Genesis: Ideas of Origin in African Sculpture
Thursday, June 12, 2003
More than 75 exceptional examples of sculpture from some of the finest public and private collections of African art in the United States will be shown at The Metropolitan Museum of Art in Genesis: Ideas of Origin in African Sculpture, opening to the public on November 19. The works relate to traditions that interweave elements of myth, history, religion, and contemporary experience to address universal questions: How did the world begin? What is our ancestry? What is the source of agriculture, kingship, and other societal institutions? The exhibition represents the first time that 17 distinct sculptural traditions that take their inspiration from myths of origin will be considered together. Examined in particular depth will be that of the Bamana (Bambara) people of Mali. Forty stunning ci wara (Chi Wara) antelope headdresses – a classical sculptural form from the Bamana – will constitute the largest assemblage of such works and will allow viewers an appreciation of this tradition in its fullest expression. These works will be introduced by 35 rarely seen masterpieces from 16 distinct cultural traditions from sub-Saharan Africa.
Manet/Velázquez: The French Taste for Spanish Painting to Open at Metropolitan Museum March 4
Thursday, June 12, 2003
The first major exhibition ever to examine the impact of 17th-century Spanish painting
on 19th-century French artists will feature nearly 240 paintings and works on paper spanning several centuries of European art at the most astounding levels of achievement. On view will be some 130 paintings by Velázquez, Murillo, Ribera, El Greco, Zurbarán, and other masters of Spain's Golden Age as well as masterpieces by the 19th-century French artists they influenced, among them Delacroix, Courbet, Millet, Degas, and, most notably, Manet. On view at The Metropolitan Museum of Art from March 4 through June 8, 2003, Manet/Velázquez: The French Taste for Spanish Painting will also include works by American artists such as Sargent, Chase, Eakins, Whistler, and Cassatt, who studied in France but learned to paint like Spaniards.
African-American Artists, 1929-1945: Prints, Drawings, and Paintings in The Metropolitan Museum of Art
Thursday, June 12, 2003
More than 70 works—drawn extensively from 204 prints donated to the Museum by Reba and Dave Williams in 1999—will be on view at The Metropolitan Museum of Art from January 15 through May 4, 2003.
Metropolitan Museum of Art Creates Spacious Public Cafeteria, Centerpiece of New, Expanded Museum Restaurant Program
Tuesday, June 10, 2003
New York, June 4, 2003 – A spacious, attractively informal new public cafeteria for visitors to The Metropolitan Museum of Art will open on Tuesday, June 17. Located at the very center of the Museum, on the ground floor beneath the Medieval Sculpture Hall, this handsome cafeteria—which comfortably seats 440—replaces the long-time first-floor restaurant adjacent to the Mary and Michael Jaharis Gallery for Greek and Roman art. At the same time, the existing Petrie Court Café—located along the glass wall facing west into Central Park from the Carroll and Milton Petrie European Sculpture Court—will reopen concurrently as a full-service restaurant for Museum visitors, featuring café cuisine accompanied by breathtaking views of the park.
Metropolitan Museum Extends Popular Landmark Exhibition Manet/Velázquez: The French Taste for Spanish Painting through June 29
Thursday, May 29, 2003
(New York, June 2, 2003)—Due to the exceptionally strong public response to The Metropolitan Museum of Art's acclaimed international loan exhibition Manet/Velázquez: The French Taste for Spanish Painting, the Museum announced today that it will extend the run of the show through June 29. It was originally scheduled to close on June 8.
Celebrating Saint Petersburg
Thursday, May 29, 2003
The 300th anniversary of the founding of Saint Petersburg will be celebrated at The Metropolitan Museum of Art with a display of the Museum's important holdings of sculpture and decorative works of art, either made in the imperial Russian capital or formerly included in Saint Petersburg collections.
First Major Retrospective of Dutch Master Hendrick Goltzius To Open at Metropolitan Museum June 26
Wednesday, May 21, 2003
The first major retrospective devoted to the virtuoso Netherlandish mannerist Hendrick Goltzius – one of the most versatile and accomplished figures in the history of art – will open at The Metropolitan Museum of Art on June 26, 2003. Hendrick Goltzius, Dutch Master (1558-1617): Drawings, Prints, and Paintings, an international loan exhibition of more than 160 works, spans the artist's entire career and demonstrates his legendary mastery of a remarkably wide range of media, subject matter, and styles – from extravagantly complex mythological scenes in prints, to sensitively observed studies from nature, to sumptuously colored oil paintings on canvas and copper. The exhibition remains on view at the Metropolitan through September 7, 2003.
Charles Sheeler's Contemporaries
Monday, May 12, 2003
Some 40 vintage photographs from the collections of The Metropolitan Museum of Art and the Gilman Paper Company will be on view at The Metropolitan Museum of Art from June 3 through August 17, 2003, complementing The Photography of Charles Sheeler. Ranging from Frederick H. Evans's rich platinum prints of the interior of William Morris's home (1896), to Ralph Steiner's Power Lines and Insulators (1929), Charles Sheeler's Contemporaries will feature works by early 20th-century photographers who drew inspiration from the American city, the machine, and the radical innovations of European modernists.
Goddess to be Theme of Costume Institute's Spring 2003 Exhibition and Gala at Metropolitan Museum
Monday, May 5, 2003
From the clothing of ancient Greece to such modern evocations as Madame Grès's emblematic creations and Versace's Neoclassical loincloths, classical dress has profoundly inspired and influenced art and fashion through the millennia. Goddess – a major exhibition opening in The Metropolitan Museum of Art's Costume Institute on May 1, 2003 – will present clothing, prints, photographs, and decorative works of art from the 18th century onward, to reveal the many ways in which classical dress has become a truly timeless style.
Civilizations of Ancient Iraq, Syria, Turkey, and Pakistan Featured in Landmark Metropolitan Museum Show
Sunday, May 4, 2003
The remarkable flowering of the world's earliest civilizations some 5,000 years ago in Mesopotamia—present-day Iraq—will be the focus of a landmark exhibition opening at The Metropolitan Museum of Art on May 8. The culmination of years of planning and research, Art of the First Cities: The Third Millennium B.C. from the Mediterranean to the Indus will survey the evolution of art and culture in the land between the rivers Tigris and Euphrates and their impact on the emerging cities of the ancient world—from the Aegean and Eastern Mediterranean across Central Asia and along the Gulf to the Indus Valley—during one of the most seminal and creative periods in history. Some 50 museums from more than a dozen countries in Europe, Asia, and the Middle East will participate in this ambitious exhibition, lending national treasures that have rarely, if ever, been sent outside the walls of their art institutions.