Quantcast

Search the Press Room

1081–1090 of 1307 Results

Current search results within: All topics

  • The Written Image: Japanese Calligraphy and Painting from the Sylvan Barnet and William Burto Collection

    Thursday, July 18, 2002

    A remarkable collection of Japanese calligraphy and painting assembled by two American collectors over the past 40 years is the subject of the special exhibition The Written Image: Japanese Calligraphy and Painting from the Sylvan Barnet and William Burto Collection, opening at The Metropolitan Museum of Art on October 1. Featuring 60 works, the exhibition traces the evolution of Japanese calligraphy from the Nara (710-784) through the Edo (1615-1868) period, including examples of both Chinese script (kanji) and Japanese kana script. These expressive calligraphic masterworks, including Buddhist holy texts, Zen aphorisms, secular poems, and intimate personal letters, embody diverse expressive goals as well as convey something of the writers' cultivation and character. The works from the Barnet and Burto Collection—among which are notable gifts and promised gifts to the Metropolitan Museum—will be complemented by a selection of Japanese paintings and calligraphy from the museum's holdings.

  • Cultivated Landscapes: Reflections of Nature in Chinese Painting with Selections from the Collection of Marie-Hél ène and Guy Weill

    Wednesday, July 10, 2002

    A major exhibition tracing the evolution of Chinese landscape painting over the last 1,000 years will open at The Metropolitan Museum of Art on September 10. Featuring more than 75 works drawn largely from the Museum's permanent collection, Cultivated Landscapes: Reflections of Nature in Chinese Painting with Selections from the Collection of Marie-Hélène and Guy Weill will explore the manifold uses of natural imagery in Chinese painting as reflections of human beliefs and emotions. Encompassing landscapes and garden scenes dating from the Five Dynasties period (907-960) to the late 20th century, the exhibition will present examples in all pictorial formats: hanging scrolls, handscrolls, album leaves, and fans. A dozen important works by leading masters of the Ming (1368-1644) and Qing (1644-1911) dynasties from the Weill Collection – given or promised to the Museum – will be highlighted in the Frances Young Tang Gallery.

  • Works by Archaeologist Ernst Emile Herzfeld on View at Metropolitan Museum

    Wednesday, June 5, 2002

    Some three dozen works from the archives of Ernst Emile Herzfeld (1879-1948), one of the most prominent archaeologists and scholars of ancient Near Eastern and Islamic art of the first half of the 20th century, will go on view this summer at The Metropolitan Museum of Art in Herzfeld in Samarra. The notebooks, sketchbooks, travel journals, artistically accomplished watercolors and ink drawings, site maps, architectural plans, and photographs were all acquired by the Metropolitan in 1943.

  • American Drawings and Watercolors in The Metropolitan Museum of Art: Highlights from the Collection, 1710-1890

    Wednesday, June 5, 2002

    More than 100 works in pencil, pen and ink, chalk, pastel, and watercolor by some of this country's most renowned early artists will be featured in American Drawings and Watercolors in The Metropolitan Museum of Art: Highlights from the Collection, 1710-1890, opening to the public on September 3, 2002. On view will be examples of portraiture by academic and folk artists, figure drawing, historical and literary narrative, landscape – including several early views of New York City – and scientific illustration. Drawn entirely from the Museum's exceptional holdings of this material, the exhibition celebrates the publication of Volume I of American Drawings and Watercolors in The Metropolitan Museum of Art, which includes works by artists born before 1835.

  • Nomadic Art from the Eastern Eurasian Steppes: The Eugene V. Thaw and Other New York Collections

    Sunday, June 2, 2002

    An exhibition focusing on the extraordinary art of the Eastern Eurasian steppes from the first millennium BC will open at The Metropolitan Museum of Art on October 1. Featuring more than 200 objects, Nomadic Art from the Eastern Eurasian Steppes: The Eugene V. Thaw and Other New York Collections will explore the dynamic art of the nomads who left an indelible impression on the arts of all nomadic societies in Eurasia through subsequent periods and inspired the art of the sedentary cultures that came in contact with them.

  • Portraits

    Sunday, June 2, 2002

    Forty masterworks of photographic portraiture will be on view at The Metropolitan Museum of Art from September 10, 2002, through January 12, 2003. Drawn from the collections of the Metropolitan and the Gilman Paper Company, the installation will accompany the landmark exhibition Richard Avedon: Portraits and will highlight classic images of artists and writers, actors and composers by Nadar, Edward Steichen, and Berenice Abbott, among others.

  • Summer Selections: Scenes and Citizens of the Early Republic in Watercolor

    Sunday, June 2, 2002

    Early 19th–century America will be the focus of this year's Summer Selections, the second annual installation drawn from the Metropolitan Museum's collection of works on paper created by American artists between 1710 and 1920. This summer's exhibition — which coincides with the Metropolitan's presentation of the landmark traveling exhibition Thomas Eakins — will feature the work of two artists active in Philadelphia, Eakins's hometown, in the decades preceding his birth. Some 50 watercolors — including genre scenes, landscapes, and portraits — primarily by the Russian diplomat Pavel Petrovich Svinin (1787/88–1839), along with several works recently attributed to the German émigré John Lewis Krimmel (1786–1821), will be shown. Many of the works document street life in Philadelphia, where Krimmel lived and where Svinin was headquartered for two–and–a–half years.

  • The Age of Impressionism: European Painting from the Ordrupgaard Collection, Copenhagen

    Sunday, June 2, 2002

    Eighty–four paintings — including landmark works of Impressionism and Post-Impressionism, as well as masterpieces from the Golden Age of Danish painting — all from the Ordrupgaard Collection in Copenhagen, Denmark, are featured in this exhibition at The Metropolitan Museum of Art. On view June 18 through September 8, 2002, The Age of Impressionism: European Painting from the Ordrupgaard Collection, Copenhagen offers a dazzling survey of this remarkable collection, including works by Cézanne, Corot, Courbet, Degas, Delacroix, Eckersberg, Gauguin, Købke, Manet, Monet, Pissarro, Renoir, and Sisley, among others. Assembled by the Danish insurance magnate Wilhelm Hansen (1868-1936), both the collection and the country house from which it derives its name were bequeathed to the Danish State upon the death of Hansen's wife, Henny, in 1951.

  • African-American Artists, 1929-1945: Prints, Drawings, and Paintings from The Metropolitan Museum of Art

    Sunday, June 2, 2002

    More than 80 works—drawn extensively from 200 prints donated to the Museum in 1999 by Reba and Dave Williams—will be on view at The Metropolitan Museum of Art from January 14 through May 4, 2003. African-American Artists, 1929-1945: Prints, Drawings, and Paintings from The Metropolitan Museum of Art will feature a variety of print media including intaglio, lithography, woodcut and wood engraving, and serigraph (screen printing), as well as a selection of paintings and watercolors. The exhibition focuses on aspects of daily life for African Americans during the latter period of the Harlem Renaissance, the Depression, and World War II.

  • Genghis Khan's Cultural Legacy Highlighted in Landmark Metropolitan Museum Exhibition

    Sunday, June 2, 2002

    In a lifetime characterized by war and conquest, Genghis Khan (1167?–1227) forged the largest contiguous land empire in human history. His legacy was a unified Mongol confederacy that his sons and grandsons ruled for more than a century. During this peaceful era, people, objects, and ideas moved with unprecedented freedom over a vast territory that reached from the Pacific Ocean to the Black Sea. The confluence of previously distant cultures yielded a bold new visual aesthetic that would resonate in Islamic art for centuries to come.