Treasures from a Lost Civilization: Ancient Chinese Art from Sichuan
A major traveling exhibition of ancient Chinese art from Sichuan will open at The Metropolitan Museum of Art on March 6, 2002. Featuring a spectacular selection of works of art, Treasures from a Lost Civilization: Ancient Chinese Art from Sichuan explores the fascinating world of the art, material culture, and spiritual life of ancient Sichuan, and illustrates the fundamental changes that archaeology has brought to our understanding of the history of Chinese art.
Impressionist and Post-Impressionist Paintings from the Ordrupgaard Collection
Approximately 80 paintings – including landmark works of Impressionism and Post-Impressionism, as well as masterpieces from the Golden Age of Danish painting – all from the Ordrupgaard Collection in Copenhagen, Denmark, will be featured in this exhibition at The Metropolitan Museum of Art. On view June 18 through September 8, 2002, Impressionist and Post-Impressionist Paintings from the Ordrupgaard Collection will offer a dazzling survey of this remarkable collection, including works by Cézanne, Corot, Courbet, Degas, Delacroix, Eckersberg, Gauguin, Købke, Manet, Monet, Pissarro, Renoir, and Sisley, among others. Assembled by the Danish insurance magnate Wilhelm Hansen (1868-1936) in the early decades of the 20th century, both the collection and the country house from which it derives its name were bequeathed to the Danish State upon the death of his wife, Henny, in 1951.
Along the Nile Features Earliest Photographs of Egypt
Sphinx and crocodile, magnificent colossi, and delicate hieroglyphs are but a few of the treasures to be found in Along the Nile: Early Photographs of Egypt, an exhibition of 43 exquisitely preserved 19th-century photographs of one of the world's oldest and most mysterious civilizations. On view from September 11 through December 30 in The Metropolitan Museum of Art's Howard Gilman Gallery, these early camera images of Egypt's landscapes, inhabitants, and dramatically imposing monuments—from Cairo to sand-swept Nubia—are drawn from the renowned Gilman Paper Company Collection as well as from the collection of the Metropolitan Museum.
Superb Examples of Indo-Islamic Metalwork Displayed at Metropolitan Museum This Fall
Drawing inspiration from their rich local heritage of craftsmanship as well as from that of the larger Islamic world, metalworkers in India during the Mughal period (from the 16th through the 19th century) gave splendid form to many functional and decorative objects.
Jeweled Arts Exhibition at Metropolitan Museum Reveals Splendor of the Mughal Courts
The grand imperial vision, refinement, and opulence for which the Mughal rulers of India (1526-1858) were renowned found ultimate expression in their jeweled arts. In a dazzling display opening to the public on October 18, The Metropolitan Museum of Art will present "Treasury of the World": Jeweled Arts of India in the Age of the Mughals, a landmark exhibition of more than 300 spectacular examples of Mughal and other related jeweled objects from The al-Sabah Collection, Kuwait National Museum. The presentation at the Metropolitan is a pioneering effort to show Mughal-period jeweled arts, for which The al-Sabah Collection is unrivaled in scope and scale.
The Pharaoh's Photographer:
When Howard Carter and Lord Carnarvon opened the tomb of the ancient Egyptian king Tutankhamun in 1922, the spectacular find was captured in stunning and evocative detail by Harry Burton (1879-1940), the outstanding archaeological photographer of his day. This fall, The Metropolitan Museum of Art will present some 60 photographs—primarily by Burton—made between 1906 and 1939, documenting the excavation of King Tutankhamun's tomb and some of the other major archaeological finds in Egypt. The gelatin silver prints, which come from the photographic archives of the Department of Egyptian Art, have never been shown publicly.
Neo-Impressionism: The Circle of Paul Signac
To complement the major exhibition Signac 1863-1935: Master Neo-Impressionist, The Metropolitan Museum of Art will present paintings, drawings, and watercolors – selected entirely from the Museum's own collections – by Charles Angrand, Henri-Edmond Cross, Maximilien Luce, Hippolyte Petitjean and other artists who, like Paul Signac, exuberantly followed the groundbreaking techniques of optical painting introduced in the 1880s by Georges Seurat. On view at the Metropolitan from October 2 through December 30, 2001, Neo-Impressionism: The Circle of Paul Signac will feature some 60 works by these artists as well as by the better-known Signac and Seurat.
EXTREME BEAUTY: THE BODY TRANSFORMED
Over time and across cultures, extraordinary manipulations of the body have occurred as concepts of beauty have continued to evolve. Extreme Beauty:
The Body Transformed – an exhibition opening December 6 at The Metropolitan Museum of Art – will offer a unique opportunity to see fashion as the practice of some of the most extreme methods to conform to shifting concepts of the physical ideal. Various zones of the body – neck, shoulders, bust, waist, hips, and feet – have been constricted, padded, truncated, or extended through a variety of techniques. The more than 100 costumes and accessories in the exhibition – ranging from a 16th-century iron corset to Thierry Mugler's notorious "Motorcycle" bustier – will be augmented by anthropological and ethnographic examples and by paintings, prints, and drawings, including caricatures by Gilray, Cruikshank, Daumier and Vernet.
DRESS REHEARSAL: ORIGINS OF THE COSTUME INSTITUTE
Dress Rehearsal: Origins of The Costume Institute – opening at The Metropolitan Museum of Art on August 1 – is the second of the two-part installation (the pendent to Curios and Treasures) surveying one of the world's largest and most renowned costume collections. Costume collecting at the Metropolitan began in 1946 with the transfer of the collection of the former Museum of Costume Art, which had been founded in 1937 by a theater-oriented group of civic leaders under the direction of the New York philanthropist and savant Irene Lewisohn. That collection formed the core of The Costume Institute's now-comprehensive current holdings of more than 80,000 costumes and accessories.
Signac 1863-1935: Master Neo-Impressionist
On view at The Metropolitan Museum of Art from October 9 through December 30, 2001,Signac 1863-1935: Master Neo-Impressionist, will be the first major retrospective of the artist's work in nearly 40 years. Best known for his luminous Mediterranean seascapes rendered in a myriad of "dots" – and later mosaic-like squares – of color, Signac adapted the "pointillist" technique of Georges Seurat with stunning visual impact. The exhibition will feature 121 works, including some 70 oils and a rich selection of Signac's watercolors, drawings, and prints, providing an unprecedented overview of the artist's 50-year career.