Metropolitan Museum of Art to Donate 9/11 Admissions to Neighborhood Firehouse Family Fund
Thursday, September 5, 2002
(New York, September 6, 2002)—The Metropolitan Museum of Art announced today that it will donate all of the admissions revenues it receives at the main building and The Cloisters on Wednesday, September 11, to the Engine 22 and Ladder 13 Family Fund—a charity established by the neighborhood firehouse that lost nine men at the World Trade Center one year ago.
SCHEDULE OF EXHIBITIONS SEPTEMBER—DECEMBER 2002
Wednesday, August 21, 2002
New and Recently Opened Installations
Recent Acquisitions of Arms and Armor Displayed at Metropolitan Museum
Tuesday, July 30, 2002
Some 60 of the most important examples of armor, weapons, firearms, and martial accoutrements acquired by The Metropolitan Museum of Art in the last decade will be shown this fall. Opening to the public on September 4, Arms and Armor: Notable Acquisitions 1991-2002 will be the inaugural exhibition in the newly named Arthur Ochs Sulzberger Gallery.
A Very Private Collection: Janice H. Levin's Impressionist Pictures
Sunday, July 28, 2002
The collection of some 35 Impressionist pictures that graced the walls of Janice H. Levin's Fifth Avenue apartment will be on view at The Metropolitan Museum of Art from November 19, 2002, through February 9, 2003. The intimately scaled exhibition, A Very Private Collection: Janice H. Levin's Impressionist Pictures will include exceptional works by many of the great masters of 19th-century French painting – Bonnard, Degas, Monet, Pissarro, Renoir, and Vuillard, among others.
Théodore Chassériau (1819--1856): The Unknown Romantic
Sunday, July 28, 2002
The first retrospective exhibition in the United States of works by the lyrical 19th-century French painter Théodore Chassériau will be on view at The Metropolitan Museum of Art from October 22, 2002, through January 5, 2003. Théodore Chassériau (1819--1856): The Unknown Romantic will feature 54 paintings and 82 works on paper – many never before exhibited in the United States – culled from international collections. Although he ranks among the most important and influential artists of the first half of the 19th century, Chassériau has remained one of the least known to modern audiences.
The Written Image: Japanese Calligraphy and Painting from the Sylvan Barnet and William Burto Collection
Thursday, July 18, 2002
A remarkable collection of Japanese calligraphy and painting assembled by two American collectors over the past 40 years is the subject of the special exhibition The Written Image: Japanese Calligraphy and Painting from the Sylvan Barnet and William Burto Collection, opening at The Metropolitan Museum of Art on October 1. Featuring 60 works, the exhibition traces the evolution of Japanese calligraphy from the Nara (710-784) through the Edo (1615-1868) period, including examples of both Chinese script (kanji) and Japanese kana script. These expressive calligraphic masterworks, including Buddhist holy texts, Zen aphorisms, secular poems, and intimate personal letters, embody diverse expressive goals as well as convey something of the writers' cultivation and character. The works from the Barnet and Burto Collection—among which are notable gifts and promised gifts to the Metropolitan Museum—will be complemented by a selection of Japanese paintings and calligraphy from the museum's holdings.
Cultivated Landscapes: Reflections of Nature in Chinese Painting with Selections from the Collection of Marie-Hél ène and Guy Weill
Wednesday, July 10, 2002
A major exhibition tracing the evolution of Chinese landscape painting over the last 1,000 years will open at The Metropolitan Museum of Art on September 10. Featuring more than 75 works drawn largely from the Museum's permanent collection, Cultivated Landscapes: Reflections of Nature in Chinese Painting with Selections from the Collection of Marie-Hélène and Guy Weill will explore the manifold uses of natural imagery in Chinese painting as reflections of human beliefs and emotions. Encompassing landscapes and garden scenes dating from the Five Dynasties period (907-960) to the late 20th century, the exhibition will present examples in all pictorial formats: hanging scrolls, handscrolls, album leaves, and fans. A dozen important works by leading masters of the Ming (1368-1644) and Qing (1644-1911) dynasties from the Weill Collection – given or promised to the Museum – will be highlighted in the Frances Young Tang Gallery.
Works by Archaeologist Ernst Emile Herzfeld on View at Metropolitan Museum
Wednesday, June 5, 2002
Some three dozen works from the archives of Ernst Emile Herzfeld (1879-1948), one of the most prominent archaeologists and scholars of ancient Near Eastern and Islamic art of the first half of the 20th century, will go on view this summer at The Metropolitan Museum of Art in Herzfeld in Samarra. The notebooks, sketchbooks, travel journals, artistically accomplished watercolors and ink drawings, site maps, architectural plans, and photographs were all acquired by the Metropolitan in 1943.
American Drawings and Watercolors in The Metropolitan Museum of Art: Highlights from the Collection, 1710-1890
Wednesday, June 5, 2002
More than 100 works in pencil, pen and ink, chalk, pastel, and watercolor by some of this country's most renowned early artists will be featured in American Drawings and Watercolors in The Metropolitan Museum of Art: Highlights from the Collection, 1710-1890, opening to the public on September 3, 2002. On view will be examples of portraiture by academic and folk artists, figure drawing, historical and literary narrative, landscape – including several early views of New York City – and scientific illustration. Drawn entirely from the Museum's exceptional holdings of this material, the exhibition celebrates the publication of Volume I of American Drawings and Watercolors in The Metropolitan Museum of Art, which includes works by artists born before 1835.
Nomadic Art from the Eastern Eurasian Steppes: The Eugene V. Thaw and Other New York Collections
Sunday, June 2, 2002
An exhibition focusing on the extraordinary art of the Eastern Eurasian steppes from the first millennium BC will open at The Metropolitan Museum of Art on October 1. Featuring more than 200 objects, Nomadic Art from the Eastern Eurasian Steppes: The Eugene V. Thaw and Other New York Collections will explore the dynamic art of the nomads who left an indelible impression on the arts of all nomadic societies in Eurasia through subsequent periods and inspired the art of the sedentary cultures that came in contact with them.