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Posts Tagged "Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia"

Now at the Met

Displaying Islamic Art at the Metropolitan: A Retrospective Look

Rebecca Lindsey, Visiting Committee Member, Department of Musical Instruments and Department of Islamic Art

Posted: Thursday, February 2, 2012

A Metropolitan Museum patron interested in Islamic art in the 1880s would have found little of relevance on display.1 By 1910, however, the situation was very much improved, and in the century since then, the Islamic art displays at the Museum have become the largest in the Western world. This essay briefly describes the evolution of the display of Islamic art at the Metropolitan Museum—from the first largely visual exhibitions to the present scholarly organization by style, material, and civilization.

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Connecting with Islamic Art at the Metropolitan

Deniz Beyazit, Assistant Curator, Department of Islamic Art

Posted: Wednesday, January 4, 2012

Islamic art, architecture, and cultural traditions are closely related to other artistic movements around the world. In conjunction with the opening of the new Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia, which house works from the Met's Department of Islamic Art, I'd like to take this opportunity to highlight related objects from the Museum's other curatorial departments.

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New Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia

Thomas P. Campbell, Director and CEO

Posted: Monday, October 24, 2011

Today is a landmark day for the Metropolitan Museum as we celebrate the new Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia, a spectacular achievement for the Museum and its Islamic Art Department.

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Building History: The Making of the Met's New Moroccan Court

Thomas P. Campbell, Director and CEO

Posted: Tuesday, March 22, 2011

In its earliest decades, the Met's mission was centered on the idea that exposure to great works of art could elevate both the public's aesthetic sensibilities and what America, as an emerging manufacturing power, actually produced. I cannot help but think about this 140-year-old sentiment today as I watch fourteen Moroccan craftsmen in our galleries building a courtyard to accompany the magnificent works of art in our Islamic collection. What an extraordinary challenge to create something both historic and new, steeped in the traditions of the past, but crafted in fresh and modern circumstances: the gentle arabesque of hand-carving shown under LED lights.

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Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.