AMERICAN FOLK ART IN THE METROPOLITAN MUSEUM OF ART
Sunday, January 10, 1999
Paintings, watercolors, drawings, and portrait miniatures by the greatest names in American folk art — Rufus Hathaway, Edward Hicks, Joshua Johnson, Ammi Phillips, and other artists working within naive and provincial traditions in the United States during the 18th and 19th centuries — will be featured in American Folk Art in The Metropolitan Museum of Art, on view in The American Wing.
EIGHTEENTH-CENTURY FRENCH DRAWINGS IN NEW YORK COLLECTIONS
Sunday, January 10, 1999
Throughout the 18th century, France was an artistic center whose influence reached far beyond its borders. In a culture that placed a high value on artistic inspiration and individuality, the appreciation of drawings one of the most immediate and intimate of art forms saw a vast expansion. Though drawings continued to play a utilitarian role in the artist's creative process, they were increasingly made as independent objects, with an eye toward display and delectation. On view February 2 through April 25, 1999, Eighteenth-Century French Drawings in New York Collections surveys the many achievements of this widely-admired period of French art, when artists such as Watteau, Boucher, Fragonard, Robert, David, and Greuze, among others, created images of surpassing beauty and virtuosity.
GUARDIANS OF THE LONGHOUSE: ART IN BORNEO
Sunday, January 10, 1999
The first American exhibition devoted exclusively to the Kenyah-Kayan art of central Borneo will open at The Metropolitan Museum of Art on April 13, 1999. With loans from museums and private collectors nationwide, Guardians of the Longhouse: Art in Borneo will feature more than 60 works exploring the theme of the supernatural and physical defense of the longhouse community in Kenyah-Kayan art. Dating from the classic period of Borneo art, from the late 19th to the early 20th century, works in the exhibition many of which have never been displayed before range from robust wooden figures and architectural sculpture to delicately carved items of personal adornment.
THE TREASURY OF SAINT FRANCIS OF ASSISI
Sunday, January 10, 1999
In an unprecedented collaboration, the Ministry of Culture in Rome, the Apostolic Library at the Vatican, and the Basilica and Convent of San Francesco at Assisi have organized this once-in-a-lifetime exhibition to heighten awareness of the effects of the earthquakes that devastated Assisi, Italy, in September 1997. Nearly 70 masterpieces of medieval and Renaissance panel painting, sculpture, goldsmiths' work, textiles, and manuscript illumination have been lent from the collections of the Basilica of San Francesco. These will be joined at The Metropolitan Museum of Art by an additional 30 works of art from museums and private collections throughout Europe and America in The Treasury of Saint Francis of Assisi. Among the works featured will be some of the key monuments in the development of early Renaissance art, leading up to that epoch's first flowering in the work of Cimabue and Giotto in Assisi approximately 700 years ago.
DOSSO DOSSI, COURT PAINTER IN RENAISSANCE FERRARA
Sunday, January 3, 1999
The first monographic survey of Dosso Dossi's work, opening at The Metropolitan Museum of Art January 14, will include some 60 paintings carefully chosen to reflect the richness and quality of the artist's achievement. On view January 14 through March 28, 1999, Dosso Dossi, Court Painter in Renaissance Ferrara features rarely lent masterpieces from collections in America and Europe above all, the Borghese Gallery in Rome and offers a unique opportunity to experience the full scope of Dosso's work, not seen since the dispersal of Ferrara's artistic treasures following the end of Este rule in the late 16th century.
CUBISM AND FASHION
Sunday, November 1, 1998
Cubism and Fashion — an exhibition demonstrating how the fundamental traits of Cubism in art have been translated into fashion — will open in The Costume Institute of The Metropolitan Museum of Art on December 10, 1998. The examples on display will range from the beginnings of Cubism in 1908 to the present day. This landmark exhibition will be launched on the occasion of the 50th anniversary of The Costume Institute Gala, known as the "Party of the Year."
CLAY INTO ART: SELECTIONS FROM THE COLLECTION OF CONTEMPORARY CERAMICS
Wednesday, October 28, 1998
Clay into Art: Selections from the Contemporary Ceramics Collection in The Metropolitan Museum of Art brings together 61 ceramic pieces from the Museum's collection that capture an unprecedented period of creativity in ceramics and demonstrate the dramatic breadth of styles that emerged during the latter half of this century. The exhibition will include works by an international group of ceramists, from conceptually traditional vessel forms such as teapots, bowls and vases, to unconventionally monumental sculptures. This is the fourth exhibition in the Department of 20th Century Art's continuing series of shows that feature works executed in one medium.
CHRISTMAS TREE AND NEAPOLITAN BAROQUE CRÈCHE
Sunday, October 25, 1998
The Christmas tree and Neapolitan Baroque crèche at The Metropolitan Museum of Art, a long established yuletide tradition in New York, will be on view for the holiday season. The brightly lit, twenty-foot blue spruce — with a collection of 18th-century Neapolitan angels and cherubs among its boughs and groups of realistic crèche figures flanking the Nativity scene at its base — will once again delight holiday visitors in the Museum's Medieval Sculpture Hall. Set in front of the 18th-century Spanish choir screen from the Cathedral of Valladolid, with recorded Christmas music in the background, the installation reflects the spirit of the holiday season. There will be a spectacular lighting ceremony every Friday and Saturday evening at 7:00 p.m.
NATIVE AMERICANS' ARTISTIC HERITAGE ON VIEW
Sunday, April 26, 1998
Native Paths: American Indian Art from the Collection of Charles and Valerie Diker, a 20-month-long Metropolitan Museum exhibition of some 140 exceptional Native American works of art, will explore the broad cultural and artistic diversity of the Native peoples of this hemisphere different times and places, materials and functions, peoples and traditions. More than 70 works will be shown in the first of three six-month rotations, ranging from quilled and beaded objects to pottery and basketry vessels to wood and bone sculpture. An important group of Plains Indian drawings, known today as ledger drawings, will also be on view. While some works in the Diker Collection date to the late 18th century, most date to the 19th and early 20th century. The exhibition will be on view from May 7, 1998, through January 2, 2000.
METROPOLITAN MUSEUM ANNOUNCES THAT, WITH RETIREMENT OF WILLIAM H. LUERS IN 1999, MUSEUM WILL RETAIN OFFICES OF BOTH PRESIDENT AND DIRECTOR, DESIGNATING DIRECTOR PHILIPPE DE MONTEBELLO AS CHIEF EXECUTIVE OFFICER
Tuesday, January 13, 1998
(January 14, 1998) — Noting that President William H. Luers plans to retire in the spring of 1999, Arthur Ochs Sulzburger, Chairman of the Board of Trustees of The Metropolitan Museum of Art, today announced that at yesterday's meeting of the Trustees, the Board adopted a Report on Governance which reaffirms that the positions of both Director and President will remain essential to the effective leadership of the Museum.