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  • The Treasury of Basel Cathedral

    The medieval treasury of Basel Cathedral miraculously survived a devastating earthquake, the plague, and numerous wars, as well as iconoclasm, the Protestant Reformation, and secularization, only to fall victim to politics in the early 19th century, when it was dispersed. Period inventories identifying objects from the treasury have made it possible to locate numerous works. More than 75 of these splendid ecclesiastical and secular objects will be reunited for the first time in The Treasury of Basel Cathedral, an exhibition that will open at The Metropolitan Museum of Art on February 28. Almost none of the works have traveled before to the United States.

  • First Major New York Exhibition of William Blake's Masterpieces Opens at Metropolitan Museum on March 29

    William Blake, the first American exhibition of works in all media – drawings, paintings, and prints – by the legendary British Romantic, will open at The Metropolitan Museum of Art on March 29, 2001. More than 175 works, including all of the illuminated books, for which he is most widely known, will be on view in this first-ever exhibition to explore the artist's work within the context of the social, economic, and political upheavals of his times.

  • Photographs: A Decade of Collecting

    Masterpieces of early French photography and American photographs since 1960 – two high points in the history of the 160-year-old medium – will be on display at The Metropolitan Museum of Art in an exhibition saluting the first decade of collecting by the Museum's Department of Photographs. Photographs: A Decade of Collecting will open on June 5, 2001.

  • Photography: Processes, Preservation, and Conservation

    An exploration of the technical history of photographic processes and of related conservation, preservation, and connoisseurship issues will be presented in an exhibition opening at The Metropolitan Museum of Art on January 30, 2001. Photography: Processes, Preservation, and Conservation, on view through May 6 in the Museum's Howard Gilman Gallery, will include approximately 35 works by some of the most revered names in photography, ranging from the superbly preserved to the unfortunately time-worn, with before-and-after treatment documentation, microscopic views, and examples of current methods for examination, analysis, preservation, and treatment. The exhibition celebrates the January 2001 opening of the Museum's new, state-of-the-art Sherman Fairchild Center for Works on Paper and Photograph Conservation.

  • A Century of Design, Part III: 1950-1975

    A Century of Design, Part III: 1950-1975, the third in a series of four exhibitions surveying design in the 20th century, opens November 28 at The Metropolitan Museum of Art. The exhibition will explore the ideas, influences, and technologies that transformed design – particularly modernism – after World War II. The mid-century period of unprecedented exchange among artists, architects, and designers yielded profound changes in the domestic landscape. More than 50 examples from the Metropolitan's modern design collection, including furniture, glassware, ceramics, textiles, and more, will be organized thematically and geographically in the exhibition, which will remain on view in the Museum's Lila Acheson Wallace Wing through April 1, 2001. The fourth and final exhibition in the series, surveying design from 1975 to 2000, will be on view May 1 through October 1, 2001.


    This press kit for Jacqueline Kennedy: The White House Years--Selections from the John F. Kennedy Library and Museum includes a general release about the exhibition, immediately following, as well as these five releases, to which you can link directly by clicking on their titles:
    Statement from L'Oréal
    Statement from Condé Nast
    Hamish Bowles
    Book Accompanying the Exhibition
    Related Programs

  • Exhibition of Evaristo Baschenis Still Lifes Opens at Metropolitan Museum November 17

    Evaristo Baschenis (1617-1677), the preeminent still life painter of 17th-century Italy, is best known for his hauntingly poetic paintings of musical instruments. Although largely unfamiliar to American audiences, these lyrical masterpieces of composition and color harmony combine baroque splendor with a masterful, restrained geometry. Their quality of time arrested has led to comparisons with the paintings of Chardin and Vermeer. Now, 18 paintings from public and private collections in the artist's native Bergamo and throughout northern Italy are featured in The Still Lifes of Evaristo Baschenis: The Music of Silence, on view at the Metropolitan Museum from November 17, 2000 through March 4, 2001. The exhibition also includes books on perspective and important examples of period musical instruments from the Metropolitan's own collections.

  • The Annenberg Collection of Impressionist and Post-Impressionist Masterpieces

    Fifty-three paintings, watercolors, and drawings by 18 of the greatest artists who worked in France in the 19th and early 20th centuries comprise the Annenberg collection, which returns to The Metropolitan Museum of Art for six months beginning in June 2001. This annual event, now in its eighth year, provides an exceptional opportunity for visitors to view this renowned collection, which is installed in three central rooms within the Museum's Nineteenth-Century European Paintings and Sculpture Galleries.

  • The Onassis Library for Hellenic and Roman Art in the Department of Greek and Roman Art Opens at Metropolitan Museum

    (October 25, 2000) The Metropolitan Museum of Art today announced the opening of the Onassis Library for Hellenic and Roman Art in the Museum's Department of Greek and Roman. Scholars utilizing the Onassis Library will for the first time have access to the Met's rich and diverse collection of publications and its extensive historical archive of Greek and Roman art. In addition, because the library's resources are now available online, this extraordinary collection can be accessed by scholars, libraries, and databases worldwide.

  • Metropolitan Museum of Art Debuts Timeline of Art History on Its Web Site October 3

    (October 3, 2000) The Metropolitan Museum of Art will today debut a new Timeline of Art History on the Museum's Web site (www.metmuseum.org). The Timeline features works of art from the Metropolitan's encyclopedic collections, presented in a new chronological format giving browsers and scholars alike instant access to the art created at any given time in different cultures across the globe.

  • Dramatic Readings by Metropolitan Museum's Philippe de Montebello and Actor Fritz Weaver Scheduled for October 15

    Philippe de Montebello, Director of The Metropolitan Museum of Art, will be joined by the distinguished actor Fritz Weaver in a program of dramatic readings, presented in conjunction with the special exhibition The Year One: Art of the Ancient World East and West. The program, The Year One: A Reading, will feature selections from works by Virgil and Horace and poems in the fu form from the Han Dynasty. It will take place on Sunday, October 15, at 7:00 p.m. in the recently opened Mary and Michael Jaharis Gallery, a particularly appropriate setting with its long, dramatic vista and display of monumental ancient Roman statues.

  • Bard Graduate Center for Studies in the Decorative Arts and

    Philippe de Montebello, Director of The Metropolitan Museum of Art, and Susan Weber Soros, Founder/Director of The Bard Graduate Center for Studies in the Decorative Arts, have agreed to a joint project that will allow Bard Graduate Center students to work with objects from the Metropolitan's collections and to organize exhibitions based on and around these objects. The exhibitions will be presented in the gallery of the Bard Graduate Center at 18 West 86th Street in Manhattan on a biennial basis.


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    By the second quarter of the 19th century, New York City - already the nation's financial center - was poised to become a "world city" on a par with London and Paris. With the completion of the Erie Canal in 1825, which linked the Great Lakes and the Atlantic Ocean via the Hudson River, the great port of New York became the gateway to the West, assuring the city's commercial preeminence. Over the next 35 years, until the outbreak of the Civil War in 1861, New York grew rapidly, becoming the "Empire City" - the largest city in the Western Hemisphere, and the nation's center of domestic and foreign trade, culture, and the arts.


    Thomas Sully in the Metropolitan, on view from September 19, 2000 through January 7, 2001, features a selection of approximately 30 paintings and drawings by this important and influential 19th-century American portraitist. Drawn exclusively from the Metropolitan's collection, the works span the most creative and productive years of the artist's career, from around 1810 through the 1840s, during which time he rose to a position of preeminence as America's leading portrait painter.


    A painting of England's 18-year-old Queen Victoria – the acknowledged masterpiece of Philadelphia artist Thomas Sully (1783-1872) and the work that catapulted him into national prominence – is the focus of an exhibition on view at The Metropolitan Museum of Art from September 19 through December 31, 2000. Queen Victoria and Thomas Sully documents the creation of this compelling portrait through some 35 works including oil sketches, paintings, drawings, manuscripts, and ephemera. The exhibition sheds new light on an image of one of history's most celebrated women, and commemorates the centennial of Victoria's death in 1901.


    One hundred fifteen exceptional 19th-century paintings, drawings, and oil sketches – many never before publicly exhibited – will be featured in this exhibition of selected works from the holdings of noted New York collector Karen B. Cohen. On view at The Metropolitan Museum of Art from October 17, 2000 through January 21, 2001, Romanticism and the School of Nature: 19th-Century Drawings and Paintings from the Karen B. Cohen Collection will include landscapes, portraits, figure compositions, and still lifes by the great artists of the Romantic period, the School of Barbizon, the Realist movement, and their followers, from Prud'hon to Seurat. At the center of the exhibition will be a selection of 20 images by Eugène Delacroix, ranging from pencil sketches to oil paintings and fully worked watercolors.


    This press kit for Art and the Empire City: New York, 1825-1861 includes a general release about the exhibition, immediately following, as well as these four releases, to which you can link directly by clicking on their titles:
    Statement from Fleet
    Curatorial Biographies
    Student Pass Program
    Exhibition Catalogue



    Between 1986 and 1990, hundreds of astonishing objects — ornately carved and decorated in a unique style and covered in gold — were excavated from an archaeological site outside the village of Filippovka, located in Bashkortostan on southern Russia's open steppes. Representing one of the most important caches of early nomadic Eurasian art, these treasures date from the first millennium B.C. and are characterized by the extensive use of animal imagery — most notably that of a deer. This fall, The Metropolitan Museum of Art will present nearly 100 of these dazzling works — none of which has ever been shown anywhere — in a dramatic display, The Golden Deer of Eurasia: Scythian and Sarmatian Treasures from the Russian Steppes, opening on October 12.