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Exhibitions

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Assyria to Iberia at the Dawn of the Classical Age
September 22, 2014–January 4, 2015

Landmark Metropolitan Museum Exhibition Features Art of First Millennium B.C. from Middle East to Western Europe

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  • The Annenberg Collection of Impressionist and Post-Impressionist Masterpieces

    Fifty-three paintings, watercolors, and drawings by 18 of the greatest artists who worked in France in the 19th and early 20th centuries comprise the Annenberg collection, which returns to The Metropolitan Museum of Art for six months beginning in June 2001. This annual event, now in its eighth year, provides an exceptional opportunity for visitors to view this renowned collection, which is installed in three central rooms within the Museum's Nineteenth-Century European Paintings and Sculpture Galleries.

  • The Onassis Library for Hellenic and Roman Art in the Department of Greek and Roman Art Opens at Metropolitan Museum

    (October 25, 2000) The Metropolitan Museum of Art today announced the opening of the Onassis Library for Hellenic and Roman Art in the Museum's Department of Greek and Roman. Scholars utilizing the Onassis Library will for the first time have access to the Met's rich and diverse collection of publications and its extensive historical archive of Greek and Roman art. In addition, because the library's resources are now available online, this extraordinary collection can be accessed by scholars, libraries, and databases worldwide.

  • Metropolitan Museum of Art Debuts Timeline of Art History on Its Web Site October 3

    (October 3, 2000) The Metropolitan Museum of Art will today debut a new Timeline of Art History on the Museum's Web site (www.metmuseum.org). The Timeline features works of art from the Metropolitan's encyclopedic collections, presented in a new chronological format giving browsers and scholars alike instant access to the art created at any given time in different cultures across the globe.

  • Dramatic Readings by Metropolitan Museum's Philippe de Montebello and Actor Fritz Weaver Scheduled for October 15

    Philippe de Montebello, Director of The Metropolitan Museum of Art, will be joined by the distinguished actor Fritz Weaver in a program of dramatic readings, presented in conjunction with the special exhibition The Year One: Art of the Ancient World East and West. The program, The Year One: A Reading, will feature selections from works by Virgil and Horace and poems in the fu form from the Han Dynasty. It will take place on Sunday, October 15, at 7:00 p.m. in the recently opened Mary and Michael Jaharis Gallery, a particularly appropriate setting with its long, dramatic vista and display of monumental ancient Roman statues.

  • Bard Graduate Center for Studies in the Decorative Arts and

    Philippe de Montebello, Director of The Metropolitan Museum of Art, and Susan Weber Soros, Founder/Director of The Bard Graduate Center for Studies in the Decorative Arts, have agreed to a joint project that will allow Bard Graduate Center students to work with objects from the Metropolitan's collections and to organize exhibitions based on and around these objects. The exhibitions will be presented in the gallery of the Bard Graduate Center at 18 West 86th Street in Manhattan on a biennial basis.

  • SCHEDULE OF EXHIBITIONS SEPTEMBER—DECEMBER 2000

    New Exhibitions
    Upcoming Exhibitions
    Continuing Exhibitions
    New and Recently Opened Installations
    Traveling Exhibitions
    Visitor Information

  • LANDMARK EXHIBITION ART AND THE EMPIRE CITY:

    By the second quarter of the 19th century, New York City - already the nation's financial center - was poised to become a "world city" on a par with London and Paris. With the completion of the Erie Canal in 1825, which linked the Great Lakes and the Atlantic Ocean via the Hudson River, the great port of New York became the gateway to the West, assuring the city's commercial preeminence. Over the next 35 years, until the outbreak of the Civil War in 1861, New York grew rapidly, becoming the "Empire City" - the largest city in the Western Hemisphere, and the nation's center of domestic and foreign trade, culture, and the arts.

  • THOMAS SULLY IN THE METROPOLITAN

    Thomas Sully in the Metropolitan, on view from September 19, 2000 through January 7, 2001, features a selection of approximately 30 paintings and drawings by this important and influential 19th-century American portraitist. Drawn exclusively from the Metropolitan's collection, the works span the most creative and productive years of the artist's career, from around 1810 through the 1840s, during which time he rose to a position of preeminence as America's leading portrait painter.

  • QUEEN VICTORIA AND THOMAS SULLY

    A painting of England's 18-year-old Queen Victoria – the acknowledged masterpiece of Philadelphia artist Thomas Sully (1783-1872) and the work that catapulted him into national prominence – is the focus of an exhibition on view at The Metropolitan Museum of Art from September 19 through December 31, 2000. Queen Victoria and Thomas Sully documents the creation of this compelling portrait through some 35 works including oil sketches, paintings, drawings, manuscripts, and ephemera. The exhibition sheds new light on an image of one of history's most celebrated women, and commemorates the centennial of Victoria's death in 1901.

  • ROMANTICISM AND THE SCHOOL OF NATURE:

    One hundred fifteen exceptional 19th-century paintings, drawings, and oil sketches – many never before publicly exhibited – will be featured in this exhibition of selected works from the holdings of noted New York collector Karen B. Cohen. On view at The Metropolitan Museum of Art from October 17, 2000 through January 21, 2001, Romanticism and the School of Nature: 19th-Century Drawings and Paintings from the Karen B. Cohen Collection will include landscapes, portraits, figure compositions, and still lifes by the great artists of the Romantic period, the School of Barbizon, the Realist movement, and their followers, from Prud'hon to Seurat. At the center of the exhibition will be a selection of 20 images by Eugène Delacroix, ranging from pencil sketches to oil paintings and fully worked watercolors.