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Posts Tagged "ceramics"

Now at the Met

Olmec Babies as Early Portraiture in the Americas

James Doyle, Assistant Curator, Department of the Arts of Africa, Oceania, and the Americas

Posted: Friday, April 17, 2015

One of the stars of gallery 358 and the recent exhibition The Nelson A. Rockefeller Vision: In Pursuit of the Best in the Arts of Africa, Oceania, and the Americas is a seated figure of a chubby baby in the Olmec style from Central Mexico (fig. 1). As the Rockefeller exhibit pointed out, this is among one of the most celebrated Olmec ceramic works known to scholars, and was even selected as the cover model for the Museum of Primitive Art's landmark show on Preclassic Mesoamerica in 1965.

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Now at the Met

Using Color to Link Cultures: An Eighteenth-Century Islamic Tile in Context

Fatima Quraishi, 2014–15 Hagop Kevorkian Fellow, Department of Islamic Art

Posted: Wednesday, February 11, 2015

The Department of Islamic Art has over three thousand ceramic objects in its collection, with perhaps the largest corpus of the collection acquired from the Museum's excavations in Nishapur, Iran, during the mid-twentieth century. While the department maintains a fine collection of Safavid and Ottoman ceramics, ceramic work from south Asia is not as well represented. Among these examples of south Asian ceramics, my favorite is an eighteenth-century tile from Multan, in present-day Pakistan (pictured above). In terms of both material and technique, the tile is typical of ceramics from this part of south Asia, as are three similar objects in the collection—an eighteenth-century dish and two late fifteenth-century tiles (2008.461 and 2008.462).

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Now at the Met

On Pots, Poets, and Poetry

Denise Patry Leidy, Curator, Department of Asian Art

Posted: Wednesday, April 2, 2014

The shadowy, newly blossomed plum tree and crescent moon painted on the interior of a black-glazed tea bowl (fig. 1) and delicately incised into the center of a green-glazed bowl (fig.2), both of which are now on view in the Great Hall Balcony, illustrate a complex web of cultural allusions. Understood as references to the ephemeral nature of life, plum blossoms also symbolize hope and endurance: They are the first flowers to bloom in early spring as winter begins to fade.

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Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.