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  • Théodore Chassériau (1819--1856): The Unknown Romantic

    Sunday, July 28, 2002

    The first retrospective exhibition in the United States of works by the lyrical 19th-century French painter Théodore Chassériau will be on view at The Metropolitan Museum of Art from October 22, 2002, through January 5, 2003. Théodore Chassériau (1819--1856): The Unknown Romantic will feature 54 paintings and 82 works on paper – many never before exhibited in the United States – culled from international collections. Although he ranks among the most important and influential artists of the first half of the 19th century, Chassériau has remained one of the least known to modern audiences.

  • A Very Private Collection: Janice H. Levin's Impressionist Pictures

    Sunday, July 28, 2002

    The collection of some 35 Impressionist pictures that graced the walls of Janice H. Levin's Fifth Avenue apartment will be on view at The Metropolitan Museum of Art from November 19, 2002, through February 9, 2003. The intimately scaled exhibition, A Very Private Collection: Janice H. Levin's Impressionist Pictures will include exceptional works by many of the great masters of 19th-century French painting – Bonnard, Degas, Monet, Pissarro, Renoir, and Vuillard, among others.

  • The Written Image: Japanese Calligraphy and Painting from the Sylvan Barnet and William Burto Collection

    Thursday, July 18, 2002

    A remarkable collection of Japanese calligraphy and painting assembled by two American collectors over the past 40 years is the subject of the special exhibition The Written Image: Japanese Calligraphy and Painting from the Sylvan Barnet and William Burto Collection, opening at The Metropolitan Museum of Art on October 1. Featuring 60 works, the exhibition traces the evolution of Japanese calligraphy from the Nara (710-784) through the Edo (1615-1868) period, including examples of both Chinese script (kanji) and Japanese kana script. These expressive calligraphic masterworks, including Buddhist holy texts, Zen aphorisms, secular poems, and intimate personal letters, embody diverse expressive goals as well as convey something of the writers' cultivation and character. The works from the Barnet and Burto Collection—among which are notable gifts and promised gifts to the Metropolitan Museum—will be complemented by a selection of Japanese paintings and calligraphy from the museum's holdings.

  • Cultivated Landscapes: Reflections of Nature in Chinese Painting with Selections from the Collection of Marie-Hél ène and Guy Weill

    Wednesday, July 10, 2002

    A major exhibition tracing the evolution of Chinese landscape painting over the last 1,000 years will open at The Metropolitan Museum of Art on September 10. Featuring more than 75 works drawn largely from the Museum's permanent collection, Cultivated Landscapes: Reflections of Nature in Chinese Painting with Selections from the Collection of Marie-Hélène and Guy Weill will explore the manifold uses of natural imagery in Chinese painting as reflections of human beliefs and emotions. Encompassing landscapes and garden scenes dating from the Five Dynasties period (907-960) to the late 20th century, the exhibition will present examples in all pictorial formats: hanging scrolls, handscrolls, album leaves, and fans. A dozen important works by leading masters of the Ming (1368-1644) and Qing (1644-1911) dynasties from the Weill Collection – given or promised to the Museum – will be highlighted in the Frances Young Tang Gallery.

  • American Drawings and Watercolors in The Metropolitan Museum of Art: Highlights from the Collection, 1710-1890

    Wednesday, June 5, 2002

    More than 100 works in pencil, pen and ink, chalk, pastel, and watercolor by some of this country's most renowned early artists will be featured in American Drawings and Watercolors in The Metropolitan Museum of Art: Highlights from the Collection, 1710-1890, opening to the public on September 3, 2002. On view will be examples of portraiture by academic and folk artists, figure drawing, historical and literary narrative, landscape – including several early views of New York City – and scientific illustration. Drawn entirely from the Museum's exceptional holdings of this material, the exhibition celebrates the publication of Volume I of American Drawings and Watercolors in The Metropolitan Museum of Art, which includes works by artists born before 1835.

  • Works by Archaeologist Ernst Emile Herzfeld on View at Metropolitan Museum

    Wednesday, June 5, 2002

    Some three dozen works from the archives of Ernst Emile Herzfeld (1879-1948), one of the most prominent archaeologists and scholars of ancient Near Eastern and Islamic art of the first half of the 20th century, will go on view this summer at The Metropolitan Museum of Art in Herzfeld in Samarra. The notebooks, sketchbooks, travel journals, artistically accomplished watercolors and ink drawings, site maps, architectural plans, and photographs were all acquired by the Metropolitan in 1943.

  • Christmas Tree and Neapolitan Baroque Crèche

    Sunday, June 2, 2002

    The Christmas tree and Neapolitan Baroque crèche at The Metropolitan Museum of Art, a long-established yuletide tradition in New York, will be on view for the holiday season beginning in late November. The brightly lit, 20-foot blue spruce – with a collection of 18th-century Neapolitan angels and cherubs among its boughs and groups of realistic crèche figures flanking the Nativity scene at its base – will once again delight holiday visitors in the Museum's Medieval Sculpture Hall. Set in front of the 18th-century Spanish choir screen from the Cathedral of Valladolid, with recorded Christmas music in the background, the installation reflects the spirit of the holiday season. There will be a spectacular lighting ceremony every Friday and Saturday evening at 7:00 p.m.

  • African-American Artists, 1929-1945: Prints, Drawings, and Paintings from The Metropolitan Museum of Art

    Sunday, June 2, 2002

    More than 80 works—drawn extensively from 200 prints donated to the Museum in 1999 by Reba and Dave Williams—will be on view at The Metropolitan Museum of Art from January 14 through May 4, 2003. African-American Artists, 1929-1945: Prints, Drawings, and Paintings from The Metropolitan Museum of Art will feature a variety of print media including intaglio, lithography, woodcut and wood engraving, and serigraph (screen printing), as well as a selection of paintings and watercolors. The exhibition focuses on aspects of daily life for African Americans during the latter period of the Harlem Renaissance, the Depression, and World War II.

  • Summer Selections: Scenes and Citizens of the Early Republic in Watercolor

    Sunday, June 2, 2002

    Early 19th–century America will be the focus of this year's Summer Selections, the second annual installation drawn from the Metropolitan Museum's collection of works on paper created by American artists between 1710 and 1920. This summer's exhibition — which coincides with the Metropolitan's presentation of the landmark traveling exhibition Thomas Eakins — will feature the work of two artists active in Philadelphia, Eakins's hometown, in the decades preceding his birth. Some 50 watercolors — including genre scenes, landscapes, and portraits — primarily by the Russian diplomat Pavel Petrovich Svinin (1787/88–1839), along with several works recently attributed to the German émigré John Lewis Krimmel (1786–1821), will be shown. Many of the works document street life in Philadelphia, where Krimmel lived and where Svinin was headquartered for two–and–a–half years.

  • Genghis Khan's Cultural Legacy Highlighted in Landmark Metropolitan Museum Exhibition

    Sunday, June 2, 2002

    In a lifetime characterized by war and conquest, Genghis Khan (1167?–1227) forged the largest contiguous land empire in human history. His legacy was a unified Mongol confederacy that his sons and grandsons ruled for more than a century. During this peaceful era, people, objects, and ideas moved with unprecedented freedom over a vast territory that reached from the Pacific Ocean to the Black Sea. The confluence of previously distant cultures yielded a bold new visual aesthetic that would resonate in Islamic art for centuries to come.