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Exhibitions

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Madame Cézanne

November 19, 2014–March 15, 2015

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  • SCHEDULE OF EXHIBITIONS MAY–AUGUST 2004

    New Exhibitions
    Upcoming Exhibitions
    Continuing Exhibitions
    New and Recently Opened Installations

  • Peter Paul Rubens (1577–1640): The Drawings

    The first major retrospective ever to be devoted to the drawings of Peter Paul Rubens in the United States will open at The Metropolitan Museum of Art on January 15, 2005. Peter Paul Rubens (1577–1640): The Drawings will bring together 115 of the versatile Baroque master's finest and most representative drawings, including 12 recently discovered works that have never before been exhibited. Court painter, diplomat, and international celebrity, Rubens was one of the most influential artists of northern Europe in the 17th century. Best known for his paintings, this universal genius is among the most imaginative of draftsmen. His topics vary from engaging biblical scenes to alluring nudes, from animated and stately portraits to poignant animal studies, and from landscapes sketched from nature to complex allegories.

  • Hidden Jewels: Korean Art from the Mary Griggs Burke Collection

    An exhibition of 36 Korean paintings, ceramics, and sculpture from the collection of Mary Griggs Burke will go on view at The Metropolitan Museum of Art beginning July 3. Many of these pieces – which date primarily to the Choson dynasty (1392-1910) – will make their public debut in this exhibition. Mrs. Burke, renowned for her collection of Japanese art, has since the late 1970s also assembled a small but splendid selection of Korean art. This exhibition, Hidden Jewels: Korean Art from the Mary Griggs Burke Collection, provides a rare opportunity to glimpse a lesser-known side of her collection and to learn more about the diversity and beauty of Korean art.

  • The Games in Ancient Athens: A Special Presentation to Celebrate the 2004 Olympics

    In honor of the modern Olympics that will take place in Athens this summer, The Metropolitan Museum of Art will display a special selection of ancient Greek vases, bronzes, and additional works showcasing aspects of the games that were held in Athens in antiquity. Opening on June 29, The Games in Ancient Athens: A Special Presentation to Celebrate the 2004 Olympics will feature some 50 works of art created between the sixth and the fourth century B.C. depicting chariot races, foot races, wrestling, and discus throwing, among other athletic activities. This presentation, which is drawn entirely from the Museum's extensive collection of Greek art, will be located within the Mary and Michael Jaharis Gallery, as well as in adjacent areas of the New Greek Galleries, where examples of athletic art already on view will be highlighted.

  • George Washington: Man, Myth, Monument

    Beginning October 19, more than four dozen works in all media depicting George Washington, the Revolutionary War hero who became the first president of the United States, will be presented at The Metropolitan Museum of Art in George Washington: Man, Myth, Monument—Images from the Metropolitan. The exhibition is drawn entirely from the extensive holdings of the Museum's American Wing and includes paintings, sculpture, drawings, and prints, as well as works in glass, ceramics, silver, textiles, and wood that were created in the late 18th and the 19th century.

  • The Bishop Jades

    An exhibition of some 100 precious Chinese and Mughal jade carvings from the Heber R. Bishop collection will open at The Metropolitan Museum of Art this spring. Featuring the objects from practical vessels and pendants to ornaments intended for the emperor's desk, The Bishop Jades will illustrate the full range of the lapidary's repertoire. An industrialist and entrepreneur, Mr. Bishop was an active patron of the arts and a trustee of the Metropolitan Museum. In the late 19th century, he assembled a collection of more than one thousand pieces of jade and other hardstones from China and elsewhere, and in 1902, he bequeathed the collection to the Museum.

  • All That Glitters Is Not Gold: The Art, Form, and Function of Gilt Bronze in the French Interior

    Many of the gold objects adorning sumptuous French interiors—from the Palace of Versailles to grand residences in Paris—are generally not made of gold at all but of gilt bronze. Both functional and highly decorative, gilt-bronze mounts and bronzes d'ameublement, such as light fixtures, fireplace fittings, and clocks, played a very important role in the French interior from the late 17th to the early 19th century. Always in keeping with the latest stylistic changes, gilt-bronze pieces were often designed by well-known artists and sculptors, such as Juste-Aurèle Meissonnier and Augustin Pajou, and manufactured by highly specialized craftsmen. A rigid guild system maintained the high standards of craftsmanship and regulated the process of gilt bronze manufacture. The exhibition All That Glitters Is Not Gold: The Art, Form, and Function of Gilt Bronze in the French Interior focuses on the use of gilt bronze in the interior décor, as well as on the designs and techniques involved in the casting, chasing, and gilding of gilt bronze objects. Drawn from the collections of The Metropolitan Museum of Art, the exhibition will include some 80 objects.

  • Metropolitan Museum of Art Unveils Great Modern Gift: The Pierre and Maria-Gaetana Matisse Collection

    The recent gift of more than 100 works from the Pierre and Maria-Gaetana Matisse Foundation will be celebrated in a major exhibition opening on May 18, 2004. Collected by New York art dealer Pierre Matisse (1900-1989), the younger son of French painter Henri Matisse, the selection includes paintings, sculpture, and drawings by such icons of 20th-century art as Matisse, Balthus, Chagall, Derain, Dubuffet, Giacometti, Magritte, Miró, and Tanguy. The Pierre and Maria-Gaetana Matisse Collection, on view through June 26, 2005, will feature highlights from the Foundation's gifts together with works previously donated by Mr. and Mrs. Matisse.

  • August Sander: People of the Twentieth Century. A Photographic Portrait of Germany

    Approximately 150 images by the pioneering German photographer August Sander (1876-1964) will be on view at The Metropolitan Museum of Art beginning May 25, 2004. The photographs are drawn from the artist's most famous project, People of the Twentieth Century (Menschen des 20. Jahrhunderts), which was envisioned as a comprehensive visual record of the German populace.

  • Andy Goldsworthy on the Roof

    British sculptor Andy Goldsworthy (born 1956), known for working in, and with, the natural landscape, has been invited by The Metropolitan Museum of Art to create the sculpture installation for The Iris and B. Gerald Cantor Roof Garden, opening to the public on May 4, 2004. Andy Goldsworthy on the Roof will consist of two monumental, organic domes of wood and stone, inspired by the immediate surroundings of Central Park and its architectural setting. This special project will be exhibited in the 10,000-square-foot open-air space that offers spectacular views across Central Park to the Manhattan skyline. This is one in a series of solo-artist installations presented on the Cantor Roof Garden, and the first to be constructed on site by the artist.

  • American Impressions, 1865-1925: Prints, Drawings, and Watercolors from the Collection

    More than 50 works on paper by some of the best-known and most highly regarded late 19th-century American artists will be displayed at The Metropolitan Museum of Art, beginning on June 8, in American Impressions, 1865-1925: Prints, Drawings, and Watercolors from the Collection. Among the artists featured will be such luminaries as Winslow Homer, James McNeill Whistler, Mary Cassatt, and Maurice Prendergast. The exhibition was organized to complement and coincide with the Museum's retrospective Childe Hassam, American Impressionist, opening to the public on June 10, and will situate Hassam within a broader context of artists of the same period who treated the same images and used the same media.

  • Christo and Jeanne-Claude: The Gates, Central Park, New York

    The evolution of the widely anticipated outdoor work of art for New York City initiated in 1979 by the husband-and-wife collaborators Christo and Jeanne-Claude will be the subject of the exhibition Christo and Jeanne-Claude: The Gates, Central Park, New York, on view at The Metropolitan Museum of Art from April 6 through July 25, 2004. Fifty-one preparatory drawings and collages by Christo, 64 photographs, and 11 maps and technical diagrams will document the soon-to-be-realized work of art, which when completed will consist of 7,500 saffron-colored gates placed at 12-foot intervals throughout 23 miles of pedestrian walkways lacing Central Park from 59th Street to 110th Street and from Central Park West to Fifth Avenue.

  • Dazzling Byzantine Treasures Displayed in Major International Exhibition at Metropolitan Museum, Opening March 23

    As the triumphant Byzantine general Michael VIII Palaiologos entered Constantinople on August 15, 1261, carrying aloft the famed icon of the Virgin Hodegetria, the city's eternal protector, he initiated an artistic and intellectual flowering in Byzantium, and among its East Christian rivals, that would endure for nearly 300 years. The restoration of the "Empire of the Romans" – the basileia ton Rhomaion – just 57 years after the fall of Constantinople to the knights of the Fourth Crusade in 1204, encouraged faith-inspired art of astonishing beauty and widespread influence.

  • Selected Masterpieces from Metropolitan Museum's Collection of Islamic Art on View During Gallery Renovation

    A key milestone in the final phase of The Metropolitan Museum of Art's 1993 master plan for construction in the southern part of its main building will be initiated this month, with the temporary closing of the galleries for Islamic art for enlargement, renovation, and restoration beginning June 2. Over the next several years, the 30-year-old galleries will be expanded to include additional display space and updated to reflect the most recent scholarship and museological practices.

  • Echoing Images: Couples in African Sculpture

    Couples in African art and how that theme has been expressed in 28 cultures across the continent are explored in an exhibition at The Metropolitan Museum of Art, beginning February 10, 2004. Featuring some 60 works in wood, bronze, terracotta, and beadwork that were created between the 12th and the 20th centuries, Echoing Images: Couples in African Sculpture will provide for the first time a dynamic range of artistic commentaries on human duality. The works on exhibition draw primarily from important public and private collections in the New York area, including the American Museum of Natural History, the Brooklyn Museum of Art, and the High Museum in Atlanta.

  • Once-in-a-Lifetime Viewing Opportunity within Old Kingdom Tombs at New Gateway to Metropolitan Museum's Egyptian Collection

    The Metropolitan Museum of Art announced today the eagerly awaited reopening of the Old Kingdom tombs of Perneb and Raemkai – which will go on temporary view without the glass panels that will be installed later this spring – for a rare six-week viewing by the public.

  • Playing with Fire: European Terracotta Models, 1740-1840

    Playing with Fire: European Terracotta Models, 1740-1840, the first major museum exhibition devoted to Neoclassical terracotta sculptures, will open at The Metropolitan Museum of Art on January 28, 2004. Unprecedented in scale and range, the exhibition unites approximately 135 works from collections throughout Europe and the U.S. Ranging from quick preliminary sketches to completely finished models, the sculptures demonstrate the dash and erudition of modelers across Europe during the Neoclassical age. The international character of the exhibition reflects the broad scope of this rich tradition and includes works by such great modelers as Antonio Canova, Augustin Pajou, Johann Heinrich Dannecker, Philippe-Laurent Roland, and Johan Tobias Sergel. The exhibition also examines the work of sculptors little known outside their home countries, such as the Russian Mikhail Ivanovich Kozlovsky and the Swiss Valentin Sonnenschein, as well as several anonymous modelers.

  • Poets, Lovers and Heroes in Italian Mythological Prints

    Printmaking revolutionized artistic production in the 15th century by allowing artists to create numerous impressions from a single matrix and distribute their work to a wider audience then ever before. Italian artists from Mantegna to Canova embraced the medium, focusing their efforts largely on depictions of scenes from Greek and Roman mythology. A new exhibition exploring the Italian passion for mythological prints that started in the Renaissance and lasted into the early decades of the 19th century opens on February 3, 2004, at The Metropolitan Museum of Art. Drawn from the Metropolitan Museum's collections, Poets, Lovers, and Heroes in Italian Mythological Prints showcases more than 100 woodcuts, engravings, and etchings, as well as illustrated books, by such artists as Jacopo de' Barbari, Marcantonio Raimondi, Ugo da Carpi, Agostino and Annibale Carracci, Salvator Rosa, Giovanni Benedetto Castiglione, and Giambattista and Domenico Tiepolo among others.

  • American Impressions, 1865-1935: Prints, Drawings, and Watercolors from the Collection

    More than 50 works on paper by some of the best-known and most highly regarded late 19th-century American artists will be displayed at The Metropolitan Museum of Art, beginning on June 8, in American Impressions, 1865-1935: Prints, Drawings, and Watercolors from the Collection. Among the artists featured will be such luminaries as Winslow Homer, James McNeill Whistler, Mary Cassatt, and Maurice Prendergast. The exhibition was organized to complement and coincide with the Museum's retrospective Childe Hassam, American Impressionist, opening to the public on June 10, and will situate Hassam within a broader context of artists of the same period who treated the same images and used the same media.

  • Retrospective Celebrates Pioneer American Impressionist Childe Hassam

    Childe Hassam (1859-1935), a pioneer of American Impressionism and perhaps its most devoted, prolific, and successful practitioner, was born in Dorchester, Massachusetts (now part of Boston), into a family descended from settlers of the Massachusetts Bay Colony. Equally adept at capturing the charms of country retreats and the excitement of modern cities, Hassam became the foremost chronicler of New York City at the turn of the century. In our day, he is best known for his depictions of flag-draped Fifth Avenue during World War I.