Quantcast

The Metropolitan Museum of Art LogoEmail

Type the CAPTCHA word:

Posts Tagged "conservation"

Now at the Met

Collaboration on the Museum Mile: A Met-Guggenheim Study of the Work of Alberto Burri

Federica Pozzi, Assistant Conservation Research Scientist, Solomon R. Guggenheim Museum; and Julie Arslanoglu, Research Scientist, Department of Scientific Research

Posted: Thursday, July 16, 2015

What began as a casual conversation between Marco Leona, David H. Koch Scientist in Charge of the Met's Department of Scientific Research, and Carol Stringari, Deputy Director and Chief Conservator of the Guggenheim Foundation, has grown over the past ten months into an unprecedented collaboration aiming to advance the role of science within curatorial and conservation-based scholarship at both institutions. The partnership—described in detail on the Guggenheim's blog—has established a framework for scientific research within the Guggenheim conservation studio by creating a position for the first scientist on staff and granting access to the Met's fully equipped chemical laboratories and advanced analytical instrumentation. Conservators and scientists from the two museums are currently sharing resources, identifying projects of mutual interest, and jointly studying objects in their respective collections.

Read More

Now at the Met

Installing Sacred Traditions of the Himalayas: A Behind-the-Scenes Look

Kurt Behrendt, Associate Curator, Department of Asian Art ; Kristine Kamiya, Associate Conservator, Department of Textile Conservation; and Matthew Cumbie, Conservation Preparator, Department of Objects Conservation

Posted: Friday, June 5, 2015

During the earliest stages of conceptualizing the Sacred Traditions of the Himalayas exhibition, on view through June 14, I went through the Metropolitan Museum's holdings and came across a stunning body of jewelry that came to the collection in 1915. As the Department of Asian Art is celebrating its centennial this year, I was excited to have the opportunity to present the very first Himalayan works to come into our collection—the first of many works acquired beginning exactly one hundred years ago.

Read More

Now at the Met

Hidden Secrets of Ancient Egyptian Technology

Anna Serotta, Independent Conservator; and Federico Carò, Associate Research Scientist, Department of Scientific Research

Posted: Friday, May 22, 2015

Archaeological objects and works of art in museum collections are not only treasured for their aesthetic qualities, but are also repositories of invaluable information, often concealed at a first sight, about the civilizations that created them. Among the many beautiful pieces in the collection of the Met's Department of Egyptian Art, it is interesting to note one modest stone fragment (fig.1), the scientific investigation of which has provided a clue that could solve a long-time debate among Egyptologists and historians of technologies: the use of high-performance abrasives.

Read More

Now at the Met

The Jabachs Are in the House!

Stephan Wolohojian, Curator, Department of European Paintings

Posted: Tuesday, May 19, 2015

At long last, after ten months of conservation work, Charles Le Brun's arresting portrait of Everhard Jabach and his family is now on view in the galleries.

Read More

Now at the Met

Conserving the Saint Martin Series: Technical Analysis of Fifteenth-Century Embroideries

Giulia Chiostrini, Assistant Conservator, Department of Textile Conservation

Posted: Monday, May 11, 2015

Seven embroideries, six roundels, and one arch panel depicting scenes from the life of Saint Martin are now on view in the exhibition Scenes from the Life of St. Martin: Franco-Flemish Embroidery from the Met Collection. These fifteenth-century textiles were embroidered with dyed silk, silver, and gilt–silver metal threads on a linen plain weave underlaid with two layers of linen plain weave (fig. 1).

Read More

Now at the Met

The Conservation of the Jabach Portrait: Almost There!

Michael Gallagher, Sherman Fairchild Conservator in Charge, Department of Paintings Conservation

Posted: Monday, May 11, 2015

The second and final phase of the retouching of the Jabach portrait—which has been undergoing conservation since July 2014—is virtually finished. This step brings the losses that had previously only been underpainted up to a full match with the surrounding original. Also, areas where the paint layer has been abraded in the past can be corrected.

Read More

Now at the Met

Restoring Bhairava's Ear

Pascale Patris, Conservator, Department of Objects Conservation

Posted: Tuesday, May 5, 2015

In 2012, this imposing Bhairava's mask came to the Museum as a part of an important donation from The Zimmerman Family Collection, and it is now on display in the newly renovated gallery 252. The sixteenth-century gilt and polychrome copper mask of Bhairava from Nepal had a significant loss to its appearance—its right ear was missing, and its attribute, a large copper pendant earring for the left ear, had been used as a substitute.

Read More

Now at the Met

The Jabach Portrait: Reflections on an Extraordinary Acquisition

Keith Christiansen, John Pope-Hennessy Chairman, Department of European Paintings

Posted: Tuesday, April 7, 2015

Michael Gallagher has been taking readers of this blog series step by step through his conservation work on the remarkable Jabach portrait. So I thought this might be the moment—in the few weeks remaining until its installation in the galleries—to reflect on how we came to acquire this extraordinary picture.

Read More

Now at the Met

Intern Spotlight: Ibrahim Mohamed Ali's Work in Photograph Conservation

Nora Kennedy, Sherman Fairchild Conservator, Department of Photograph Conservation

Posted: Tuesday, March 24, 2015

Ibrahim Mohamed Ali joined the Metropolitan Museum's paid summer intern program from his position as a conservator at the Grand Egyptian Museum via the George Washington University Museum Studies Program, where he is working toward his master's degree. With a background in the conservation and preservation of metal archaeological artifacts but with an immense passion for everything photographic, Ibrahim delved into all aspects of photograph conservation during his nine weeks at the Met this past summer.

Read More

Now at the Met

The Conservation of the Jabach Portrait: Starting the Retouching

Michael Gallagher, Sherman Fairchild Conservator in Charge, Department of Paintings Conservation

Posted: Wednesday, March 4, 2015

Michael Gallagher uses gouache paint to retouch losses in the Jabach portrait, which has been undergoing conservation for the past eight months.

With the exception of the inevitable damage caused by the turning over of the top of the canvas to attach it to a smaller stretcher (see my September 24, 2014, post about this aspect of the painting's history), the great Jabach family portrait is in exceptional condition. Nevertheless, there are several small losses and scrapes that are typical for a painting of this age and size and which hung in domestic interiors—albeit quite grand ones—for centuries. So the next step is to retouch these areas.

Read More

Results per page
Follow This Blog: Subscribe

About this Blog

Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.