Quantcast

Met Museum Presents—Live Webcast of
Peony Pavilion in Updated Version by Tan Dun and Huang Doudou
Performed by Zhang Jun and the Shanghai Zhang Jun Art Center Company in Metropolitan Museum’s Astor Court Friday, November 30, 7:00 p.m.

Limited Ticket Availability for High-Definition Transmission to The Grace Rainey Rogers Auditorium on November 30; Tickets for Astor Court Performances Are Sold Out

On Friday, November 30, The Metropolitan Museum of Art will offer a live webcast of the first of five performances of an updated version of the 16th-century Chinese Kunqu opera masterpiece Peony Pavilion that will take place in the Met’s Astor Court, the courtyard modeled on a 17th-century Chinese garden. This 70-minute version of the opera has been developed and directed by celebrated composer Tan Dun, with a new score by Mr. Tan and choreography by Huang Doudou, one of China's most prominent dancers. It will be performed by Zhang Jun, one of China's most respected Kunqu performers, and the Shanghai Zhang Jun Art Center Company.

Tickets are sold out for the five performances of the opera in The Astor Court (November 30 at 7:00 p.m.; December 1 at 2:00 and 7:00 p.m.; and December 2 at noon and 3:00 p.m.), but tickets are still available for a live, high-definition transmission of the first of the performances, on Friday, November 30, in The Grace Rainey Rogers Auditorium. Following the transmission, the company will make a brief onstage presentation in the auditorium.

The webcast of the Friday, November 30, performance at 7:00 p.m. (not including the post-event presentation) will be live-streamed on the Met’s website, www.metmuseum.org; see the event page for more information. The event will also be archived for later viewing.

In a related talk on November 29, Tan Dun will discuss his vision for restaging Peony Pavilion with Maxwell K. Hearn, Douglas Dillon Curator in Charge of the Department of Asian Art, who organized the complementary exhibition Chinese Gardens: Pavilions, Studios, Retreats, on view August 18, 2012–January 6, 2013. The exhibition demonstrates that China's enclosed gardens, an integral part of residential and palace architecture, have long served as sites for literary gatherings, theatrical performances, and imaginary outings.

Peony Pavilion is co-produced by The Metropolitan Museum of Art and the US-China Cultural Institute.

This program is made possible by an anonymous donor. Additional support is provided by the China-United States Exchange Foundation, US-China Cultural Institute, China International Cultural Association, and the Tang Family Foundation (Bermuda).

Peony Pavilion is one of the most important works of classical Chinese opera. A sweeping love story with subplots involving feudalism, the work in its original form consisted of fifty-five acts that take more than twenty hours to perform. This version, directed by Zhang Jun, remains faithful to the core plot focusing on the love story between the heroine and hero—Du Liniang and Liu Mengmei—and the Peony Pavilion where their love began.

Tan Dun’s new score, which recalls the style and themes of traditional Kunqu music, will be performed by a traditional Kunqu ensemble of four musicians, and will include taped elements.

The conceptual and multifaceted composer/conductor Tan Dun has made an indelible mark on the world's music scene with a creative repertoire that spans the boundaries of classical, multimedia, Eastern and Western musical systems. Central to his body of work, Tan Dun has composed distinct series of works which reflect his individual compositional concepts and personal ideas—among them a series which brings his childhood memories of shamanistic ritual into symphonic performances; works which incorporate elements from the natural world; and multimedia concerti. Opera has a significant role in Tan Dun's creative output of the past decade, mostly recently with the premiere of The First Emperor by the Metropolitan Opera in December 2006 with a title role created for Plácido Domingo. In 2008, Tan composed Internet Symphony No. 1: "Eroica" commissioned by Google/YouTube as the focal point for the world’s first collaborative online orchestra. Recent works include Piano Concerto: The Fire for Lang Lang and the New York Philharmonic; Violin Concerto: The Love, for soloist Cho-Liang Lin, and Earth Concerto for Ceramic Percussion and Orchestra. Of his many works for film, Tan Dun’s score for Ang Lee's film Crouching Tiger, Hidden Dragon received an Academy Award for best original score. www.tandunonline.com

Huang Dou Dou, the artistic director of the Shanghai Song and Dance Ensemble, made his choreographic debut in 1998 with a work titled Spirit of Martial Arts, and in 2001 he choreographed Chinese Go—based on the ancient chess game—for the Vail International Dance Festival. In the past years, Huang has worked closely with composer Tan Dun in experimental works and installation art. Dubbed the “the Baryshnikov of China,” Huang's solo dance performance was broadcast worldwide during the closing ceremony of the 2004 Olympics in Athens.

Zhang Jun is a UNESCO Artist for Peace. Born in Shanghai in 1974, Zhang started learning Kunqu at the age of 12. Since 1994, he has been one of China’s most acclaimed Kunqu actors, performing many leading roles in famous Kunqu plays such as Peony Pavilion, The Palace of Eternal Youth and The Jade Hairpin. Zhang has won the "Meihua (Plum Flower) Award," China's top performing award, as well as many acting prizes and honorable titles, including one of the "Shanghai Ten Outstanding Young Persons" in 2004, "China National Young Cultural Elites" in 2006, and one of China's Best Ten Kunqu Opera Performers in 2007. Zhang has also played the leading role in Tan Dun's opera Marco Polo, which was nominated for a 2010 Grammy Award. Founded in September 2009, the Shanghai Zhang Jun Kunqu Art Center is a non-profit organization which is also the first privately owned professional Kunqu opera company in China. www.zhangjunonline.com

Peony Pavilion
High-Definition Transmission of the performance in The Astor Court
 
Friday, November 30, 2012, at 7:00 p.m. in The Grace Rainey Rogers Auditorium
Tickets: $15
Peony Pavilion is co-produced by The Metropolitan Museum of Art and the US-China Cultural Institute.


This program is made possible by an anonymous donor. Additional support is provided by the China-United States Exchange Foundation, US-China Cultural Institute, China International Cultural Association, and the Tang Family Foundation (Bermuda).

A Conversation with Tan Dun: A New Peony Pavilion in an Old Context 
Thursday, November 29, 2012, at 6:00 p.m. in The Grace Rainey Rogers Auditorium
Tickets: $25
Made possible by the C.F. Roe Slade Foundation.


* For tickets, visit www.metmuseum.org/tickets or call 212-570-3949.
* Tickets are also available at the Great Hall Box Office, which is open Tuesday-Saturday 10-4:30 and Sunday noon-5:00.
* Tickets include admission to the Museum on day of performance.
* 30 & Under Rush: $15 tickets for ticket buyers 30 years and younger, with proof of age, the day of the event (subject to availability). For more information, visit www.metmuseum.org/tickets, call 212-570-3949, or visit the box office.
* Bring the Kids!: $1 tickets for children (ages 7-16) when accompanied by an adult with a full-price ticket (subject to availability). For more information, visit www.metmuseum.org/tickets, call 212-570-3949, or visit the box office.


###

November 7, 2012

Press resources