014

"…how dismal is progress without publicity…individuals love more to bask in the sunshine of popularity than they do to improve in some obscure intellectual shade. Merit is no object, conspicuity all."

—Theodore Dreiser, Sister Carrie (1900)

The Jefferson R. Burdick Collection of printed ephemera in the Department of Drawings and Prints includes over six thousand "tobacco cards" from the late 1800s that depict actresses of various levels of celebrity. Twenty-seven of these cards—which were inserted in cigarette packs and intended to be collected and traded much like baseball cards—advertise Daisy Murdoch, a mid-level burlesque actress of the 1880s. She constituted what we might call a "one-hit wonder" today; she was recognized by the public almost solely for her role as Cupid in the Bijou Opera Company's traveling production of Orpheus and Eurydice (1883–85). Murdoch's cards present a clear example of the dissemination of imagery and commodification of celebrity during this unique moment in print culture and theater history.

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How Curators and Conservators Look at a Tapestry

Sarah Mallory, Research Assistant, European Sculpture and Decorative Arts; Cristina Carr, Conservator, Department of Textile Conservation; and Elizabeth Cleland, Associate Curator, Department of European Sculpture and Decorative Arts

Posted: Tuesday, July 29, 2014

Understanding an art object requires close observation and an interdisciplinary course of investigation that integrates the work of curators and conservators, the arts and the sciences. This work, however, is often done behind a curtain (so to speak), and visitors rarely have the opportunity to gain insight into the process. On August 4, The Metropolitan Museum of Art will unveil the secret world of curators and conservators with its latest installation in Gallery 599, Examining Opulence: A Set of Renaissance Tapestry Cushions. This one-room exhibition will give visitors a behind-the-scenes glimpse of the fascinating and indispensable questions Museum curators and conservators pose as they investigate six luxurious, late Renaissance tapestry-woven cushion covers depicting scenes from the lives of biblical figureheads Abraham and Isaac.

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Exploring the Galleries: A Met Museum Presents Itinerary

Meryl Cates, Press Officer, Met Museum Presents

Posted: Friday, July 25, 2014

Met Museum Presents begins its third season in September, which will bring an array of dazzling site-specific, gallery-based performances to the Museum. Filling the Met's spaces with music, dance, opera, and theater, world-class performers will continue our mission of creating exciting programs for the Museum and its collection, allowing audiences an unparalleled experience.

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Bashford Dean and Helmet Design During World War I

Donald J. La Rocca, Curator, Department of Arms and Armor

Posted: Wednesday, July 23, 2014

The industrialization and mechanization of war in the early twentieth century—which meant an increased use of artillery, tanks, and machine guns, and the advent of trench warfare—resulted in an unprecedented number of killed and wounded soldiers right from the outset of World War I in 1914. The large number of head wounds suffered by combatants soon made it apparent that metal helmets, though long out of use, were absolutely necessary on the modern battlefield and that other forms of armor also should be explored. Shortly after the United States entered the war in 1917, the government turned to Dr. Bashford Dean, curator of arms and armor at the Metropolitan Museum, to address the situation.

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Hokusai and Debussy's Evocations of the Sea

Michael Cirigliano II, Website Editor, Digital Media Department

Posted: Tuesday, July 22, 2014

Numerous representations of the sea are woven into the work of Claude Debussy (1862–1918). The French composer regularly referenced his awe of the sea and its power, and even noted that he had "intended for the noble career of a sailor" in a 1912 letter to close friend and composer André Messager. Although the sea had already played a recurring character throughout much of his piano music, the first appearance of this subject in Debussy's orchestral output was the final movement of his 1899 work Trois Nocturnes, "Sirènes," in which he gave life to the deadly mythological seductresses by adding a wordless female choir to the standard orchestral forces.

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In Pursuit of Authenticity: The Epigraphic School of Chinese Calligraphy

Shi-yee Liu, Assistant Research Curator of Chinese Art, Department of Asian Art

Posted: Wednesday, July 16, 2014

"The Administrator of Kuaiji [Wang Xizhi, ca. 303–ca. 361] is all mannerist cliché.
As the study of calligraphy declines, I enjoy a free rein with a laugh.
Scornful of following known calligraphers like a maid,
I take the stone tablet of Mount Hua as my master."

In 1736, leading artist Jin Nong (1687–1773) wrote this iconoclastic quatrain that reflects a momentous turning point in the development of Chinese calligraphy during his time. Abandoning the venerated tradition defined by the classic elegance of its patriarch, Wang Xizhi, Jin Nong turned to an earlier, less-sophisticated model—stone inscriptions of the ancient Han dynasty (206 b.c.–a.d. 220)—for guidance.

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Making a Scene in Paris in the Age of Louis XIV

Keith Christiansen, John Pope-Hennessy Chairman, Department of European Paintings

Posted: Tuesday, July 15, 2014

Ever wonder what it would have been like to live in Paris in the golden age of the French monarchy and to have the money to do it in style?

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Bring the Kids Celebrates Another Successful Season

Meryl Cates, Press Officer, Met Museum Presents

Posted: Thursday, July 3, 2014

For arts institutions, engaging the younger demographic seems to be on everyone's mind. All eyes are on the twenty-somethings, and while those capricious millennials are important, it's the kids—the seven- to sixteen-year-olds seated next to their parents, still curious and open-minded—who are truly the ones with the potential to become loyal and life-long art fans.

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Hokusai's Iconic "Great Wave"

John Carpenter, Curator, Department of Asian Art

Posted: Wednesday, July 2, 2014

The world-renowned landscape print "Under the Wave off Kanagawa"—also known as "the Great Wave"—is now on view in Gallery 231, complementing paintings by Katsushika Hokusai (1760–1849) and his pupils that are currently on display as part of the exhibition The Flowering of Edo Period Painting: Japanese Masterworks from the Feinberg Collection.

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One Met. Many Worlds. and The Metropolitan Museum of Art Guide

Rachel High, Editorial Assistant, Editorial Department

Posted: Tuesday, July 1, 2014

The online feature One Met. Many Worlds. launched on June 9, and The Metropolitan Museum of Art Guide recently became available as an e-book on Amazon, Google Play, and iTunes; the print version will soon be released in Arabic, German, Korean, and Russian. These two projects present different perspectives on the highlights of the Museum's collection: One Met. Many Worlds. is driven by universal concepts that encourage the viewer to explore artworks in a new ways, while the Guide provides an essential art history background in a more traditional format. I recently spoke with Amy Liebster, associate coordinator for online publications, about both the web feature and the various versions of the print guide.

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A Satirical View of Early Flight: Wiener Werkstätte Postcards by Moriz Jung

Theresa Ketterer, Former Intern, Department of Drawings and Prints

Posted: Monday, June 30, 2014

Architect Josef Hoffman, painter Koloman Moser, and textile industrialist Fritz Waerndorfer founded the Wiener Werkstätte (Vienna Workshop) in 1903 as a cooperative for artists and artisans. The Wiener Werkstätte began publishing postcards in 1907 and continued until the beginning of World War I. The postcards were among the least expensive or luxurious of the Wiener Werkstätte's products, which included furnishings for the homes of Viennese aristocrats. Most of the designs were intended solely for the postcard format, while a few were reproductions of earlier paintings.

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Reflecting on Alarm Will Sound's Residency

Alan Pierson, Artistic Director, Alarm Will Sound

Posted: Friday, June 27, 2014

There's a corner you turn in the Egyptian Wing of the Metropolitan Museum where the labyrinth of galleries suddenly opens up into a staggering vista of The Temple of Dendur. Though I now always know what I'm about to see, turning that corner is still a powerful experience. Walking into Alarm Will Sound's first rehearsal for I Was Here I Was I at the Temple, I was struck by what an incredible thing it is to be creating art at the Met. We created I Was Here I Was I expressly for The Temple of Dendur, using it not only as venue, but as subject.

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Installation in Progress—Sol LeWitt: Wall Drawing #370

Eileen Willis, Web Group General Manager

Posted: Wednesday, June 25, 2014

Join us in Gallery 399 for a special chance to see the installation of Sol LeWitt's 1982 Wall Drawing #370 in progress. The exhibition officially opens on June 30.

Above: Time-lapse photography of installers preparing Sol LeWitt's Wall Drawing #370.

The loan of Wall Drawing #370 is courtesy of The Estate of Sol LeWitt. The installation is made possible by The Modern Circle. Director/Producer: Kate Farrell; Time-Lapse Photography: Thomas Ling; Production Assistants: Caiti Borruso, Emily Chang

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The Dyes Have It: Exploring Color and Tapestries

Sarah Mallory, Research Assistant, European Sculpture and Decorative Arts

Posted: Tuesday, June 24, 2014

Many #tapestrytuesday readers have asked why some tapestries in the Met's collection have such diverse color palettes. As it turns out, the question you should be asking isn't "Why?" but "Dye?" Understanding the preservation or degradation of a tapestry's color is a complex sort of query whose answer is largely influenced by the dyes used to color its threads. To help unravel the mystery of tapestry colors, I recently sat down for a fascinating lesson in dyeing with two of the Museum's tapestry experts: Cristina Carr, conservator in the Department of Textile Conservation; and Nobuko Shibayama, associate research scientist in the Department of Scientific Research.

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Charles James: Beyond Fashion—Interview with Conservators Sarah Scaturro and Glenn Petersen

Rachel High, Editorial Assistant, Editorial Department

Posted: Tuesday, June 17, 2014

Sarah Scaturro and Glenn Petersen are conservators in The Costume Institute who not only contributed to the conservation of Charles James's works in Charles James: Beyond Fashion, on view through August 10, but also authored an essay for the catalogue which accompanies the exhibition. The book offers a comprehensive study of the life and work of legendary Anglo-American couturier Charles James (1906−1978) and highlights his virtuosity and inventiveness. This publication also includes early photographs and rarely seen archival items, such as muslin study pieces, dress forms, and sketches.

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A Happy Occasion for Melencolia I

Nadine Orenstein, Curator, Department of Drawings and Prints

Posted: Monday, June 16, 2014

The year 2014 marks the five-hundredth anniversary of Albrecht Dürer's Melencolia I (1514), a masterpiece of engraving whose imagery has fascinated artists, historians, scientists, and mathematicians for centuries. In honor of this occasion, a small display of Melencolia and several works it influenced is on view through July 14 in the Robert Wood Johnson Jr. Gallery.

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I Was Here I Was I to Channel The Temple of Dendur's History

Meryl Cates, Press Officer, Met Museum Presents

Posted: Friday, June 13, 2014

When Kate Soper's adventurous score for I Was Here I Was I fills The Temple of Dendur in The Sackler Wing on June 20, the gallery itself will be at the center of the performance. The Temple of Dendur has long been an unrivaled venue for concerts, but for this dramatic and unprecedented finale to Alarm Will Sound's yearlong residency, the Temple will be the principal character in a story that spans two millennia and three different storylines.

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Celebrating the World Cup through the Met's Collection

Christopher Gorman, Assistant for Administration, Audience Development

Posted: Thursday, June 12, 2014

Today marks the opening day of the World Cup, the monthlong tournament in which teams from thirty-two nations will compete for the title of best soccer team in the world. Since the Metropolitan's collection includes works of art from all thirty-two nations participating in the games, we thought this would be a perfect occasion to celebrate the global nature of our holdings.

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Metropolitan Museum Singled Out for Curatorial Achievement in Time-Based Media

Pari Stave, Senior Administrator, Department of Modern and Contemporary Art

Posted: Thursday, June 12, 2014

The Metropolitan Museum recently swept the AICA-USA Arts Awards for Excellence in Curatorial Achievement in the time-based media category.​

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A New Web Feature: One Met. Many Worlds.

Thomas P. Campbell, Director and CEO

Posted: Wednesday, June 11, 2014

The art at the Met reaches across the globe, so we wanted to start providing our collection information in some of the many languages represented by these cultures. Our new web feature One Met. Many Worlds. brings you more than five hundred collection highlights in eleven languages: English, Arabic, Chinese, French, German, Italian, Japanese, Korean, Portuguese, Russian, and Spanish.

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Solace and Silence: The Music of Arvo Pärt

Michael Cirigliano II, Website Editor, Digital Media Department

Posted: Friday, May 30, 2014

"Feel the World Stand Still"

This phrase is currently emblazoned on subway ads across New York City promoting the Arvo Pärt Project at St. Vladimir's Seminary, which will bring the Estonian composer to New York for the first time since 1984. While this kind of dramatic hyperbole often surrounds any discourse regarding Pärt's music—"mystical," "heavenly," "timeless" are frequently used—the overwhelming acceptance of his work is a rare occurrence in the landscape of contemporary concert performance. His is a music that seamlessly bridges the gap between the modern and the ancient, minimalism and Gregorian chant, making the comparisons often cited between Pärt's music and that of both Phillip Glass and Josquin dez Prez the equivalent of an artist being equally heralded alongside Rothko and Caravaggio.

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Bashford Dean and the Arms and Armor Collection of William H. Riggs

Donald J. La Rocca, Curator, Department of Arms and Armor

Posted: Thursday, May 29, 2014

The current exhibition Bashford Dean and the Creation of the Arms and Armor Department features a number of pieces donated by William H. Riggs (1837–1924), a lifelong collector of arms and armor who assembled the finest private collection of his time before giving it to the Museum in 1913.

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Spectrum Spotlight: Yaëlle Biro

Lucy Redoglia, Associate Online Community Producer, Digital Media; and Christopher Gorman, Assistant for Administration, Audience Development

Posted: Thursday, May 29, 2014

Brought to you by the Spectrum group, which encourages post-college audiences to experience the Met in new and unexpected ways, this post is the third installment of our "Spectrum Spotlight" series, which introduces some of the staff members who make the Museum such a special place.

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Living on the Edge: Tapestry Borders

Sarah Mallory, Research Assistant, European Sculpture and Decorative Arts

Posted: Tuesday, May 27, 2014

In the world of tapestry, it's hip to be square—or rectangular, for that matter. Why, you ask? The answer is quite simple: borders.

You might have noticed that a decorative, tapestry-woven strip traces the edges of many tapestries, which is referred to as the border. While the border is very much a part of the physical tapestry itself, it often has a personality all its own. And, while some border designs were reused on multiple sets of unrelated tapestries, these ornamental edges can still be thought of as something like a thumbprint, a distinguishing characteristic that is apparent only upon close inspection.

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Charles James: Beyond Fashion—Interview with Photographer Karin L. Willis

Rachel High, Editorial Assistant, Editorial Department

Posted: Tuesday, May 27, 2014

I recently sat down with Karin L. Willis, the photographer for the Charles James: Beyond Fashion catalogue that accompanies the current exhibition of James's work, on view through August 10. The publication offers a comprehensive study of the life and work of the legendary Anglo-American couturier Charles James (1906−1978), highlights his virtuosity and inventiveness, and includes early photographs and rarely seen archival items—including muslin study pieces, dress forms, and sketches. During our conversation Karin spoke about the challenging but rewarding process of photographing James's designs.

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Gloria—A Pig Tale Brings Farm Life to the Met

Meryl Cates, Press Officer, Met Museum Presents

Posted: Friday, May 23, 2014

The opera Gloria—A Pig Tale, which will run for three performances at the Met between May 29 and June 1, is a wicked twist on the classic fairy tale—featuring a heroine pig, an unlikely (and wild) knight in shining armor, and a prince with an ulterior motive.

The Grace Rainey Rogers Auditorium stage will be inventively converted into a farm where the story can unfold in true operatic style, with rich, multilayered sets, a vaudevillian and dynamic score composed by HK Gruber, and unforgettable costumes. Designed by Doug Fitch of Giants Are Small and presented as part of the inaugural NY PHIL BIENNIAL, Gloria will be brought to life with incredible detail in an unprecedented transformation of the Met's main stage.

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Memorial Day at the Met

Victoria Cairl, Tourism Marketing Manager

Posted: Friday, May 23, 2014

Join us throughout the holiday weekend as we celebrate Memorial Day at the Met. Enjoy a special guided tour of the American Wing, use one of our many family guides to explore the galleries, or see artworks in the Museum's collection that were saved by the Monuments Men—a group of unlikely heroes culled from the art world who risked their lives to preserve Europe's cultural treasures during World War II.

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Asian-Pacific American Heritage Month at the Met

Donna Williams, Chief Audience Development Officer

Posted: Friday, May 23, 2014

May is Asian-Pacific American Heritage Month, a celebration of Asians and Pacific Islanders in the United States. This month affords us the opportunity to reflect on the various achievements and traditions of so many of our neighbors, friends, and family members. The Metropolitan's permanent collection and current exhibitions offer a calm and reflective setting for appreciating the art from this part of the world.

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Find the Chinese Treasury—if You Dare

Denise Patry Leidy, Curator, Department of Asian Art

Posted: Wednesday, May 21, 2014

The Florence and Herbert Irving Galleries for Chinese Decorative Arts, located on the mezzanine at the north end of the Museum, are filled with extraordinary objects made in materials that include silk, lacquer, and jade. These galleries can only be reached by an elevator or a staircase from the Chinese painting galleries, however, so finding the artworks displayed there can be categorized as "extreme" museum-going: It takes true commitment.

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In the Footsteps of Saint Francis

Alexa Schwartz, Collections Management Assistant, Department of Drawings and Prints

Posted: Monday, May 19, 2014

Published in Florence by Fra Lino Moroni in 1612, the Descrizione del Sacro Monte della Vernia (Description of the Sacred Mount Alverno) serves as a guide to Monte della Vernia (today known as La Verna) in the Tuscan Apennines. Monte della Vernia was the location where Saint Francis of Assisi retreated in 1224 for a forty-day period of fasting and meditation. It was there where he had the vision of an angel carrying the crucified Christ and experienced the stigmata.

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New MetPublications: Spring 2014

Mark Polizzotti, Publisher and Editor in Chief, Editorial Department

Posted: Monday, May 19, 2014

The Museum's Editorial Department has kept busy this spring, producing a range of new titles that celebrate the Met's collection and special exhibitions. The following are seven spectacular publications, just off the presses.

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Journeys to Divinity: A Preview

Kurt Behrendt, Assistant Curator, Department of Asian Art

Posted: Thursday, May 15, 2014

The upcoming Met Museum Presents talk Journeys to Divinity, along with the current exhibition Tibet and India: Buddhist Traditions and Transformations, touch on how imagery functions to convey complex social and religious meanings—a concept occurring today in a myriad of contexts, as the Internet penetrates deeper into our communal experience. Gonkar Gyatso considers just such media in his construction Dissected Buddha, which draws from fragments of pop culture, mass media, and advertising in a way that appeals to a broad audience and breaks down both language and geographic boundaries.

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Toward Transcendent Enlightenment: Buddhist Sites in Central Tibet

Kurt Behrendt, Assistant Curator, Department of Asian Art

Posted: Thursday, May 15, 2014

As mentioned in a previous post, I conducted two survey trips in preparation for the exhibition Tibet and India: Buddhist Traditions and Transformations (on view through June 8), which focuses on eleventh- and twelfth-century connections and interactions between the Buddhist communities of Tibet and India. My trip to central Tibet in September 2010 allowed me to visit and study many of the extant Buddhist monasteries there, and to survey the wall painting preserved in monastic sacred structures.

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Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.