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Exhibitions

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  • Sultan Ali of Mashhad, Master of Nastaliq

    Sultan Ali of Mashhad (1442-1520) is the acknowledged master of nastaliq, a style of calligraphy favored in the 15th and 16th century for poetical texts written in the Persian language. Although the elegant and fluid script - which was once likened to the patterns of flying geese - originated in Iran, it soon influenced calligraphy in the Muslim courts of India and Turkey.

  • Terry Winters: Printmaker

    A retrospective exhibition of prints by the American artist Terry Winters will open June 12, 2001, at The Metropolitan Museum of Art. Approximately ninety works created between 1983 and the present, all from the Museum's collections, will be on view through September 30 in the Helen and Michael Kimmelman Gallery of the Lila Acheson Wallace Wing for modern art.

  • Nineteenth- and Twentieth-Century Chinese Paintings from the Robert H. Ellsworth Collection

    More than 90 Chinese paintings amassed by Robert H. Ellsworth will be on view at The Metropolitan Museum of Art, starting January 30. Drawn from the nearly 500 pieces in the Museum's collection, Nineteenth- and Twentieth-Century Chinese Paintings from the Robert H. Ellsworth Collection in The Metropolitan Museum of Art will focus on Chinese painting created during the period of clashing social visions and dramatic political change that marked China's entry into the modern world. In the arts, it is a time when the tensions between tradition and innovation, native and foreign styles reached an unprecedented level of intensity.

  • Joel Shapiro on the Roof

    The Metropolitan Museum of Art will feature a selection of five sculptures by renowned American artist Joel Shapiro (born 1941) in the 2001 installation of The Iris and B. Gerald Cantor Roof Garden, opening May 1. Drawn from public and private collections, Joel Shapiro on the Roof will include five large cast bronze and painted cast aluminum sculptures, dating from 1989 to the present – three have not been previously exhibited in New York, and two have been newly created. The works will be exhibited in the 10,000-square-foot open-air space that offers spectacular views of Central Park and the New York City skyline. The installation will mark the fourth consecutive single-artist installation on the Roof Garden.

  • Picturing Media: Modern Photographs from the Permanent Collection

    Picturing Media: Modern Photographs from the Permanent Collection, opening at The Metropolitan Museum of Art on October 31, 2000, is the second of an ongoing series of installations highlighting the Museum's rapidly expanding collection of contemporary photographs. This selection of 14 works, all acquired by the Metropolitan in the last decade, includes a number of very large photographs that are handsomely accommodated by the scale of the exhibition space on the first floor adjoining the Museum's Lila Acheson Wallace Wing for modern art. The exhibition remains on view through April 29, 2001.

  • Summer Selections: American Drawings and Watercolors

    Summer 2001 will mark the inaugural season of Summer Selections: American Drawings and Watercolors in The Metropolitan Museum of Art, a series of annual exhibitions drawn from the Museum's collection of works on paper created by American artists between the 1780s and 1900. This summer's presentation will include some three dozen drawings, watercolors, and pastels, and will open to the public on May 29, 2001.

  • Christmas Tree and Neapolitan Baroque Crèche

    The Christmas tree and Neapolitan Baroque crèche at The Metropolitan Museum of Art, a long-established yuletide tradition in New York, will be on view for the holiday season beginning Saturday, November 25. The brightly lit, 20-foot blue spruce – with a collection of 18th-century Neapolitan angels and cherubs among its boughs and groups of realistic crèche figures flanking the Nativity scene at its base – will once again delight holiday visitors in the Museum's Medieval Sculpture Hall. Set in front of the 18th-century Spanish choir screen from the Cathedral of Valladolid, with recorded Christmas music in the background, the installation reflects the spirit of the holiday season. There will be a spectacular lighting ceremony every Friday and Saturday evening at 7:00 p.m., beginning Friday, December 1.

  • Beyond the Easel: Decorative Painting by

    A unique 2001 exhibition Beyond the Easel: Decorative Painting by Bonnard, Vuillard, Denis and Roussel, 1890-1930, will provide American audiences a rare opportunity to experience the decorative projects carried out in France between 1890 and 1930 by Pierre Bonnard, Edouard Vuillard, Maurice Denis, and Ker Xavier Roussel. On view at The Metropolitan Museum of Art from June 26 through September 9, 2001, the exhibition will consist of approximately 80 paintings and folding screens on loan from international public and private collections.

  • Correggio and Parmigianino: Master Draftsmen of the Renaissance Opens at Metropolitan Museum February 6

    Correggio and Parmigianino were two of the greatest masters of the Emilian school of early 16th-century Italy, renowned for their painterly effects and exquisite draftsmanship. A major exhibition at The Metropolitan Museum of Art, Correggio and Parmigianino: Master Draftsmen of the Renaissance, will mark the first time that a major selection of drawings by these two artists has been shown together. On view from February 6 through May 6, 2001, the exhibition will feature more than 130 drawings – many exhibited for the first time – from British and North American public and private collections.

  • Richard Avedon Donates Pivotal 20th-Century Portraits to the Metropolitan Museum

    (New York, November 17, 2000)—One hundred fifteen portraits by Richard Avedon, the celebrated photographer, have been given by Mr. Avedon to The Metropolitan Museum of Art, it was announced today by Philippe de Montebello, the Museum's Director.

  • The Treasury of Basel Cathedral

    The medieval treasury of Basel Cathedral miraculously survived a devastating earthquake, the plague, and numerous wars, as well as iconoclasm, the Protestant Reformation, and secularization, only to fall victim to politics in the early 19th century, when it was dispersed. Period inventories identifying objects from the treasury have made it possible to locate numerous works. More than 75 of these splendid ecclesiastical and secular objects will be reunited for the first time in The Treasury of Basel Cathedral, an exhibition that will open at The Metropolitan Museum of Art on February 28. Almost none of the works have traveled before to the United States.

  • First Major New York Exhibition of William Blake's Masterpieces Opens at Metropolitan Museum on March 29

    William Blake, the first American exhibition of works in all media – drawings, paintings, and prints – by the legendary British Romantic, will open at The Metropolitan Museum of Art on March 29, 2001. More than 175 works, including all of the illuminated books, for which he is most widely known, will be on view in this first-ever exhibition to explore the artist's work within the context of the social, economic, and political upheavals of his times.

  • Photographs: A Decade of Collecting

    Masterpieces of early French photography and American photographs since 1960 – two high points in the history of the 160-year-old medium – will be on display at The Metropolitan Museum of Art in an exhibition saluting the first decade of collecting by the Museum's Department of Photographs. Photographs: A Decade of Collecting will open on June 5, 2001.

  • Photography: Processes, Preservation, and Conservation

    An exploration of the technical history of photographic processes and of related conservation, preservation, and connoisseurship issues will be presented in an exhibition opening at The Metropolitan Museum of Art on January 30, 2001. Photography: Processes, Preservation, and Conservation, on view through May 6 in the Museum's Howard Gilman Gallery, will include approximately 35 works by some of the most revered names in photography, ranging from the superbly preserved to the unfortunately time-worn, with before-and-after treatment documentation, microscopic views, and examples of current methods for examination, analysis, preservation, and treatment. The exhibition celebrates the January 2001 opening of the Museum's new, state-of-the-art Sherman Fairchild Center for Works on Paper and Photograph Conservation.

  • A Century of Design, Part III: 1950-1975

    A Century of Design, Part III: 1950-1975, the third in a series of four exhibitions surveying design in the 20th century, opens November 28 at The Metropolitan Museum of Art. The exhibition will explore the ideas, influences, and technologies that transformed design – particularly modernism – after World War II. The mid-century period of unprecedented exchange among artists, architects, and designers yielded profound changes in the domestic landscape. More than 50 examples from the Metropolitan's modern design collection, including furniture, glassware, ceramics, textiles, and more, will be organized thematically and geographically in the exhibition, which will remain on view in the Museum's Lila Acheson Wallace Wing through April 1, 2001. The fourth and final exhibition in the series, surveying design from 1975 to 2000, will be on view May 1 through October 1, 2001.

  • JACQUELINE KENNEDY: THE WHITE HOUSE YEARS

    This press kit for Jacqueline Kennedy: The White House Years--Selections from the John F. Kennedy Library and Museum includes a general release about the exhibition, immediately following, as well as these five releases, to which you can link directly by clicking on their titles:
    Statement from L'Oréal
    Statement from Condé Nast
    Hamish Bowles
    Book Accompanying the Exhibition
    Related Programs

  • Exhibition of Evaristo Baschenis Still Lifes Opens at Metropolitan Museum November 17

    Evaristo Baschenis (1617-1677), the preeminent still life painter of 17th-century Italy, is best known for his hauntingly poetic paintings of musical instruments. Although largely unfamiliar to American audiences, these lyrical masterpieces of composition and color harmony combine baroque splendor with a masterful, restrained geometry. Their quality of time arrested has led to comparisons with the paintings of Chardin and Vermeer. Now, 18 paintings from public and private collections in the artist's native Bergamo and throughout northern Italy are featured in The Still Lifes of Evaristo Baschenis: The Music of Silence, on view at the Metropolitan Museum from November 17, 2000 through March 4, 2001. The exhibition also includes books on perspective and important examples of period musical instruments from the Metropolitan's own collections.

  • The Annenberg Collection of Impressionist and Post-Impressionist Masterpieces

    Fifty-three paintings, watercolors, and drawings by 18 of the greatest artists who worked in France in the 19th and early 20th centuries comprise the Annenberg collection, which returns to The Metropolitan Museum of Art for six months beginning in June 2001. This annual event, now in its eighth year, provides an exceptional opportunity for visitors to view this renowned collection, which is installed in three central rooms within the Museum's Nineteenth-Century European Paintings and Sculpture Galleries.

  • The Onassis Library for Hellenic and Roman Art in the Department of Greek and Roman Art Opens at Metropolitan Museum

    (October 25, 2000) The Metropolitan Museum of Art today announced the opening of the Onassis Library for Hellenic and Roman Art in the Museum's Department of Greek and Roman. Scholars utilizing the Onassis Library will for the first time have access to the Met's rich and diverse collection of publications and its extensive historical archive of Greek and Roman art. In addition, because the library's resources are now available online, this extraordinary collection can be accessed by scholars, libraries, and databases worldwide.

  • Metropolitan Museum of Art Debuts Timeline of Art History on Its Web Site October 3

    (October 3, 2000) The Metropolitan Museum of Art will today debut a new Timeline of Art History on the Museum's Web site (www.metmuseum.org). The Timeline features works of art from the Metropolitan's encyclopedic collections, presented in a new chronological format giving browsers and scholars alike instant access to the art created at any given time in different cultures across the globe.

  • Dramatic Readings by Metropolitan Museum's Philippe de Montebello and Actor Fritz Weaver Scheduled for October 15

    Philippe de Montebello, Director of The Metropolitan Museum of Art, will be joined by the distinguished actor Fritz Weaver in a program of dramatic readings, presented in conjunction with the special exhibition The Year One: Art of the Ancient World East and West. The program, The Year One: A Reading, will feature selections from works by Virgil and Horace and poems in the fu form from the Han Dynasty. It will take place on Sunday, October 15, at 7:00 p.m. in the recently opened Mary and Michael Jaharis Gallery, a particularly appropriate setting with its long, dramatic vista and display of monumental ancient Roman statues.

  • Bard Graduate Center for Studies in the Decorative Arts and

    Philippe de Montebello, Director of The Metropolitan Museum of Art, and Susan Weber Soros, Founder/Director of The Bard Graduate Center for Studies in the Decorative Arts, have agreed to a joint project that will allow Bard Graduate Center students to work with objects from the Metropolitan's collections and to organize exhibitions based on and around these objects. The exhibitions will be presented in the gallery of the Bard Graduate Center at 18 West 86th Street in Manhattan on a biennial basis.

  • SCHEDULE OF EXHIBITIONS SEPTEMBER—DECEMBER 2000

    New Exhibitions
    Upcoming Exhibitions
    Continuing Exhibitions
    New and Recently Opened Installations
    Traveling Exhibitions
    Visitor Information

  • LANDMARK EXHIBITION ART AND THE EMPIRE CITY:

    By the second quarter of the 19th century, New York City - already the nation's financial center - was poised to become a "world city" on a par with London and Paris. With the completion of the Erie Canal in 1825, which linked the Great Lakes and the Atlantic Ocean via the Hudson River, the great port of New York became the gateway to the West, assuring the city's commercial preeminence. Over the next 35 years, until the outbreak of the Civil War in 1861, New York grew rapidly, becoming the "Empire City" - the largest city in the Western Hemisphere, and the nation's center of domestic and foreign trade, culture, and the arts.

  • THOMAS SULLY IN THE METROPOLITAN

    Thomas Sully in the Metropolitan, on view from September 19, 2000 through January 7, 2001, features a selection of approximately 30 paintings and drawings by this important and influential 19th-century American portraitist. Drawn exclusively from the Metropolitan's collection, the works span the most creative and productive years of the artist's career, from around 1810 through the 1840s, during which time he rose to a position of preeminence as America's leading portrait painter.

  • QUEEN VICTORIA AND THOMAS SULLY

    A painting of England's 18-year-old Queen Victoria – the acknowledged masterpiece of Philadelphia artist Thomas Sully (1783-1872) and the work that catapulted him into national prominence – is the focus of an exhibition on view at The Metropolitan Museum of Art from September 19 through December 31, 2000. Queen Victoria and Thomas Sully documents the creation of this compelling portrait through some 35 works including oil sketches, paintings, drawings, manuscripts, and ephemera. The exhibition sheds new light on an image of one of history's most celebrated women, and commemorates the centennial of Victoria's death in 1901.

  • ROMANTICISM AND THE SCHOOL OF NATURE:

    One hundred fifteen exceptional 19th-century paintings, drawings, and oil sketches – many never before publicly exhibited – will be featured in this exhibition of selected works from the holdings of noted New York collector Karen B. Cohen. On view at The Metropolitan Museum of Art from October 17, 2000 through January 21, 2001, Romanticism and the School of Nature: 19th-Century Drawings and Paintings from the Karen B. Cohen Collection will include landscapes, portraits, figure compositions, and still lifes by the great artists of the Romantic period, the School of Barbizon, the Realist movement, and their followers, from Prud'hon to Seurat. At the center of the exhibition will be a selection of 20 images by Eugène Delacroix, ranging from pencil sketches to oil paintings and fully worked watercolors.

  • ART AND THE EMPIRE CITY: NEW YORK, 1825-1861

    This press kit for Art and the Empire City: New York, 1825-1861 includes a general release about the exhibition, immediately following, as well as these four releases, to which you can link directly by clicking on their titles:
    Statement from Fleet
    Curatorial Biographies
    Student Pass Program
    Exhibition Catalogue

  • SCHEDULE OF EXHIBITIONS

  • THE GOLDEN DEER OF EURASIA

    Between 1986 and 1990, hundreds of astonishing objects — ornately carved and decorated in a unique style and covered in gold — were excavated from an archaeological site outside the village of Filippovka, located in Bashkortostan on southern Russia's open steppes. Representing one of the most important caches of early nomadic Eurasian art, these treasures date from the first millennium B.C. and are characterized by the extensive use of animal imagery — most notably that of a deer. This fall, The Metropolitan Museum of Art will present nearly 100 of these dazzling works — none of which has ever been shown anywhere — in a dramatic display, The Golden Deer of Eurasia: Scythian and Sarmatian Treasures from the Russian Steppes, opening on October 12.

  • THE STILL LIFES OF EVARISTO BASCHENIS AND THE MUSIC OF SILENCE

    Evaristo Baschenis (Bergamo, 1617-1677), the preeminent still life painter of 17th-century Italy, is best known for his hauntingly poetic paintings of musical instruments. Although unfamiliar to American audiences, these lyrical masterpieces of composition and color harmony have been compared to Chardin's paintings, especially for their geometric structure and careful simplicity. Approximately 15 paintings from public and private collections throughout northern Italy will be featured in The Still Lifes of Evaristo Baschenis and the Music of Silence, on view at the Metropolitan Museum November 21, 2000 through March 4, 2001. Several works, which have never before left Bergamo, will be loaned from the descendents of the families that commissioned the paintings more than three centuries ago.

  • A CENTURY OF DESIGN, PART III: 1950-1975

    A Century of Design, Part III: 1950-1975 November 28, 2000 – May 27, 2001 Lila Acheson Wallace Wing A Century of Design, Part III: 1950-1975, the third in a series of four exhibitions surveying design in the 20th century, opens November 28 at The Metropolitan Museum of Art. The exhibition will explore the ideas, influences, and technologies that transformed design – particularly modernism – after World War II. The mid-century period of unprecedented exchange among artists, architects, and designers yielded profound changes in the domestic landscape. More than 50 examples from the Metropolitan's modern design collection, including furniture, glassware, ceramics, textiles, and more, will be organized thematically and geographically in the exhibition, which will remain on view in the Museum's Lila Acheson Wallace Wing through May 27, 2001. The fourth and final exhibition in the series, surveying design from 1975 to 2000, will be on view June 26, 2001 through January 6, 2002.

  • METROPOLITAN MUSEUM OPENS NEW GALLERIES FOR BYZANTINE ART

    The Metropolitan Museum of Art's exceptional collection of Byzantine art will return to public view this fall with the inauguration of the new Mary and Michael Jaharis Galleries. The installation — in dramatic Beaux Arts spaces that have been restored and redesigned to evoke the original architectural plan of 1902 — will showcase outstanding works of art from the transfer of the capital of the Roman empire to Constantinople (now Istanbul, Turkey) in 330 through the fall of the Byzantine Empire to the Ottoman Turks in 1453. Also included in the new Jaharis Galleries will be art of the Bronze and Iron Age in northern Europe, the provincial Roman world of the Latin West, and the new cultures that developed in Western Europe with the transfer of the capital of the Roman empire from Rome to Constantinople. A highlight of the new Jaharis Galleries will be the opening, for the first time, of gallery space beneath the Grand Staircase.

  • SCULPTURE BY DAVID SMITH OPENS AT METROPOLITAN MUSEUM'S ROOF GARDEN THIS SUMMER

    One of the 20th century's greatest and most influential American sculptors, David Smith (1906-1965), will be the subject of The Metropolitan Museum of Art's year 2000 installation on The Iris and B. Gerald Cantor Roof Garden. David Smith on the Roof , on view beginning May 16, will be devoted entirely to the welded and burnished stainless steel sculptures the artist created between 1959 and 1965 at the height of his career. The installation, drawn from public and private collections, marks the third consecutive single-artist annual installation on the Roof Garden, a 10,000-square-foot open-air space that offers a spectacular view of Central Park and the Manhattan skyline.

  • SILVER IN ANCIENT PERU

    An unprecedented exhibition devoted solely to ancient Peruvian silver dating from the early part of the first millennium to the 16th century will open at The Metropolitan Museum of Art on November 3. Bringing together more than 100 works from public and private collections, Silver in Ancient Peru will explore the two-thousand-year-old tradition of sophisticated silver-working in Precolumbian Peru.

  • ROMANTICISM AND THE SCHOOL OF NATURE: 19TH-CENTURY DRAWINGS AND PAINTINGS FROM THE COLLECTION OF KAREN B. COHEN

    One hundred fifteen exceptional 19th-century paintings, drawings, and oil sketches — many never before publicly exhibited — will be featured in this exhibition of selected works from the holdings of noted New York collector Karen B. Cohen. On view at The Metropolitan Museum of Art from October 17, 2000, through January 21, 2001, Romanticism and the School of Nature: 19th-Century Drawings and Paintings from the Collection of Karen B. Cohen will include landscapes, portraits, figure compositions, and still lifes by the great artists of the Romantic period, the School of Barbizon, the Realist movement, and their followers, from Prud'hon to Seurat. At the center of the exhibition will be a selection of 20 images by Eugène Delacroix, ranging from pencil sketches to oil paintings and fully worked watercolors.

  • THE YEAR ONE: ART OF THE ANCIENT WORLD EAST AND WEST

    In celebration of the new millennium, The Metropolitan Museum of Art will present an unprecedented exhibition — drawn almost entirely from its own collections — of nearly 150 works of art that were produced some 2,000 years ago in the period just before and after the Year One. On view October 3, 2000 through January 14, 2001, The Year One: Art of the Ancient World East and West will feature magnificent and distinctive works of art from Western Europe, the Mediterranean, Africa, the Middle East, India, China, Southeast Asia, and the Americas.

  • EGYPTIAN ART AT ETON COLLEGE: SELECTIONS FROM THE MYERS MUSEUM

    This fall, some 150 works from the Myers Museum — one of the world's finest collections of ancient Egyptian decorative arts — will travel outside Eton College (England) for the first time to form a landmark exhibition at The Metropolitan Museum of Art in New York. Named for Major William Joseph Myers (1858-1899), an alumnus who bequeathed his extensive and highly regarded collection of Egyptian antiquities to the college, the Myers Museum represents a rare example of a private 19th-century art collection that has remained substantially intact to our day.

  • "LA DIVINE COMTESSE," PHOTOGRAPHS OF THE COUNTESS DE CASTIGLIONE

    Some 90 works from a remarkable series of photographic portraits documenting the public life and private fantasies of a legendary 19th-century beauty go on view at The Metropolitan Museum of Art on September 19, 2000, in the exhibition "La Divine Comtesse," Photographs of the Countess de Castiglione. Commissioned by the countess herself and created under her supervision, the images — more than 400 in all — were the result of a 40-year collaboration, from 1856 to 1895, with French court photographer Pierre-Louis Pierson.

  • THE EMBODIED IMAGE: CHINESE CALLIGRAPHY FROM THE JOHN B. ELLIOTT COLLECTION

    The most important and comprehensive exhibition of its kind ever assembled in the West, The Embodied Image: Chinese Calligraphy from the John B. Elliott Collection — opening September 15 — will bring together some 120 works of art from the two principal collections of Chinese calligraphy that were formed in the United States. More than 55 masterworks from the John B. Elliott Collection of The Art Museum, Princeton University — perhaps the finest such collection outside Asia — will be integrated with a similar number of masterpieces from The Metropolitan Museum of Art, most notably from the John M. Crawford Jr. Collection, and loans from six private collections. Spanning the period from the fourth century to the modern era, the exhibition will explore the stylistic range and individuality of many of the leading artists of the last 1,000 years.

  • PARKS AND PROMENADES: MAURICE PRENDERGAST IN THE METROPOLITAN MUSEUM OF ART

    Parks and Promenades: Maurice Prendergast in The Metropolitan Museum of Art will present Maurice Prendergast (1858-1924) as painter, watercolorist, draftsman, and book illustrator. Gathered from the holdings of the Metropolitan Museum's Department of American Paintings and Sculpture, Department of Drawings and Prints, and Robert Lehman Collection, the exhibition will be the first to present the Museum's entire collection of Prendergast's work. Cursory pencil drawings of incidental Parisian life; luminous, large-scale watercolors from the Large Boston Public Garden Sketchbook (1895-97); and oil paintings of recreational activities on the Massachusetts shore and in New York's Central Park will chronicle a lifetime of plein-air observation. On view July 25 through October 22, 2000, the exhibition will feature some 70 works, including many of Prendergast's most acclaimed watercolors, which, because of their sensitivity to light, have not been shown together for more than a decade.

  • FIREWORKS! FOUR CENTURIES OF PYROTECHNICS IN PRINTS AND DRAWINGS

    In celebration of the new millennium, The Metropolitan Museum of Art will present Fireworks! Four Centuries of Pyrotechnics in Prints and Drawings, on view June 6 through September 17, 2000. Drawn primarily from the Museum's collection, the exhibition will feature more than 100 prints and drawings depicting fireworks displays from the 16th to the early 20th century. Artists represented will include Antonio Tempesta, Jacques Callot, Claude Lorrain, Jean-Michel Moreau le Jeune, Jean-Louis Desprez, Francesco Piranesi, Winslow Homer, Edgar Degas, and the lithographers Currier and Ives, among others.

  • OTHER PICTURES: VERNACULAR PHOTOGRAPHS FROM THE THOMAS WALTHER COLLECTION

    Photographs by anonymous amateurs whose "happy accidents" and "successful failures" resulted in surprising and tantalizing works of art are the subject of Other Pictures: Vernacular Photographs from the Thomas Walther Collection, opening at The Metropolitan Museum of Art on June 6, 2000. Dating from the 1910s through the 1960s — a period that saw the camera's emergence as a nearly ubiquitous and easy-to-use accessory of modern life — these photographs reflect the spirit of their time in refreshingly honest and often unexpected ways. Although never intended for public display — most of the approximately 90 photographs on view were discovered at flea markets, in shoeboxes, or in family albums — these found images often bring to mind the work of such master photographers as Walker Evans, Man Ray, Henri Cartier-Bresson, and Diane Arbus.

  • ANNENBERG COLLECTION OF IMPRESSIONIST AND POST-IMPRESSIONIST MASTERWORKS

    Fifty-three paintings, watercolors, and drawings by 18 of the greatest artists who worked in France in the 19th and early 20th century comprise the Annenberg collection, which will return to The Metropolitan Museum of Art for six months beginning June 6, 2000. This annual event, now in its sixth year, provides an exceptional opportunity for visitors to experience this renowned private collection. The works are shown in the Museum's Nineteenth-Century European Paintings and Sculpture Galleries, hung together in three central rooms, surrounded by the Met's own collection of 19th-century European paintings.

  • AFTER NICOLAS POUSSIN: NEW ETCHINGS BY LEON KOSSOFF

    A series of 14 recent etchings by London painter Leon Kossoff (b. 1926) will be on view at The Metropolitan Museum of Art beginning March 28. Based on paintings by the 17th-century French artist Nicolas Poussin (1594-1665), the etchings are the result of a period of intense, first-hand study of the Baroque master's canvases during the 1995 Poussin exhibition at London's Royal Academy. After Nicolas Poussin: New Etchings by Leon Kossoff, which will be installed in the North Mezzanine Gallery of the Museum's Lila Acheson Wallace Wing, runs through August 13.

  • CHARDIN

    In celebration of the 300th anniversary of the birth of the 18th-century French artist Jean-Siméon Chardin (1699-1779), The Metropolitan Museum of Art will present a major loan exhibition of 66 works that will survey the artist's distinguished career as a still-life and genre painter. On view from June 27 through September 3, 2000, Chardin will be the first exhibition in New York devoted to the artist and the first in the United States in more than 20 years.

  • AMERICAN MODERN, 1925 — 1940: DESIGN FOR A NEW AGE

    American Modern, 1925 — 1940: Design for a New Age, an exhibition tracing the rise of a distinctively American modern design aesthetic through the efforts of approximately 50 of its creative pioneers, will be on view at The Metropolitan Museum of Art from May 16, 2000 through January 7, 2001. Drawn exclusively from the Museum's collection and from the John C. Waddell Collection, a major promised gift to the Metropolitan, this landmark exhibition features more than 150 objects — including furniture, clocks, appliances, posters, textiles, radios, tableware, and even a bathroom sink — by such leading designers as Norman Bel Geddes, Donald Deskey, Paul Frankl, Raymond Loewy, Isamu Noguchi, Eliel Saarinen, Walter Dorwin Teague, Walter von Nessen, and Russel Wright.

  • A CENTURY OF DESIGN, PART II: 1925-1950

    A Century of Design, Part II: 1925-1950 — the second in a four-part series of exhibitions at The Metropolitan Museum of Art surveying design in the 20th century — will display more than 50 objects from the Museum's collection to demonstrate the dynamic rise of Modernism and its influence on public perception of everyday objects, such as furniture, housewares, and decorative objects. On view in the Museum's Gallery for Modern Design and Architecture from May 9 through October 29, 2000, the exhibition will follow the advancement of design in Europe during the second quarter of the 20th century — from Art Deco through the influences of the Bauhaus school, Functionalism, Russian Constructivism, and organic Scandinavian design.

  • KLEE'S LINE

    The Metropolitan Museum's series of thematic installations devoted to the art of Paul Klee (1879 — 1940) continues with Klee's Line, on view March 17 through July 9, 2000. The selection of 21 works explores Klee's varied use of line, which evolved over the years from exact naturalism to spidery playfulness to thick contours. In addition, Klee used different types of line for different subjects.

  • MICHAEL BELKIN NAMED CHIEF TECHNOLOGY OFFICER AT THE METROPOLITAN MUSEUM OF ART

    (March 27, 2000) — The Metropolitan Museum of Art today named Michael Belkin to the post of Chief Technology Officer, effective April 24.